Igor Stravinskiy

Moted:	18 yunul 1882, 17 yunul 1882 Lomonosov [*] , Sankt-Peterburg
Deadam:	6 prilul 1971 New York
Deadamakod:	heart failure [*]
Lifatopam:	Paris , Paris , Biarritz , Nice , New York , New York , Voreppe , West Hollywood [*] , Sankt-Peterburg , Morges District [*] , Jveizan , Roma
Cal(s):	hinoatadan [*] , hidilekan [*] , hipianodan [*] , himusigan [*]
Tatat(s):	Fransan , Lamporan Rusanik [*] , Lamerikan , Rusan
Matan(s):	Yekaterina Nosenko [*] , Vera de Bosset [*]
Cil(s):	Soulima Stravinsky [*] , Theodore Strawinsky [*]
Pal(s):	Fyodor Stravinsky [*]
Gem(s):	Yury Stravinsky [*]
Dispenad:

Hiel Igor Fyodorovic Stravinskiy ( Rusanapuko : Игорь Фёдорович Стравинский ; 1882 yunul 17 - 1971 prilul 6 ) abinom noatadan Rusanik , kel palecedom fa modikans in Vesudan asi in loman okik as noatadan flunilabikun musiga tumyela 20id. ^[1] Abinom Rusanan kosmopolik patedik, kel panemom fa gased Lamerikanik: Time balan posodas flunilabikun 100 tumyela 20id. ^[2] Pla sevad, keli agetom seku noatadots okik, afamikom id as pianodan ed as musigidilekan , suvo po els premieres vobotas okik.

Noatadanakarier ela Stravinskiy abinon kupadik seku distof stulik oka. Adagetom sevadi bevunetik medu baolets kil fa teatidilekan: Sergey Dyagilev pibegols e fa els Ballets Russes (Baolets Rusanik) hiela Dyagilev paplosenols: L'oiseau de feu (Filabod, 1910), Petrujka (1911/1947) e Le sacre du printemps (Saludukam Florupa, 1913). ?Saludukam“, kela premiere akodon volutili, avotukon modi, on kel noatadans posik abetikons ritmutabinodi; junu vision omik relajenotas paganik in Rusan vonadik pajenukolas laijanalon luloganefis.

Pos period Rusanik balid oka, aflekom oki lu nula-klatadim un degyel: 1920. Vobots perioda at gebons fomis musigik vonaoloveik (el concerto grosso , el fugue , sumfon) e suvo klanedons fakadi namofik dis jinalogot sevarik; suvo ajonons stimi mastanes buik, as hiel J. S. Bach , hiel Verdi e hiel Caykovskiy .

Un degyel: 1950 alasumom fomis sokodimik , agebolo tiketis nulik du yels latik teldeg lifupa okik ad noatadon vobotis brefikum a labu binod ritmutik, baitonik a yumedik komplitikum, kas alabons vobotis primik oma. To komplitof onsik, vobots at labons patis kobadik ko vobotem lolik ela Stravinskiy: namet ritmutik, bumam tiketas melodik lunik me ziobs anik binu noats te tels u kils, e fom e stumam kleiliks.

Apubom i modoti bukas du karier okik, ti ai yufu kevobans, anikna nen maniot. In buk do lifajenad okik, palautol yufu hiel Alexis Roland-Manuel , el Stravinskiy apenom cedi famik oma, bai kel ?musig, seku natal okik it, binon binalo nefagik ad notidon dini alseimik“. ^[3] Yufu el Roland-Manuel e hiel Pierre Souvtchinsky, apenom Tidodis stimu hiel Charles Eliot Norton pro Niver di Harvard (1939-1940), kels pareidons in Fransanapuk e poso pakonletons e papubons un 1942 tiadu Poetique musicale (Poed musigik). ^[4] Telspikots anik vu el Stravinskiy e hiel Robert Craft papubons tiadu Conversations with Igor Stravinsky (Telspikots ko hiel Igor Stravinskiy) ^[5] Bofikans akevoboms po toums votik lul du degyel asokol.

Noets [ redakon ? redakon fonati ]

1. ↑ Page 2006; Robinson 2004; Anonymous 1940; Theodore e Denise Strawinsky 2004, pad: 166; Cohen 2004, pad: 30.
2. ↑ Glass 1998 [1] .
3. ↑ Stravinsky 1936, pads: 91-92.
4. ↑ Nems kevobanas no pamaniotolas pelisedons fa el Walsh (2001).
5. ↑ Stravinsky e Craft 1959.

