|
|
|
Portada Interpretes
|
|
|
Our Performers section features biographies and addition information about Early Music performers, conductors, ensembles, choirs, and vocal or instrumental soloists.
All performers who are subscribers to the Goldberg Early Music Magazine are entitled to publish their information in this section.
If you are a subscriber to Goldberg, you can send us your information:
- Text: 250-350 words in Word format.
- Images: Please also send maximum 2 images in colour or in black and white in jpeg format, 170 x 220 (high).
- We will publish this information in the languages you provide, which can be English, French and Spanish.
SUBSCRIBERS:
Please click here
if you are a subscriber and you want to send us your information.
NON-SUBSCRIBERS:
Click here if you are not a subscriber and you wish to subscribe
to Goldberg and then publish information.
Then send us an email informing us that you have subscribed and include your information to the following email address:
publish@goldberg-magazine.com
| |
|
|
|
|
Harpsichordist and organist Ton Koopman has been involved with EUBO since its inception and was responsible for the development of its annual pattern of activities.
|
| |
|
Francesco Cera was born in Bologna, after organ and harpsichord studies under Luigi Ferdinando Tagliavini and Gustav Leonhardt, he is now one of Italy?s leading young early music specialists, and is admired for his talent as a performer and for his extensive knowledge of styles, that covers different musical expressions.
|
| |
|
Chatham Baroque's lively interpretations, stylistic innovation and dazzling technique transport audiences from the elegant French court of Louis XIV to the taverns of England, from the Scottish highlands to the exquisite palaces of Peru.
|
| |
|
She started her singing studies at the conservatory of Pamplona (Spain), continuing her training later on at the Guildhall School of Music and Drama (London), where she obtained the Bachelor of Music's degree
|
| |
|
Susie Napper and Margaret Little have been thrilling audiences with their performances of exotic masterpieces of the 17th and 18th centuries for the past twenty years.
|
| |
|
The Rose Ensemble is dedicated to strengthening the cultural life of its community by presenting virtuosic and dramatic performances of ancient music through innovative programming, educational outreach and scholarly research.
|
| |
|
|
|
|