S Wikipedije, slobodne enciklopedije
Publije Ovidije Nazon
(
Publius Ovidius Naso
) poznatiji kao
Ovidije
, bio je anti?ki pjesnik. On se, pored
Horacija
i
Vergilija
, ubraja među tri najve?a pjesnika klasi?ne rimske knji?evnosti.
[1]
U svojoj ranoj fazi, Ovidije je pisao ljubavne pjesme, u zrelijoj fazi bavio se epskim ciklusima, da bi u kasnoj fazi pisao tu?balice (jadikovke).
Njegova dobro o?uvana djela i radovi nisu bila dovoljno cijenjena i po?tovana u kasnoj antici. Međutim, u
Srednjem vijeku
i
baroku
, ona su imala izuzetno sna?aj utjecaj na pjesni?tvo, likovnu umjetnost i muziku tog perioda. Ipak, u periodu
romantike
, taj utjecaj je opao, o?ivjev?i opet u drugoj polovini 19. vijeka.
[1]
Iako je njegov cjelokupni rad duboko urastao u kulturnu svijest dana?nje civilizacije, ipak se "
Preobra?aji
" ("Metamorfoze") smatraju za njegovo najve?e djelo.
Ovidije je pisao vi?e o svom ?ivotu nego ve?ina drugih rimskih pjesnika. Podaci o njegovoj biografiji crpe se prvenstveno iz njegove poezije, posebno iz
Tristije
4.10,
[2]
koja daje podu?i autobiografski prikaz njegovog ?ivota. Drugi izvori uklju?uju
Seneku Starijeg
i
Kvintilijana
.
Ovidije je prvih 25 godina svoje knji?evne karijere proveo prvenstveno pi?u?i poeziju u
elegi?nom metru
sa erotskim temama.
[3]
Hronologija ovih ranih radova nije sigurna, ali nau?nici su utvrdili okvirne datume. Smatra se da su njegovo najranije sa?uvano djelo
Heroides
, pisma mitolo?kih heroina njihovim odsutnim ljubavnicima, koja su mo?da objavljena 19. godine prije Hrista, iako je datum nesiguran jer zavisi od obavijesti u
Am.
2.18.19?26 koji izgleda opisuje zbirku kao rano objavljeno djelo.
[4]
- ^
a
b
Gre?ka kod citiranja: Nevaljana oznaka
<ref>
;
nije naveden tekst za reference s imenom
Fuhrmann
- ^
Conte, Gian Biagio (1987).
Latin Literature: A History
. Johns Hopkins University Press. str. 340.
- ^
The most recent chart that describes the dating of Ovid's works is in Knox.
- ^
Trist.
- McKeown, J. (ed),
Ovid: Amores. Text, Prolegomena and Commentary in four volumes
, Vol. I?III (Liverpool, 1987?1998) (ARCA, 20, 22, 36).
- Ryan, M. B.; Perkins, C. A. (ed.),
Ovid's Amores, Book One: A Commentary
(Norman: University of Oklahoma Press, 2011) (Oklahoma Series in Classical Culture, 41).
- Tarrant, R. J. (ed.),
P. Ovidi Nasonis Metamorphoses
(Oxford: OUP, 2004) (Oxford Classical Texts).
- Anderson, W. S.,
Ovid's Metamorphoses, Books 1?5
(Norman: University of Oklahoma Press, 1996).
- Anderson, W. S.,
Ovid's Metamorphoses, Books 6?10
(Norman: University of Oklahoma Press, 1972).
- Kenney, E. J. (ed.),
P. Ovidi Nasonis Amores, Medicamina Faciei Femineae, Ars Amatoria, Remedia Amoris
(Oxford: OUP, 1994
2
) (Oxford Classical Texts).
- Myers, K. Sara
Ovid Metamorphoses 14
. Cambridge Greek and Latin Classics. (Cambridge University Press, 2009).
- Ramirez de Verger, A. (ed.),
Ovidius, Carmina Amatoria. Amores. Medicamina faciei femineae. Ars amatoria. Remedia amoris.
(Munchen & Leipzig: Saur, 2006
2
) (Bibliotheca Teubneriana).
- Dorrie, H. (ed.),
Epistulae Heroidum / P. Ovidius Naso
(Berlin & New York: de Gruyter, 1971) (Texte und Kommentare; Bd. 6).
- Fornaro, P. (ed.),
Publio Ovidio Nasone, Heroides
(Alessandria: Edizioni del'Orso, 1999)
- Alton, E.H.; Wormell, D.E.W.; Courtney, E. (eds.),
P. Ovidi Nasonis Fastorum libri sex
(Stuttgart & Leipzig: Teubner, 1997
4
) (Bibliotheca Teubneriana).
- Fantham, Elaine.
Fasti. Book IV.
Cambridge Greek and Latin Classics. (Cambridge University Press, 1998).
- Wiseman, Anne and Peter Wiseman
Ovid: Fasti
. (Oxford University Press, 2013).
- Goold, G.P.,
et alii
(eds.),
Ovid, Heroides, Amores; Art of Love, Cosmetics, Remedies for Love, Ibis, Walnut-tree, Sea Fishing, Consolation; Metamorphoses; Fasti; Tristia, Ex Ponto
, Vol. I-VI, (Cambridge, Massachusetts/London: HUP, 1977?1989, revised ed.) (Loeb Classical Library)
- Hall, J.B. (ed.),
P. Ovidi Nasonis Tristia
(Stuttgart & Leipzig: Teubner 1995) (Bibliotheca Teubneriana).
