Music and musical tradition of Argentina
The
music of Argentina
includes a variety of traditional, classical, and popular genres. According to the
Harvard Dictionary of Music
, Argentina also "has one of the richest
art music
traditions and perhaps the most active contemporary musical life.
[1]
One of the country's most significant cultural contributions is the
tango
, which originated in
Buenos Aires
and its surrounding areas during the end of the 19th century.
[2]
Folk music was popular during the mid-20th century, experiencing a
revival
in popularity during the 1950s and 1960s with the rise of the
Nuevo cancionero
movement.
[3]
The mid-to-late 1960s also saw the rise of
Argentine rock
(known locally as
rock nacional
), which is considered one of the earliest incarnations of
Spanish-language rock
to have an autochthonous identity that prioritized original compositions in Spanish.
[
citation needed
]
Rock nacional was widely embraced by the youth and has become an important part of the country's musical identity.
Folk music
[
edit
]
Folk music?known as
musica folklorica
or
folklore
in Spanish, from the English "
folklore
"?is a music genre that includes both
traditional folk music
and
contemporary folk music
, which emerged from the genre's
20th-century revival
. Argentine folk music comes in many forms and has Indigenous, European, and African influences.
In the late 50s, Argentina experienced a "folklore boom."
[4]
Among the most influential groups of the time were
Los Chalchaleros
, from
Salta
;
Los Fronterizos
, also from Salta; and Los Hermanos Abalos from
Santiago del Estero
.
[
citation needed
]
Composer
Ariel Ramirez
and guitarist
Eduardo Falu
were also notable figures during this period.
Between 1960 and 1974,
Leda Valladares
created a documentary series, known as the
Mapa musical argentino
("Musical Map of Argentina"), taping traditional folk music throughout the country. The recordings she made were funded by the
National Endowment of the Arts
and directed by
Litto Nebbia
for Melopea Records.
[5]
[6]
The
Nuevo Cancionero
movement was officially codified in Argentina in February 1963 with the
Manifiesto Fundacional de Nuevo Cancionero
("Foundational manifesto of the New Songbook"). It was written by Armando Tejada Gomez, with the collaboration of artists like
Mercedes Sosa
, Oscar Matus, Tito Francia, and Eduardo Aragon.
[7]
Atahualpa Yupanqui
was another important figure in the movement.
[8]
The
1976 dictatorship
created a difficult environment for folk music. The military censored, blacklisted, and prosecuted artists, and many received anonymous phone calls warning them: "o te callas o sos tierra de cementerio" ("either you shut up, or you're cemetery land").
[9]
Many artists left the country, and their music was not distributed in Argentina at the time. The repressive actions and black lists against artists and intellectuals to be kidnapped or censored were known as
Operativo Claridad
("Operation Clarity")
.
[10]
The 1980s saw a resurgence of folk music after the
Falklands War
, which led to the fall of the dictatorship. Popular artists included
Sixto Palavecino
and
Facundo Cabral
.
[11]
Folk music continues to enjoy success in Argentina.
Soledad "La Sole" Pastorutti
brought folk music to a new audience at the end of the 20th century, and, in the early 21st century,
Juana Molina
has earned a cult following for her fusion of
electronic music
, folk music and
ambient
sounds.
[12]
In 2004, the album
Cantor de Cantores
, by
Horacio Guarany
, was nominated for the
Latin Grammy Award for Best Folk Album
.
[13]
Notable folk music festivals
[
edit
]
The
Cosquin National Folklore Festival
is an annual music festival held in
Cosquin
?a small town in
Cordoba
, Argentina. The festival first took place between January 21 and 29, 1961, and has grown to include musicians from across Argentina and neighboring countries.
[14]
[15]
The principal focus of the festival is traditional folk music, but other genres are presented.
[16]
Though not an official partner,
Cosquin en Japon
("Cosquin in Japan")?a three-day folk festival held in
Kawamata, Fukushima
, Japan?does derive its name from the Cosquin National Folklore Festival.
[17]
The Cosquin National Folklore Festival typically includes representatives from musical genres developed in Argentina and its surrounding areas, including:
Variations of Argentine Folk Music By Region
[
edit
]
Andean music
[
edit
]
Andean music refers to a group of Indigenous musical styles from the
Andes
. In Northern Argentina,
tarkeada
is a popular style played on wooden flutes.
