?????

?????
????????????????????	????? , ????????? , ????????? , ??????????? , EBM , ?????? , ??-?????????? , ?????????? , ?????????????
??????????????????????	?????????? 1980 ???????? ?????????? ????????????
??????????????????	????????? , ?????????????????????? , ??????????? , ?????????? , ???????
???????????????	IDM , ?????? , ?????????? , ?????????
???????
	????? , ??????? , ?????? , ?????????????
?????????
	?????????? , ???????? , ????????? , ???????
???????????????????????
	Detroit techno, Nortec, Schranz, Yorkshire Bleeps and Bass, Jtek
?????????? ?
	Electronic musical instrument, computer music, record labels, raves, free party, teknival

????? ( ?????? : techno ) ????????????? ???????????????????????? ^[1]????????????? ???????? ?????????? ?? ???????????? ??????????????????????? 1980 ????? techno ????????????????????????????????? ?.?. 1988 ^[2]^[3] ??????????????????????????????????? ????????????? ????????????????????????????????????????? ^[4]

??????????????????? ??????????????????? ???????????????????? ??????????? (Kraftwerk) ?????? ???????? (Giorgio Moroder) ??? ???????????????????? (Yellow Magic Orchestra) ??????????????????????????????? ??????? ????? ????????? ??????????? ??? ?????????????? ^[5] ???????????????????????????????????????????????????????? ^[6] ????????????????????????????????????????????????????????? ???????????????????????? The Third Wave (?????????????) ??? ?????? ???????? (Alvin Toffler) ^[7]^[8] ????????????????????????? ??? ???????? (Juan Atkins) ????????????????? "????????????" (techno rebels) ??????????? ???????????????????????????????? ????? ?????????????????????????????????????????? ?????????????????????????????????????????????????????????????? ??????????????????? (afrofuturism) ??????????????? ???????? ???? (Derrick May) ??????????? ????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ^[9]^[10] ?????????: "?????????????????????????????? ??????? ??????????????????????????????????????????????????????????????????????????????" ^[11]

??????????????? ?????????????? ????????????????????????????? ? ??????????????????????????????????? ????????????????????????????????????????????? (4/4) ??????????????????????????????????????????????????? ??????????????????????????????????????????????????????????????????????? ???? ?????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????? 120 ????????????? (???????????????????????? 120 ???????) ??? 150 ???????????????????????????????????????

????????????????????????????????????????????? ???? ?????????? ?????????????????????? ??? ????????????????????????? ???????????????????????????????????????? ????????????????????????? ????????????????????????????????????????????????????????????????????????????????????? ?????????????????? 1980 ???? ??????-808 ?????????? ??? ??????-909 ????????????????????????????????????????????????????????????????????????????????????????????????????

?????????????????????? ?????????????????? ????????????????????????????????????????????????????????????????????? ??????????????????????????????????? ???? ???????? ??? ?????? ^[12]^[13]^[14]^[15]

??????? [ ??? ]

↑ According to Butler (2006:33) use of the term EDM "has become increasingly common among fans in recent years. During the 1980s, the most common catchall term for EDM was house music , while techno became more prevalent during the first half of the 1990s. As EDM has become more diverse, however, these terms have come to refer to specific genres. Another word, electronica , has been widely used in mainstream journalism since 1997, but most fans view this term with suspicion as a marketing label devised by the music industry".
↑ Brewster 2006:354
↑ Reynolds 1999:71. Detroit's music had hitherto reached British ears as a subset of Chicago house; [Neil] Rushton and the Belleville Three decided to fasten on the word techno ? a term that had been bandied about but never stressed ? in order to define Detroit as a distinct genre.
↑ "Detroit techno". Keyboard Magazine (231). July 1995.
↑ Bogdanov, Vladimir (2001). All music guide to electronica: the definitive guide to electronic music (4 ed.). Backbeat Books . p. 582. ISBN 0-87930-628-9 . ??????????? 26 May 2011 . Typically, that birth is traced to the early '80s and the emaciated inner-city of Detroit, where figures such as Juan Atkins, Derrick May, and Kevin Saunderson, among others, fused the quirky machine music of Kraftwerk and Yellow Magic Orchestra with the space-race electric funk of George Clinton, the optimistic futurism of Alvin Toffler's The Third Wave (from which the music derived its name), and the emerging electro sound elsewhere being explored by Soul Sonic Force, the Jonzun Crew, Man Parrish, "Pretty" Tony Butler, and LA's Wrecking Cru.
↑ Rietveld 1998:125
↑ Sicko 1999:28
↑ Having grown up with the latter-day effects of Fordism, the Detroit techno musicians read futurologist Alvin Toffler's soundbite predictions for change ? 'blip culture', 'the intelligent environment', 'the infosphere', 'de-massification of the media de-massifies our minds', 'the techno rebels', 'appropriated technologies' ? accorded with some, though not all, of their own intuitions, Toop, D. (1995), Ocean of Sound , Serpent's Tail, (p. 215).
↑ Kodwo 1998
↑ Reynolds 1999:51. ...techno artists often talk about what they do in the seemingly inappropriate language of traditional humanist art ? 'expression', 'soul', 'authenticity', 'depth'.
↑ Mc Leod, K.,"Space oddities: aliens, futurism and meaning in popular music", Popular Music (2003) Volume 22/3. Copyright 2003 Cambridge University Press, pp. 337?355.
↑ "Music Faze - The Electro House, Dubstep, EDM Music Blog: Electronica Genre Guide" . 20 December 2014. ????????????????????? ????????? ????? 20 December 2014 . ??????????? 22 November 2019 .
↑ Critzon, Michael (17 September 2001). "Eat Static is bad stuff" . Central Michigan Life . ????????????????????? ????????? ????? 24 May 2016 . ??????????? 12 August 2007 .
↑ Hamersly, Michael (23 March 2001). "Electronic Energy". The Miami Herald : 6G.
↑ Schoemer, Karen (10 February 1997). "Electronic Eden". Newsweek . p. 60. Every Monday night, Natania goes to Koncrete Jungle, a dance party on new York's lower East Side that plays a hip, relatively new offshoot of dance music known as drum & bass?or, in a more general way, techno , a blanket term that describes music made on computers and electronic gadgets instead of conventional instruments, and performed by deejays instead of old-fashioned bands.