- Ingleheart, Jennifer
Tristia Book 2. (
Oxford University Press, 2010).
- Richmond, J. A. (ed.),
P. Ovidi Nasonis Ex Ponto libri quattuor
(Stuttgart & Leipzig: Teubner 1990) (Bibliotheca Teubneriana).
- William Turpin (2016).
Ovid, Amores (Book 1)
. Dickinson College commentaries. Open Book Publishers.
doi
:
10.11647/OBP.0067
.
ISBN
978-1-78374-162-5
.
A
free
textbook for download.
- Brewer, Wilmon,
Ovid's Metamorphoses in European Culture (Commentary),
Marshall Jones Company, Francestown, NH, Revised Edition 1978
- More, Brookes,
Ovid's Metamorphoses (Translation in Blank Verse),
Marshall Jones Company, Francestown, NH, Revised Edition 1978
- Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century
. Ed. Charles Martindale. Cambridge, 1988.
- Richard A. Dwyer "Ovid in the Middle Ages" in
Dictionary of the Middle Ages
, 1989, pp. 312?14
- Federica Bessone. P. Ovidii Nasonis Heroidum Epistula XII: Medea Iasoni. Florence: Felice Le Monnier, 1997. pp. 324.
- Theodor Heinze. P. Ovidius Naso. Der XII. Heroidenbrief: Medea an Jason. Mit einer Beilage: Die Fragmente der Tragodie Medea. Einleitung, Text & Kommentar. Mnemosyne Supplement 170 Leiden: Brill Publishers, 1997. pp. xi, 288.
- R. A. Smith.
Poetic Allusion and Poetic Embrace in Ovid and Virgil
. Ann Arbor; The University of Michigan Press, 1997. pp. ix, 226.
- Michael Simpson,
The Metamorphoses of Ovid
. Amherst: University of Massachusetts Press, 2001. pp. 498.
- Philip Hardie (ed.),
The Cambridge Companion to Ovid
. Cambridge: Cambridge University Press, 2002. pp. xvi, 408.
- Ovid's Fasti: Historical Readings at its Bimillennium
. Edited by Geraldine Herbert-Brown. Oxford, OUP, 2002, 327 pp.
- Susanne Gippert, Joseph Addison's
Ovid: An Adaptation of the Metamorphoses in the Augustan Age of English Literature
. Die Antike und ihr Weiterleben, Band 5. Remscheid: Gardez! Verlag, 2003. pp. 304.
- Heather van Tress,
Poetic Memory. Allusion in the Poetry of Callimachus and the Metamorphoses of Ovid
. Mnemosyne, Supplementa 258. Leiden: Brill Publishers, 2004. pp. ix, 215.
- Ziolkowski, Theodore,
Ovid and the Moderns
. Ithaca: Cornell University Press, 2005. pp. 262.
- Desmond, Marilynn,
Ovid's Art and the Wife of Bath: The Ethics of Erotic Violence
. Ithaca: Cornell University Press, 2006. pp. 232.
- Rimell, Victoria,
Ovid's Lovers: Desire, Difference, and the Poetic Imagination
. Cambridge: Cambridge University Press, 2006. pp. 235.
- Pugh, Syrithe,
Spenser and Ovid
. Burlington: Ashgate, 2005. p. 302.
- Montuschi, Claudia, Il tempo in Ovidio. Funzioni, meccanismi, strutture. Accademia la colombaria studi, 226. Firenze: Leo S. Olschki, 2005. p. 463.
- Pasco-Pranger, Molly,
Founding the Year: Ovid's Fasti and the Poetics of the Roman Calendar
. Mnemosyne Suppl., 276. Leiden: Brill Publishers, 2006. p. 326.
- Martin Amann, Komik in den Tristien Ovids. (Schweizerische Beitrage zur Altertumswissenschaft, 31). Basel: Schwabe Verlag, 2006. pp. 296.
- Sciaramenti, Benedetta (2023).
Metamorfosi e corpo: poesia ovidiana e arti figurative
. Rome: Giorgio Bretschneider Editore.
ISBN
9788876893438
.
- P. J. Davis,
Ovid &
Augustus
: A political reading of Ovid's erotic poems
. London: Duckworth, 2006. p. 183.
- Lee Fratantuono,
Madness Transformed: A Reading of Ovid's Metamorphoses
. Lanham, Maryland: Lexington Books, 2011.
- Peter E. Knox (ed.),
Oxford Readings in Ovid
. Oxford: Oxford University Press, 2006. p. 541.
- Andreas N. Michalopoulos,
Ovid Heroides 16 and 17
. Introduction, text and commentary. (ARCA: Classical and Medieval Texts, Papers and Monographs, 47). Cambridge: Francis Cairns, 2006. pp. x, 409.
- R. Gibson, S. Green, S. Sharrock,
The Art of Love: Bimillennial Essays on Ovid's Ars Amatoria and Remedia Amoris
. Oxford: Oxford University Press, 2006. pp. 375.
- Johnson, Patricia J.
Ovid before Exile: Art and Punishment in the Metamorphoses
. (Wisconsin Studies in Classics). Madison, WI: The University of Wisconsin Press, 2008. pp. x, 184.
- Nandini Pandey,
The Poetics of Power in Augustan Rome: Latin Poetic Responses to Early Imperial Iconography
(Cambridge: Cambridge University Press, 2018)
- Patrick Wilkinson,
Ovid Recalled
(Cambridge: Cambridge University Press, 1955)