Noted interpreters of Andean music include
Jaime Torres
, a
charango
player, and
Micaela Chauque
, a
Qulla
Argentine
composer who specializes in the
quena
and
siku
.
[18]
[19]
Andean music has also been fused with other styles of music by musicians such as pianist
Daniel Tinte
and on songs such as "Cuando pase el temblor " by
Soda Stereo
and "Lamento boliviano" by Los Enanitos Verdes.
[20]
[21]
[22]
Chacarera
[
edit
]
Chacarera is a traditional folk dance and musical style developed in the rural northwest of Argentina, namely in
Santiago del Estero
, with both African and European influences.
[23]
[24]
The name chacarera has its origins in the Andean term
chacra
, which refers to farms or agricultural fields.
[25]
[26]
Some academics theorize that the dance developed as a tribute to the female workers of these farms.
[24]
The traditional instruments used in chacarera are guitars, violins and the
bombo leguero
.
[27]
[28]
In January, Santiago del Estero hosts the annual
Festival Nacional de la Chacarera
("National Chacarera Festival").
[29]
The festival was founded in 1971 by folk musicians Agustin and Carlos Carabajal.
[30]
Chamame
[
edit
]
Chamame
is a traditional folk dance and musical style from northeast Argentina, with
Corrientes
often cited as the style's birthplace.
[31]
It has
Guarani
,
Paraguayan
, Spanish, and central European influences, and incorporates elements of popular dances from the 19th century, such as the waltz,
mazurka
, and
Paraguayan polka
.
[32]
[33]
The traditional instruments used in chamame are the
violin
and
vihuela
.
Guitars
,
harmonicas
,
accordions
,
bandoneons
and
double basses
were later incorporated.
[31]
Notable chamame musicians include
Teresa Parodi
,
Raul Barboza
,
Chango Spasiuk
,
Transito Cocomarola
,
Ramona Galarza
, and
Alejandro Brittes
.
Popular music
[
edit
]
Tango
[
edit
]
Tango
was developed in the bars and port areas of
Buenos Aires, Argentina
and
Montevideo, Uruguay
, by the cities' urban lower class.
[34]
It emerged as a fusion of various styles of music from across the globe including European styles such as
flamenco
,
minuet
,
polka
,
mazurka
, and
contradanza
; Argentine and Uruguayan folk music, including
candombe
,
payada
and
milonga
(considered a precursor to tango); and
sub-Saharan African
influences.
[35]
[36]
[37]
[38]
The
golden age
of tango is generally considered to have been from 1935 to 1952. At this time, tango was generally performed by large orchestral groups known as
orquestas tipicas
, which typically featured over a
dozen
performers.
[39]
Notable band leaders at the time included
Francisco Canaro
,
Julio de Caro
,
Osvaldo Pugliese
,
Anibal Troilo
,
Juan d'Arienzo
, and
Alfredo De Angelis
. Notable vocalists from the era included
Carlos Gardel
,
Roberto Goyeneche
,
Hugo del Carril
,
Tita Merello
,
Susana Rinaldi
,
Edmundo Rivero
, and
Ignacio Corsini
.
In the 1950s, Astor Piazzolla revolutionized tango with his
nuevo tango
, which incorporated elements of
jazz
and
classical music
.
[40]
[41]
Though his innovations were initially scorned by traditionalists, Piazzolla's compositions eventually earned him widespread recognition and celebration.
[42]
Many musicians who worked with Piazzolla went on to have their own successful careers, including violinist
Antonio Agri
; fellow
bandoneon
virtuosi Jose Libertella and
Rodolfo Mederos
; and
pianists
Horacio Salgan
and
Pablo Ziegler
.
Today, tango continues to enjoy popularity on both a local and international level. Buenos Aires is home to both professional demonstrations and local gatherings at bars and community centers across the city, and hosts the annual
Campeonato Mundial de Baile de Tango
, typically in August.
[43]
Groups like
Tanghetto
,
Bajofondo
,
Gotan Project
, and Tipica Messiez bring both nuevo tango and traditional tango to new audiences.
