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tuval uzerine ya?lıboya
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
tuval uzerine ya?lıboya
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
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Commissioned by Alexander, marquis of Douglas [1767 1852, from 1819, 10th duke of Hamilton], Hamilton Palace, Strathclyde, Scotland;[1] by inheritance to his son, William Alexander Anthony Archibald Douglas, 11th duke of Hamilton [1811 1863], Hamilton Palace, Strathclyde, Scotland; by inheritance to his son, William Alexander Louis Stephen Douglas Hamilton, 12th duke of Hamilton [1845 1895], Hamilton Palace, Strathclyde, Scotland; (Hamilton Palace Collection sale, Christie, Manson & Woods, London, 17 June 20 July 1882 (8 July), no. 1108); bought by (F. Davis), probably buying for Archibald Philip Primrose, 5th earl of Rosebery, [1847 1929], London;[2] his son, Albert Edward Harry Mayer Archibald Primrose, 6th earl of Rosebery [1882 1974], London; sold 15 June 1951 to (Wildenstein & Co., London and New York); sold February 1954 to the Samuel H. Kress Foundation, New York;[3] gift 1961 to NGA.
[1] Two of the three lists that David made of his works mention the NGA painting: "List B," compiled about 1815, describes it as "Le portrait en pied de l'Empereur represente dans son Cabinet. Tableau pour l'Angleterre" (Schnapper, Antoine, et al.,
Jacques Louis David 1748 1825
, exh. cat., Louvre and Versailles, Paris, 1989: 20); "List C," dated 1819, refers to the original painting under no. "49.
Napoleon
en pied dans son cabinet. Pour le marquis Douglas en Angleterre" and to David's copy of it under no. "50. Une repetition du meme avec des changements dans l'habillement. Pour M. Huibans" (Wildenstein, Daniel, and Guy Wildenstein,
Documents complementaires au catalogue de l'oeuvre de Louis David
, Paris, 1973: no. 1938; Schnapper et al. 1989: 21).
[2] According to a 31 January 1977 letter from Sotheby Parke Bernet to David E. Rust, in NGA curatorial files, F. Davis was a London dealer who almost always purchased for the earl of Rosebery.
[3] The bill of sale (copy in NGA curatorial files) is dated February 10, 1954, and was for fourteen paintings, including
Napoleon in his study
; payments by the Foundation continued to March 1957.
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