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Spider-Man 3 reviews at Metacritic.com
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Spider-Man 3

EMAIL PRINT Columbia Pictures / Sony Pictures Releasing

Spider-Man 3 reviews
59
6.0 User Score:

Movie Info

Genre(s): Action  |  Adventure  |  Sci-fi  |  Suspense/Thriller

Written by: Sam Raimi
Ivan Raimi (also screen story)
Alvin Sargent
Stan Lee and Steve Ditko (Marvel comic book)

Directed by: Sam Raimi

Release Date:
Theatrical: May 4, 2007
DVD: October 30, 2007

Running Time: 140 minutes, Color

Origin: USA

Summary

RATING: PG-13 for sequences of intense action violence

Starring Tobey Maguire, Kirsten Dunst, James Franco, Thomas Haden Church, Topher Grace, Bryce Dallas Howard, James Cromwell, and Rosemary Harris

Spider-Man 3 reunites the cast and filmmakers from the first two blockbuster adventures for a web of secrets, vengeance, love, and forgiveness. (Columbia Pictures)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

88

New York Daily News Jack Mathews

With nifty new villains, a revived Green Goblin, plus $300 million worth of aerial special effects, Sam Raimi's Spider-Man 3 is definitely good to go.

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88

Miami Herald Rene Rodriguez

This is a wonderfully imagined, heartfelt piece of pop entertainment that soars not only for its spectacular eye candy, but also during the moments when its protagonists simply stand still and talk to each other. How many comic-book movies can you say that about?

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80

Time Richard Corliss

Where can mass-moviegoers find release for their tenderer feelings? Only at dozens of inspirational sports movies, where guys (on screen and in the audience) get to cry and cheer and win. And, this weekend, at Spider-Man 3.

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80

Salon.com Stephanie Zacharek

The good news about Spider-Man 3 is that it's more of the same -- except better.

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80

The Hollywood Reporter Michael Rechtshaffen

The wow factor works overtime with state-of-the-art effects sequences that often are as beautiful as they are astonishing.

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80

Newsweek David Ansen

The juiciest battle here is Spidey vs. Spidey, or, if you prefer, superego vs. id. When Peter starts to go seriously bad, the movie becomes seriously fun.

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75

New York Post Lou Lumenick

Overly long and complicated, it's packed with crowd-pleasing moments and satisfactorily wraps up the trilogy - without quite capturing the magic of the first two installments.

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75

USA Today Claudia Puig

Solidly entertaining and possesses dazzling special effects, but it falls short of the near-perfection of the Spidey sequel.

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75

Boston Globe Wesley Morris

Raimi, who shares script credit with his brother Ivan and Alvin Sargent, strikes an exquisite balance between pop and woe, drama and whooshing adventure.

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75

TV Guide Maitland McDonagh

Raimi and company deftly balance spectacle and character-based drama, occasionally tweaking the comic-book mythology but always respecting creator Stan Lee's idea that costumed crime-fighter Peter Parker's life as Spider-Man isn't all derring-do and public accolades.

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75

Rolling Stone Peter Travers

There are delicious bits aplenty in Spider-Man 3 for those who care to notice.

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75

Seattle Post-Intelligencer William Arnold

The experience is fun enough that it's sure to be the summer's first blockbuster.

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70

Slate Dana Stevens

There are plenty of pleasures here: The slow birth of the Sandman from a heap of supercharged sand crystals (or something) is a marvel of digital animation, and the chemistry between Dunst and Maguire feels like the dynamic of a real couple, full of subtle shifts and eloquent silences.

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70

Film Threat Clint Morris

What saves Spider-Man 3 from becoming well, "Superman III," is the fact that it's still a solid film that packs a punch when it comes to turn on the spectacle.

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67

The Onion (A.V. Club) Noel Murray

So Spider-Man 3's action is superb and its theme fairly weighty. Then why does it feel a letdown from its predecessor? Nearly all the blame rests with director Sam Raimi, who's taken the success of some light slapstick moments in Spider-Man 2 as a cue to get even sillier.

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67

Entertainment Weekly Owen Gleiberman

Spider-Man 3 has terrific moments, but after the danger and majesty and romantic brio of "Spider-Man 2," those adrenalized rooftop ballets feel, more than ever, like sequences.

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67

Austin Chronicle Marjorie Baumgarten

In short, there are way too many storylines here, especially for a movie that turns stiff whenever it's on the ground. When cascading through the cityscape, Spider-Man 3 still makes us gasp with delight, but on Earth those gasps come solely in reaction to the cynical dreariness of the script.

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67

Portland Oregonian Shawn Levy

Spider-Man 3 is a likeable film -- Maguire's personality, or Raimi's channeled through him, is genuinely charming. But the tenor of the film is too often too muted, melancholy and enervated for something of its size.

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67

Baltimore Sun Michael Sragow

The sprawling canvas ultimately dwarfs the plucky title figure and makes him seem too small in every way.

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67

Christian Science Monitor Peter Rainer

Far from a flop, and I'm sure the Spider-maniacs will eat it up. For me, it's a buffet without much aftertaste.