[44]
Finnish tango
, an established variation of the Argentine tango but whose rhythm follows the
ballroom tango
, is popular in Finland.
[45]
Rock Music
[
edit
]
Rock music
from Argentina, commonly known as Argentine rock or
rock nacional
("national rock"), is one of the earliest incarnations of
Spanish-language rock
. Argentina was one of the major exporters of
rock en espanol
during the 1980s, with several Argentine acts achieving international success during the decade, including
Soda Stereo
,
Virus
, and
Enanitos Verdes
.
Subgenres of Argentine rock may include:
- Pop
: Virus,
Los Abuelos de la Nada
,
Fito Paez
- Ska
:
Los Fabulosos Cadillacs
,
Los Autenticos Decadentes
,
Todos Tus Muertos
- Reggae
:
Los Pericos
,
Lumumba
,
Dread Mar-I
- Folk rock
:
Sui Generis
,
Las Pastillas del Abuelo
,
Pedro y Pablo
,
Leon Gieco
- Blues
:
Manal
,
Memphis La Blusera
- Hardcore
:
Fun People
,
Nueva Etica
- English-language:
Sumo
,
Triddana
,
Maxi Trusso
,
Siames
1960s
[
edit
]
Early Argentine
rock and roll
was heavily influenced by Anglophone artists. Singer and actor
Sandro
initially styled himself after
Elvis Presley
, and even earned the nickname "the Argentine Elvis." His music is often considered a precursor to Argentine rock.
[46]
At the same time, the variety show
El Club del Clan
hoped to compete in the domestic rock and roll market by offering young people a mixture of pop music, rock and roll,
bolero
and
cumbia
. The show was extremely popular and turned its cast?including
Palito Ortega
,
Leo Dan
,
Billy Caffaro
,
Violeta Rivas
, and
Cachita Galan
?into the first national
teen idols
.
[47]
[48]
Both Sandro and
El Club del Clan
offered young Argentines the opportunity to listen to rock and roll in Spanish at a time when the market was dominated by music in English.
Beatlemania
reached Argentina during the early 1960s and inspired many local cover bands who sang predominately in English.
[49]
A definitive shift occurred with
Los Gatos
' 1967 single "
La balsa
," which established the distinctive sound and emphasis of Spanish-language lyrics that have defined Argentine rock.
[49]
The 1960s also saw the rise of groups like
Almendra
,
Vox Dei
,
Manal
, and Pedro y Pablo, and singer-songwriters like
Tanguito
,
Moris
, and Javier Martinez.
1970s
[
edit
]
By 1970, Argentine rock had become established among middle-class youth with groups like
Almendra
,
Pescado Rabioso
,
Color Humano
,
Arco Iris
,
Sui Generis
, and
Seru Giran
.
Band lineups were often tenuous, with members frequently leaving or dissolving bands and forming new ones. Notable examples include
Luis Alberto Spinetta
, who founded Almendra, Pescado Rabioso, and
Invisible
during the decade, and would form additional bands during the 80s, and
Charly Garcia
, who formed part of Sui Generis,
PorSuiGieco
,
La Maquina de Hacer Pajaros
, and Seru Giran over the course of the 1970s.
Artists often faced pushback from the military dictatorship, and were often forced to censor their music, or utilize metaphors to bypass the government.
[50]
1980s and 90s
[
edit
]
During the
Falklands War
, the dictatorship banned music in English from playing on the radio, giving Argentine musicians additional exposure on the airwaves.
[51]
This, paired with the fall of the dictatorship in 1983, allowed Argentine rock to grow and reach new audiences in Argentina and abroad. Several Argentine groups were able to achieve international recognition during this period, and were featured in the
Rock en tu idioma
("Rock in your language") publicity campaign.
[52]
In the 80s, Argentine rock moved away from the folk style that had dominated the 70s and embraced new production styles and irreverent sounds and lyrics with groups like Soda Stereo,
Virus
,
Los Twists
,
Viuda e hijas de Roque Enroll
, and
Los Abuelos de la Nada
gaining popularity.
[53]
[54]
[55]
Of course, this
musica divertida
("fun music") wasn't the only music being created during the decade.