Literat [ redakon ? redakon fonati ]

• Adorno, Theodor. 1949. Philosophie der neuen Musik. Tubingen: J. C. B. Mohr.
• Anonymous. 1940. "Musical Count". Gased: Time (mudel, mazul 11).
• Blitzstein, Marc. 1935. The Phenomenon of Stravinsky. Musical Quarterly toum: 21, num: 3 (yulul), pads: 330?347. Padonupubol un 1991, Musical Quarterly toum: 75, num: 4 (nifup), pads: 51-69.
• Browne, Andrew J. 1930. Aspects of Stravinsky's Work. Music & Letters , toum: 11, num: 4 (tobul), pads: 360-366. [2] . Pekonsulton tu 2007 novul 19 (bonedam zesudon).
• Cocteau, Jean. 1918. Le Coq et l'arlequin: notes de la musique. Paris: Editions de la Sirene. Padonupubol un 1979, labu fonun hiela Georges Auric. Paris: Stock. ISBN 2-234-01081-0 .
• Cohen, Allen. 2004. Howard Hanson in Theory and Practice. Westport, Conn.: Praeger Publishers. ISBN 0-313-32135-3
• Copland, Aaron. 1952. Music and Imagination. Cambridge, Massachusetts: Harvard University Press.
• Craft, Robert. 1993. Stravinsky: Glimpses of a Life. St Martins Press.
• Craft, Robert. 1997. Stravinsky: Chronicle of a Friendship. Vanderbilt University Press.
• Dubal, David. 2001. The Essential Canon of Classical Music. New York: North Point Press.
• Eksteins, Modris. 1989. Rites of Spring: The Great War and the Modern Era. Boston: Houghton Mifflin Company. ISBN 0-395-49856-2 . Padonupubol un 1990, New York: Anchor Books ISBN 0-385-41202-9 ; padonupubol un 2000, Boston: Mariner Books ISBN 0-395-93758-2 )
• Glass, Philip. 1998. Igor Stravinsky. Gased: Time (mudel, yunul 8).
• Greene, David Mason. 1985. Biographical Encyclopaedia of Composers. New York: Doubleday.
• Holland, Bernard. 2001. Stravinsky, a Rare Bird Amid the Palms: A Composer in California, at Ease if Not at Home. Gased: The New York Times (mazul 11).
• Lambert, Constant. 1936. Music Ho! A Study of Music in Decline. New York: Charles Scribner's Sons.
• Lawson, Rex. 1986. Stravinsky and the Pianola, in: Confronting Stravinsky , red. fa el Pasler. Los Angeles: University of California Press. ISBN 0-520-05403-2 .
• Page, Tim. 2006. Classical Music: Great Composers, a Less-Than-Great Poser and an Operatic Impresario. Gased: Washington Post (Sudel, yulul 30): BW13.
• Robinson, Lisa. 2004. Opera Double Bill Offers Insight Into Stravinsky's Evolution. Juilliard Journal Online toum: 19, num: 7 (prilul).
• Siegmeister, Elie (red.). 1943. The Music Lover's Handbook. New York: William Morrow and Company.
• Slonimsky, Nicolas . 1953. Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time. New York: Coleman-Ross. Dabukot telid: New York: Coleman-Ross, 1965, padonupubol un 1969, Washington Paperbacks WP-52, Seattle: University of Washington Press, padonupubol nogna un 1974, Seattle: University of Washington Press, 1974 ISBN 0-295-78579-9 , e New York: Norton, 2000 ISBN 0-393-32009-X (pbk).
• Straus, Joseph N. 2001. Stravinsky's Late Music. Cambridge Studies in Music Theory and Analysis, toum: 16. Cambridge, New York, Port Melbourne, Madrid, e Cape Town: Cambridge University Press. ISBN 0-521-80220-2 , ISBN 0-521-60288-2 .
• Stravinsky, Igor. 1936. Chronicle of My Life. London: Gollancz. Padonupubol as: An Autobiography (1903-1934). London: Marion Boyars, 1990. ISBN 0-7145-1082-3 . Padonupubol un 1998, New York: W. W. Norton & Co. ISBN 0-393-31856-7 .
• Stravinsky, Igor, e Robert Craft. 1959. Conversations with Igor Stravinsky. Garden City, NY: Doubleday. Padonupubol un 1980, Berkeley: University of California Press. ISBN 0-520-04040-6
• Stravinsky, Igor, e Robert Craft. 1962. Expositions and Developments . London: Faber & Faber.
• Stravinsky, Igor, e Robert Craft. 1960. Memories and Commentaries. Garden City, N.Y.: Doubleday. Padonupubol un 1981, Berkeley and Los Angeles: University of California Press. ISBN 0-520-04402-9 . Padonupubol un 2002, London: Faber and Faber. ISBN 0-571-21242-5
• Strawinsky, Theodore, e Denise Strawinsky. 2004. Catherine and Igor Stravinsky: A Family Chronicle 1906?1940. New York: Schirmer Trade Books; London: Schirmer Books. ISBN 0-8256-7290-2
• Taruskin, Richard. 1996. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Toums tel. Berkeley: University of California Press. ISBN 0-520-07099-2
• Volta, Ornella. 1989. Satie Seen through His Letters. London: Boyars. ISBN 0-7145-2980-X .
• Walsh, Stephen. 2000. Stravinsky. A Creative Spring: Russia and France 1882-1934 . London: Jonathan Cape.
• Walsh, Stephen. 2001. Stravinsky, Igor. New Grove Dictionary of Music and Musicians , Dab. 2id. London: MacMillian.
• Wenborn, Neil. 1985. Stravinsky. London: Omnibus Press. ISBN 0-7119-7651-1 .
• Zappa, Frank e Peter Occhiogrosso. 1989. The Real Frank Zappa Book. New York: Poseidon Press. ISBN 0-671-63870-X (telna padonupubol un 1990, New York: Fireside Books, ISBN 0-671-70572-5 e New York: Picador Books ISBN 0-330-31625-7 )