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63

Charlotte Observer Lawrence Toppman

If the longest and beefiest "Spider-Man" movie to date were a baseball player, it would be tested tomorrow for steroids. That won't stop "S-M 3" from hitting a home run at the box-office, where fans will roar.

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63

The Globe and Mail (Toronto) Rick Groen

The main flaw is an over-abundance of villains, a bout of narrative greediness that sees them marching out of their lairs like so many evil-doers-on-parade.

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63

Philadelphia Inquirer Steven Rea

It's not dull, exactly, but neither is it much fun.

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63

Chicago Tribune Michael Phillips

You want big wows with this sort of entertainment, and the wows here are medium.

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63

Premiere Glenn Kenny

This incarnation of Spider Man seems to forget that its source material was a comic book that wanted to transcend its genre. This is a movie that's content to be pretty good within its genre, with the main distinction of being much bigger than any of its competition.

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60

Empire Chris Hewitt

Still smart, still exciting and still action-packed. It's just a shame to note that, after promising greatness, all Spider-Man 3 delivers is satisfaction.

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60

New York Magazine David Edelstein

The movie isn't a dud: It has exuberant bits and breathtaking (money money money) effects. But it's supposed to be fun and inspirational, and it's too leaden for liftoff.

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60

Chicago Reader Jonathan Rosenbaum

Given how bogus the movie is whenever it departs from formula, it's not surprising that the funniest bit (in which Peter Parker becomes a disco smoothie) is stolen from Jerry Lewis's "The Nutty Professor" or that the best special effects, involving a gigantic Sandman, dimly echo "King Kong."

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60

Wall Street Journal Joe Morgenstern

Will the extremely extravagant special effects prove sufficient to sustain the picture? Surely they will, this time. Still, there's a sense of fatigue in the scenes that don't involve high-tensile webs and high-tension suspense.

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50

The New York Times Manohla Dargis

The bittersweet paradox of this franchise is that while the stories have grown progressively less interesting the special effects have improved tremendously, becoming at once more plausible -- when Spider-Man swings through the urban canyons he finally looks almost real -- and more spectacular.

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50

ReelViews James Berardinelli

Spider-Man and the first sequel were breezy adventures - easy and fun to sit through. Spider-Man 3 is a chore. The effective moments require a lot patience to uncover and some of what has to be shifted to get to them is not worth the effort. People love trilogies because it's said that good things come in threes, but this series would have looked better and felt more satisfying had the filmmakers stopped at two.

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50

Chicago Sun-Times Roger Ebert

Spider-Man 3 is, in short, a mess. Too many villains, too many pale plot strands, too many romantic misunderstandings, too many conversations, too many street crowds looking high into the air and shouting "oooh!" this way, then swiveling and shouting "aaah!" that way.

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50

Variety Todd McCarthy

A sense of strain envelops the proceedings this time around. One can feel the effort required to suit up one more time, come up with fresh variations on a winning formula and inject urgency into a format that basically needs to be repeated and, due to audience expectations, can't be toyed with or deepened very much.

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50

Los Angeles Times Kenneth Turan

Though aspects of it are entertaining, the presence of all these mismatched pieces give Spider-Man 3 an ungainly, cumbersome feeling, as if its plot elements were the product of competing contractors who never saw the need to cooperate on a coherent final product.

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50

Dallas Observer Robert Wilonsky

Overstuffed (three villains), overlong (at more than two hours and 20 minutes) and undercooked (plot points include amnesia and alien goo).

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40

The New Yorker Anthony Lane

That's the problem with this third installment of the franchise: not that it's running out of ideas, or lifting them too slavishly from the original comic, but that it lunges at them with an infantile lack of grace, throwing money at one special effect after another and praying--or calculating--that some of them will fly.

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40

Village Voice Nathan Lee

Given that Spider-Man 2 was twice as fun as the first, it's triply disappointing what an overwrought bore S3 turns out to be.

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40

LA Weekly Scott Foundas

The satirical jabs at celebrity culture smell like rotted leftovers from "The Fantastic Four." The token ruminations on the tension between a superhero's public and private lives seem flown in from Bryan Singer's "Superman Returns" (to say nothing of Raimi's own, superior "Darkman"). Most egregious, though, is the way Raimi and the writers reduce Spider-Man 3 to the very sort of abject distinctions between virtue and sin that the series has heretofore studiously avoided.

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30

Washington Post Ann Hornaday

An overlong, visually incoherent, mean-spirited and often just plain awful Spider-Man 3.

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25

San Francisco Chronicle Mick LaSalle

"Spider-Man 2" was a textbook example of how to make a sequel: Deepen it, make it funnier, give it more heart and come up with a strong villain and a good story. Spider Man 3, by contrast, shows how not to make a sequel.

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What Our Users Said

The average user rating for this movie is 6.0 (out of 10) based on 564 User Votes

Note: User votes are NOT included in the Metascore calculation.