Sumo
,
Los Fabulosos Cadillacs
and
Todos Tus Muertos
brought
ska
influences into the fold;
Riff
,
La Torre
,
V8
, and
Rata Blanca
were all notable heavy metal bands; and
rock rolinga
, a style heavily influenced by
The Rolling Stones
, was popular with groups like
Los Ratones Paranoicos
.
[56]
[57]
[58]
Other important acts included Charly Garcia (now a successful solo artist),
Fabiana Cantilo
,
Celeste Carballo
,
Sandra Mihanovich
,
Los Violadores
, and
Patricio Rey y sus Redonditos de Ricota
.
Like the 1980s, the 1990s saw a continued diversification of influences in Argentine rock.
Heavy metal
bands like
A.N.I.M.A.L.
,
Tren Loco
, and
Horcas
gained more mainstream success;
Fito Paez
and
Los Rodriguez
achieved popularity with pop-influenced styles; and Iguana Lovers and
Babasonicos
were important groups of the
movida sonica
("sonic movement"), which was a local interpretation of
alternative rock
.
[59]
2000s?present
[
edit
]
While rock is no longer the dominant genre in Argentina, it continues to play an important role in Argentine national identity.
Graffiti
of influential artists like Luis Alberto Spinetta, Charly Garcia, and
Gustavo Cerati
can be spotted around
Buenos Aires
, and the
Cosquin Rock
music festival has brought local and international acts to
Cosquin
,
Cordoba
since 2001.
[60]
[61]
[62]
[63]
Notable acts have included:
El Mato a un Policia Motorizado
,
Airbag
, Arbol, Los Espiritus,
Marilina Bertoldi
,
Eruca Sativa
,
Fidel Nadal
,
Tersivel
, and
Triddana
.
Electronic
[
edit
]
Rock musician Gustavo Cerati helped pioneer
electronica
in South America during the 80s and 90s, and the genre heavily influenced his 1999 album
Bocanada
.
[64]
[65]
The genre continued to grow during the 2000s and many artists gained local notoriety at the Zizek Club nights at the Niceto Club in Buenos Aires.
[66]
After three years, the club nights evolved into
ZZK Records
, an independent record label that helped pioneer electro-folklore in Latin America, with a focus on cumbia fusion.
[67]
[68]
Argentina has also been home to the annual electronic music festival
Creamfields BA
.
Electronic artists from Argentina include DJ
Hernan Cattaneo
;
[69]
indietronica
band
Entre Rios
; electropop band
Miranda!
; tango fusion bands
Bajofondo Tango Club
and the
Gotan Project
; cumbia fusion artists Faauna and El Remolon;
Heatbeat
;
[70]
and DJ and producer
Tayhana
.
[71]
In the
postwar era
,
pop music
in Argentina has been heavily influenced by American and English musicians. During the 1950s and 60s,
la nueva ola
movement established the start of youth-oriented pop music in South America, and musicians often recorded popular English-language songs in Spanish.
[72]
Notable early pop performers include
Billy Cafaro
,
Violeta Rivas
, and
Palito Ortega
.
During the 1980s, several Argentine rock embraced elements of pop?such as repeated choruses and danceability?as part of the musica divertida ("fun music") movement. These groups included Los Twists, Viuda e hijas de Roque Enroll, and Los Abuelos de la Nada.
[73]
The cumbia pop group Las Primas gained popularity with songs like "Saca la Mano, Antonio" during this decade.
[74]
Following the success of the
Spice Girls
and other girl groups, the
reality television
show
Popstars
brought together
Ivonne Guzman
,
Lourdes Cecilia Fernandez
,
Valeria Gastaldi
,
Virginia Da Cunha
and
Maria Elizabeth Vera
to form the pop group
Bandana
.
[75]
The group was very popular with teenage girls and was one of Argentina's best selling groups during the early 2000s.
[76]
[77]
Lali Esposito
was a part of the teen pop band
Teen Angels
, before launching a successful solo career in 2013.
[78]
[79]
Since then, several other artists have joined the pop music scene, including
Tini
,
Oriana
,
J Mena
,
LOUTA
, and
Emilia
.
Other notable pop acts over the decades include
Alejandro Lerner
,
Axel
,
Valeria Lynch
,
Tormenta
, and Maria Jimena Pereyra.