??????????????? [ ??? ]

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[1] According to Butler (2006:33) use of the term EDM "has become increasingly common among fans in recent years. During the 1980s, the most common catchall term for EDM was house music , while techno became more prevalent during the first half of the 1990s. As EDM has become more diverse, however, these terms have come to refer to specific genres. Another word, electronica , has been widely used in mainstream journalism since 1997, but most fans view this term with suspicion as a marketing label devised by the music industry".

[BREW354-2] Brewster 2006:354

[REYNOLDS71-3] Reynolds 1999:71. Detroit's music had hitherto reached British ears as a subset of Chicago house; [Neil] Rushton and the Belleville Three decided to fasten on the word techno ? a term that had been bandied about but never stressed ? in order to define Detroit as a distinct genre.

[4] "Detroit techno". Keyboard Magazine (231). July 1995.

[bogdanov_2001-5] Bogdanov, Vladimir (2001). All music guide to electronica: the definitive guide to electronic music (4 ed.). Backbeat Books . p. 582. ISBN 0-87930-628-9 . ??????????? 26 May 2011 . Typically, that birth is traced to the early '80s and the emaciated inner-city of Detroit, where figures such as Juan Atkins, Derrick May, and Kevin Saunderson, among others, fused the quirky machine music of Kraftwerk and Yellow Magic Orchestra with the space-race electric funk of George Clinton, the optimistic futurism of Alvin Toffler's The Third Wave (from which the music derived its name), and the emerging electro sound elsewhere being explored by Soul Sonic Force, the Jonzun Crew, Man Parrish, "Pretty" Tony Butler, and LA's Wrecking Cru.

[6] Rietveld 1998:125

[7] Sicko 1999:28

[8] Having grown up with the latter-day effects of Fordism, the Detroit techno musicians read futurologist Alvin Toffler's soundbite predictions for change ? 'blip culture', 'the intelligent environment', 'the infosphere', 'de-massification of the media de-massifies our minds', 'the techno rebels', 'appropriated technologies' ? accorded with some, though not all, of their own intuitions, Toop, D. (1995), Ocean of Sound , Serpent's Tail, (p. 215).

[9] Kodwo 1998

[10] Reynolds 1999:51. ...techno artists often talk about what they do in the seemingly inappropriate language of traditional humanist art ? 'expression', 'soul', 'authenticity', 'depth'.

[11] Mc Leod, K.,"Space oddities: aliens, futurism and meaning in popular music", Popular Music (2003) Volume 22/3. Copyright 2003 Cambridge University Press, pp. 337?355.

[12] "Music Faze - The Electro House, Dubstep, EDM Music Blog: Electronica Genre Guide" . 20 December 2014. ????????????????????? ????????? ????? 20 December 2014 . ??????????? 22 November 2019 .

[13] Critzon, Michael (17 September 2001). "Eat Static is bad stuff" . Central Michigan Life . ????????????????????? ????????? ????? 24 May 2016 . ??????????? 12 August 2007 .

[14] Hamersly, Michael (23 March 2001). "Electronic Energy". The Miami Herald : 6G.

[15] Schoemer, Karen (10 February 1997). "Electronic Eden". Newsweek . p. 60. Every Monday night, Natania goes to Koncrete Jungle, a dance party on new York's lower East Side that plays a hip, relatively new offshoot of dance music known as drum & bass?or, in a more general way, techno , a blanket term that describes music made on computers and electronic gadgets instead of conventional instruments, and performed by deejays instead of old-fashioned bands.

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