Catherine N. gave it a 7 :
Spider Man could be a good teaching material for children, especially the Episode One. Spider Man’s uncle just told him that “With great power comes great responsibility.” It means a lot to children and also adults. Almost every child has the dream to be the super man, but they do not know how to use the power, neither do adults. Sometimes we just misunderstand the power or the super power, we wish we could have it but we do not know how to use it. We wish we could have the magic ring and when we need help, the spirit in the ring would solve everything for us. When I was a little child, I wish I could have the Aladdin’s lamp and I could call the spirit in the lamp to do homework for me. The first wish would be “Help me to do my homework.” The second wish would be “Help me to do my homework.” And the third wish would be “Give me another three wishes.” It is just like the one who has the ability to make himself omnipotent makes him omnipotent. To us, the super power is the thing could make our life better and if we have the power the first thing we want to do might not be protecting the earth or bring the peace to this world, but getting as many our favorite things as possible immediately. Even if we have the power, how could we make this world stay peaceful forever? Only when everyone or at least every head of this world knows “With great power comes great responsibility.” then we would have a better place in this planet. Maybe Mr. Bush is the example for missing this course.

Peter P. gave it a 9 :
Hey, Christopher P. (below) get a grip man, it was a comic book movie!! If you want reality, go watch a documentary! This movie was entertaining and fun to watch. Venom deserved his own movie though! Keep making em' big Raimi and I can't wait for part 4 starring Carnage and Reptile!!

S S gave it a 2 :
The worst sequel I've ever seen to a good movie. What was Raimi on when he made this piece of crap?! Its like all the actors forgot how to act, all the writers forgot how to write! This travesty reduces the glory of Spider-Man, one of the greatest superheroes of all time, to a streaming pile of dog droppings. When you see Tobey, fresh from his emo stupor sway dancing through the crowds midway through the picture, that should be a good indication to leave the theater, if you haven't done so already.

lj h gave it a 6 :
The action sequences in this film are pretty impressive, and the narrative works well too. But there are some moments that are just cringe-worthy. When a film actually includes the line 'he seems to have appeared from no where, just when all hope seemed lost', that's when it makes you want to gag. Plus watching a talented actor like Toby McGuire being wasted on trying to portray a 'badass' Spidey is just embarrassing. What makes this point worse is that when Harry (another central character) goes through his evil phase as the new Goblin, it's a lot more convincing and interesting. Don't get me wrong, it's not that I didn;t enjoy the film, it just took the whole 'cheesey' factor way too far.

Chris B. gave it a 7 :
It's okay, it lasts a bit to long and I wish there was more venom in this, I don't care about sandman, goblin and venom would have been perfect, great fighting scenes though

Christopher P. gave it a 1 :
Insensible, hollow, soulless crap, even moreso if compared to the previous chapter. Nothing about it works like it should. There are plot illogicalities that will make absolutely anyone ask themselves, "Huh?" For starters, why did Parker think it was a good idea to make out with that new girl in front of everyone, then follow up with a planned proposal to his official girlfriend? Was he oblivious that she just might be there watching the whole time? Then, when the girl shows up out of nowhere and talks about how she kissed Spider-Man, it never seems to register in him that something's not right then. So then, after it's proven that Parker's a douche, we immediately are given a sad scene with Parker crying as we learn Sandman was his uncle's killer. Uh, okay, I thought the movie wanted me to feel resentment for Parker's overt arrogance for a second there, but this sad music wants me to feel sympathetic for something else? Also, I know a romantic subplot is necessary, and I expected it completely, but most of this movie was a soap opera, one for which I wasn't rooting for the main angst figure that is Parker. Parker does stupid, insensitive things the entire film. When he's not making us hate him by hurting everyone's emotions (and, in Harry's case, detonating a grenade next to his face), he's trying to do it by being a whiny little bitch who doesn't seem to understand why any of it's happening. The soap opera factor reaches critical mass, though, when Harry tells Parker he's "the other guy" that MJ is after, right after MJ tells him in tears that it's over while he pulls out his engagement ring, also in tears. I understand some amount of drama is to be expected in this movie, but we're so relentlessly bombarded with histrionic drivel and sad piano music it's impossible not to get sick of it long before it's over. I mean, for Christ's sake, we get an -AMNESIA- plot device, one that's become a parody for TV dramas in itself. Further, one of my main reasons for going into the theater was to see Venom kick some ass. Unfortunately, while the romantic subplot was unfolding, and something which I guess is supposed to resemble comic relief in the infamous "emo-Parker" sequences, I spent the first two-thirds of the movie asking myself, "Where the Hell is Venom?" When he finally got on, we get nothing at all worth watching. Also, referring back to the grenade exploding a few inches by Harry's face, if anyone didn't notice, that same grenade that managed to cause just a burn completely obliterated Venom. Nothing else really comes together to redeem it. The dialogue is unbelievably stupid and trite, the special effects are overproduced to oblivion and silliness, and the best parts involved the news station comedy bits. Don't even get me started on the emo-Parker comic relief scene, which could not possibly have been more over-the-top inappropriate. I wasn't sure if I was supposed to be laughing, or if it was some kind of message about Parker still being a spiteful jerk. I saw no good reason to feel bad for him while he cold-heartedly caused every event of his own miserable luck. Crushingly disappointing after the ridiculously awesome previous entry. Just abysmal.

Joe S gave it a 2 :
Horrible compared to the first two, this was more of a chick flick

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