Cuarteto
[
edit
]
Cuarteto
, sometimes known as cuartetazo, is a form of
dance music
from
Cordoba, Argentina
, that is similar to
merengue
.
[80]
The word
cuarteto
translates to "quartet" in English?the genre got its name from the
Cuarteto Caracteristico Leo
, a quartet which is credited with inventing the genre.
[81]
Cuarteto has been part of Argentina's musical heritage since the 1940s and underwent a significant revival in the 1980s and 90s.
[
citation needed
]
Notable acts during this period were
La Mona Jimenez
and
Rodrigo
.
Other notable groups include
Tru-la-la
, Chebere, el Cuarteto de Oro, and el Cuarteto Berna.
Cumbia
[
edit
]
Cumbia is a style of music that blends African, Indigenous, and European influences. Argentine cumbia is derived from
Colombian cumbia
, which is identified by its heavy use of drums and its signature double beat.
[82]
Cumbia came to Argentina in the mid-50s. Some of the earliest groups to gain success were the Colombian group
Cuarteto Imperial
and the multinational group
Los Wawanco
, whose early members came to Argentina to attend university.
[83]
Cumbia continued to enjoy success in the 70s and 80s as part of the "movida tropical" ("tropical movement") in popular music.
[83]
Santa Fe, Argentina
has been a stronghold of Argentine cumbia and has developed its own style known as
cumbia santafesina
, which is identified by its distinctive
accordion
usage.
[83]
Santa Fe has, additionally, declared November 5 as Dia de la Cumbia Santafesina ("day of cumbia santafesina"), in honor of Martin Robustiano "Chani" Gutierrez (April 26, 1944 ? November 5, 1992) who was a driving force behind the genre's growth.
[84]
[85]
Cumbia's mainstream breakthrough came in the 1990s, with the development of
cumbia villera
("slum cumbia") in the poor neighborhoods of Buenos Aires?it is a genre heavily influenced by
Peruvian cumbia
, colloquially known as chicha, which utilizes electric guitars and synthesizers.
[86]
Argentina was facing a
great depression
at the time, and the genre's depictions of life in poor neighborhoods and recurring themes of sex, crime, drugs, and police violence appealed to Argentine youth.
[87]
Notable acts include Amar Azul, Flor de Piedra,
Damas Gratis
,
Piola Vago
,
Yerba Brava
, and
Pibes Chorros
.
In the mid-2010s, cumbia cheta, also known as cumbia pop, gained popularity in Argentina and abroad with groups like
Rombai
, Los Bonnitos, and Agapornis.
[88]
Cachengue, a form of Argentine cumbia heavily influenced by
reggaeton
, also gained popularity during this decade.
[
citation needed
]
Other notable acts include:
Leo Mattioli
,
Gilda
,
Rafaga
,
La Base Musical
, Los Palmeras, Los del Fuego, La Nueva Luna, Amar Azul, Mala Fama,
Jambao
, Antonio Rios,
Daniel Agostini
,
Karina
,
Dalila
, and Mario Pereyra y su Banda.
Urbano music
[
edit
]
Urbano music
(Spanish:
musica urbana
) derives its name from its English-language counterpart
urban music
. Like urban music, urbano covers a range of genres and styles, many with
Black roots or influences
, such as
trap
,
dembow
, and
reggaeton
.
[89]
[90]
[91]
RKT?also known as Cachengue, cumbiaton, onda turra or cumbia turra?is a form of
Argentine cumbia
that is heavily influenced by cumbia villera and
reggaeton
. The genre emerged in
San Martin, Buenos Aires
during the
2000s
and became popular in Argentina during the
2010s
with artists such Los Wachiturros and Nene Malo.
[92]
[93]
[94]
The genre has spread to other countries, including
Bolivia
,
[95]
Chile
and
Uruguay
.
[
citation needed
]
DJ
Fer Palacio has made a name for himself by remixing reggaeton songs with elements of cachengue.
[96]
A recent subgenre of cachengue is cumbia
420
, which is strongly affiliated with
cannabis culture
.
[97]
[98]
[99]
It first gained popular recognition in the early
2020s
, with two singles released by
L-Gante
: "L-Gante Rkt" with producer Papu DJ and "
L-Gante: Bzrp Music Sessions, Vol. 38
," with Bizarrap, which was the first
Bzrp Music Sessions
to reach number-one on the
Billboard
Argentina Hot 100
.
[100]
Trap
[
edit
]
Trap is a subgenre of rap that developed in the early 2000s in
Atlanta, Georgia
in the
Southern United States
. The genre derives its name from
trap houses
, where drug dealers sell illegal narcotics, and is influenced by
G-funk
,
house
, and
techno
.
[101]
It typically features drum machines like the
Roland TR-808
and its lyrics will focus on gritty depictions of drug use and urban violence.
[102]
Trap first gained popularity in Argentina through freestyle
rap battles
like
El Quinto Escalon
, which was first held in March 2012 at Rivadavia park in Buenos Aires.
[103]
Argentine rapper
Duki
won at El Quinto Escalon in 2016 and his song, "No Vendo Trap," became the first in the battle's history to hit 1 million views on YouTube.
[104]
Other artists who got their start at these battles include
Nicki Nicole
,
[105]
Trueno
,
[106]
Ecko,
[107]
Tiago PZK
,
[108]
and
Paulo Londra
.
[109]
Producer and DJ
Bizarrap
got his start uploading compilations of these freestyle battles onto his Youtube channel.
[110]
Art music
[
edit
]
Jazz
[
edit
]
Jazz
is an American
music genre
that originated in the Black communities of
New Orleans
,
Louisiana
, in the United States. Jazz is characterized by
swing
and
blue notes
, complex
chords
,
call-and-response vocals
,
polyrhythms
and
improvisation
.
Early days
[
edit
]
Like much of the world, jazz was first introduced to Argentina in the 1920s and 30s. The 1930s and 40s additionally saw a number of publications dedicated to jazz such as
Sincopa y Ritmo
,
Swing
, and
Jazz Magazine
.
[111]
The most notable Argentine jazz musician from this period was guitarist
Oscar Aleman
, who played with the likes of
Josephine Baker
,
Django Reinhardt
,
Louis Armstrong
, and
Duke Ellington
.
[112]
[113]
1950s
[
edit
]
Jazz drummer
Tito Alberti
founded the Jazz Casino orchestra in 1950. Jazz Casino toured internationally and was known for its fusion of jazz, melodicos, and
tropical music
.
[114]
Alberti's eldest son?
Charly Alberti
?is best known as the drummer of Soda Stereo.
[115]
During the 1950s, Astor Piazzolla introduced
nuevo tango
to the world, and began to incorporate jazz and classical music elements into his tango compositions.
[40]
[41]
[116]
Lalo Schifrin
began his career during this decade.
[117]
1960s
[
edit
]
Jazz
tenor saxophonist
Leandro "Gato" Barbieri
first came to fame during the
free jazz
movement in the 1960s, and his work with artists like
Don Cherry
,
Charlie Haden
, and
Carla Bley
. Barbieri would later move to the
Latin jazz
movement in the 1970s.
[118]
[119]
1970s
[
edit
]
Jazz fusion
gained traction during the later part of the decade. Influenced by the work of Astor Piazzolla, among others,
Rodolfo Mederos
released
Fuera de broma
in 1976. The album fused jazz, tango, folk, and rock.
[120]
On the back cover of the album, Rodolfo wrote that:
A friend once told me, referring to all those musicians who fear 'contaminating' themselves with other music: 'Every border that prevents entry, also prevents departure.' I always remembered that. My modus operandi was for a time tango. One day I felt as though I were touching a limit. I realized that I had reached a threshold, and from then on I would either stay inside or try to get out by expanding it, growing. I recalled that issue of the borders. I reviewed then, carefully, my relationship with all music and I understood that, without a doubt, I enjoyed, in some way, certain aspects of jazz, of rock, of
soul
, of 'pop' music, and obviously tango in its new forms (Astor Piazzolla), and some traditional forms (
O. Pugliese
,
H. Salgan
). I got to work with joy and without preconceptions. Later, I thought in the group that should play this music and, in this natural way, arose the idea of the
bandoneon
block and rhythm section. Then I added the color of the
saxophone
and
flute
, and it was set. We rehearsed, performed live and recorded this
LP
. I made sure we all liked it and that we had fun and I somehow understood that we had taken a step beyond the famous limit. 'Generacion Cero' does not exist today as an established group, but it leaves this document for the consideration of those who also feel the need to expand those limits, their own limits."
[121]
Mederos has enjoyed critical success during his career and has toured internationally; worked with the likes of Astor Piazzolla, Mercedes Sosa, and
Joan Manuel Serrat
; and composed music for several films and stage plays.
[122]
His group, Generacion Cero, continues to perform, though with different musicians and instrumentation.
[123]
Other notable musicians who came to prominence during the decade are
Pocho Lapouble
and
Dino Saluzzi
.
1980s?Present
[
edit
]
Alto saxophonist
Andres Boiarsky
gained prominence for his contributions to the score of the 1986 film
Hombre mirando al sudeste
.
[124]
[125]
Melopea Discos?a record label founded by Argentine musician
Litto Nebbia
?was founded in the 1980s and has distributed a number of jazz albums from both Argentine and international artists.
[126]
Today, there are jazz clubs across the nation's capital.
[127]
Buenos Aires is also home to the annual Jazzologia jazz festival, established by
Carlos Inzillo
in 1984 and one of the country's longest-running music festivals; The Festival Internacional de Jazz Django Argentina ("International Django Jazz Festival Argentina"), established in 2003 as part of the Jazzologia jazz festival; and the Festival Internacional Buenos Aires Jazz ("Buenos Aires International Jazz Festival").
[128]
[129]
[130]
[131]
Classical music
[
edit
]
The
Orquesta Filarmonica de Buenos Aires
("Buenos Aires Philharmonic") was established in 1946 under the name Orquesta Sinfonica del Teatro Municipal ("Municipal Theater Symphony Orchestra"). It was the first official, exclusively symphonic, orchestra of the city of Buenos Aires, and was housed in the Teatro Municipal. The orchestra was moved to the Teatro Colon in 1953, and was renamed the Orquesta Filarmonica de Buenos Aires in 1958.
[132]
The Orchestra has toured internationally, and performed with established national and international soloists, including Astor Piazzolla,
Martha Argerich
,
Paco de Lucia
,
Luciano Pavarotti
,
Yehudi Menuhin
,
Itzkak Perlman
, and
Joshua Bell
.
[133]
[132]
Enrique Diemecke
has lead the orchestra since 2007.
[133]
Another prominent orchestra is the
Orquesta Sinfonica Nacional
("Argentine National Symphony Orchestra"), founded in 1948 as the Orquesta Sinfonica del Estado. The
Orquesta Sinfonica Nacional
has toured internationally and won several distinctions within Argentina, including the Asociacion de Criticos Musicales de la Argentina's award for "Best Orchestra" for the 1996, 2000 and 2002 seasons.
[134]
Pedro Ignacio Calderon lead the orchestra from 1994 to 2015.
[135]
Notable Argentine musicians include composers
Juan Jose Castro
, who served as the director of the National Symphony in Buenos Aires from 1956 to 1960;
[137]
Alberto Williams
, one of the first Argentine composers to achieve international fame;
[138]
Carlos Guastavino
, whose compositions were heavily influenced by Argentina's folk music;
[139]
Judith Akoschky
;
Daniel Barenboim
, who has directed the
Orchestre de Paris
, the
Chicago Symphony Orchestra
and the
Berlin State Opera
;
[140]
and
Alberto Ginastera
, considered Argentina's leading composer of the 20th century.
[141]
Other celebrated musicians include pianist
Martha Argerich
, violinist
Alberto Lysy
,
classical guitarist
Maria Isabel Siewers
, tenor
Jose Cura
, and mezzo-soprano
Margherita Zimmermann
.
Other artists
[
edit
]
Soul/Funk
[
edit
]
Reggae
[
edit
]
Other
[
edit
]
Multimedia
[
edit
]
Selections:
- Fuga y misterio
. Astor Piazzolla, music. Dancers: Vincent Morelle and Marilyne Lefor. (New Tango)
- Medley. John Michel, cello and Mats Lidstrom, piano. (Milonga)
See also
[
edit
]
References
[
edit
]
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