?????

"?????"( ?????? : Darkness ) ?????? " ?????? " ???? ???????? ?? ????????????????????? ???. ???? ?? ????????? ???????? ????? ?????? ???????????. ??? ????????? ?? ????? ?????? ????????????. ??????? ????? ????, ????? ???? ???????????? ???? ?????? ????????? ???????? ???? ^[1]. ????? ????????? ? ??????? ????????????, ?????? ??????? ????????????. ????? ??????????? "?????" ????????? ????? ????? ????????? ???????.

???? ??????? [ ?????? ]

????? ??? ??? ???????? ??????? ????, ????? ??? ????? ???? ??????? ?????????. ??????? ?????????? ???????? , ????? , ?????, ???????, ?????? , ??????? , ????????? , ??????????, ????????, ???????, ????? , ?????? , ??????? , ??????? ?????? ?????? ???????.

???????? ?????????? ??????????? ????? ??????? ??????. ????? ???????? ???? ???????? ???, ??? ???????? ???? ?????????? ???? ????????? ??? ??????. ????? ?????????? ????? ????????? ?????? ????????.

????????? ?????? ??????? ???????. ???????? ??????? ???????????????? ?????? ????? ????, ???????? ??????? ?????????????????? ?????? ????? ???? ???????. ???????? ?????????? ??????????? ??????.

???????? ?????? ?????? ?????? ?????????. ???????? ????????? ???????????? ?????? ?????????? ??? ??????.

?????????? [ ?????? ]

????????? [ ?????? ]

Stare at the image for a minute, then look away. The eye supplies the light and dark complements to the image.

????? ??? ?????????? ????? ?????? ???? ??????? ?????? ?????? ???? ???? ?????? ????? ???? ????????? ???? ???? "?????" ??? ????????? ????????????. ? ????????? ????? ????? ??? ?????? ?????????? ????? ??? ????????? ??????????.(? ????????????? after images ??????) ??? ????????? ?? ????? ???????? ???????????, ?????? ??????? ????? ????????? ???? ????? ????????????. ^[2]

????? ????????? [ ?????? ]

????? ??????? ????? ??????? ?? ??????? ???????? (????? ??????) ????? ????????????? ????? ??????. ???? ??? ???????? ???? ??? ????? ????????????. ???????? ??????? ????? ???? ???????? ????? ?? ????????? ???????????. ??????? ??????? ????????. ???????? ??? ??????? ????????????. ??? ?????? ?????? ???? ?????? ???????? ????? ?? ????????? ????????????. ???????? ??? ????? ?????? ??????????. ^[3] ???? ??????? ????? ???? ??? ?????? ??????.

????? ?????? ??????? ??????? ??????????. ????? ???????? ????? ??????? ????? ?? ????????????. ????? ??????? ??? ?????? ????? ????? ???? ?????? ?????????. ???? ????????? ???????? ??????? ??????????????.??? ????? ?? ?????????????. ^[4] ???????? ?? ??????? ??????? ????????????, ??? ?????? ??????????? ???? ?????? ???? ??? ????????????. ????? ??????? ????? ???????? ???????? ??????.

?? ????? ??????? ????? ??????? ????????? ????? ???? ? ??????? ??????? ??????? ???????. ?????? , ???? ?????? ????? ????? ??????, ????? ????? ???????????. ?????? ???? ????? ??????? ?? ????? ??????????? ????????? ???? ???? ??? ??????????????. ?????????? ?????? ?????? ?????? ??????? ?? ???? ????? ????????? ???? ????????????. ??????? ?????? ??????? ???????? ????? ????????? ?????? ???????? ??????? ??????? ??????????????.

??????????? [ ?????? ]

?? ??????? ???? ???? ??????, (?????? 24-????? ????????? ???? ????????) ???? ???????? ???? (red, green, blue) ? ??????? 0 ????? 255 ???? ???????????. ????????? ?????, ???????, ???? ????? ?????????? ???????? ??????????????? (255,255,255), ????? ? ??????? ???????? ?????? ?????? ??????????. ?? ???? ?????? ????? ?????????? ???????????????? (0,0,0) ????? ? ??????? ??????? (?????) ?? ??????????.

???? ???? ?????? [ ?????? ]

??????? [ ?????? ]

↑ http://www.uni-leipzig.de/~psycho/wundt/opera/wundt/OLiPsych/OLiPsy06.htm
↑ David T. Horner, Demonstrations of Color Perception and the Importance of Contours, Handbook for Teaching Introductory Psychology, Volume 2, page 217. Psychology Press, Texas, 2000) "Afterimages are the complementary hue of the adapting stimulus and trichromatic theory fails to account for this fact". http://books.google.ca/books?id=qyjYzloWfoMC&lpg=PA217&ots=fdXFRLg7GZ&dq=retina%20that%20is%20unstimulated%20produces%20a%20complementary%20afterimage&pg=PA216#v=onepage&q=retina%20that%20is%20unstimulated%20produces%20a%20complementary%20afterimage&f=false Archived 2013-11-05 at the Wayback Machine
↑ Mantese, Lucymarie (March 2000). " Photon-Driven Localization: How Materials Really Absorb Light ". American Physical Society. Retrieved on 2007-01-21 .
↑ Dr. Denise Smith. " Exploring the Electromagnetic Spectrum: The Herschel Experiment " (powerpoint). Space Telescope Science Institute. Retrieved on 2007-01-21 . "??????? ????" . Archived from the original on 2007-02-06 . Retrieved 2013-02-09 . {{ cite web }}: CS1 maint: bot: original URL status unknown ( link ) "??????? ????" . Archived from the original on 2007-02-06 . Retrieved 2013-02-09 . "??????? ????" . Archived from the original on 2007-02-06 . Retrieved 2013-02-09 .

[1] ttp://www.uni-leipzig.de/~psycho/wundt/opera/wundt/OLiPsych/OLiPsy06.htm

[2] David T. Horner, Demonstrations of Color Perception and the Importance of Contours, Handbook for Teaching Introductory Psychology, Volume 2, page 217. Psychology Press, Texas, 2000) "Afterimages are the complementary hue of the adapting stimulus and trichromatic theory fails to account for this fact". http://books.google.ca/books?id=qyjYzloWfoMC&lpg=PA217&ots=fdXFRLg7GZ&dq=retina%20that%20is%20unstimulated%20produces%20a%20complementary%20afterimage&pg=PA216#v=onepage&q=retina%20that%20is%20unstimulated%20produces%20a%20complementary%20afterimage&f=false Archived 2013-11-05 at the Wayback Machine

[3] Mantese, Lucymarie (March 2000). " Photon-Driven Localization: How Materials Really Absorb Light ". American Physical Society. Retrieved on 2007-01-21 .

[4] Dr. Denise Smith. " Exploring the Electromagnetic Spectrum: The Herschel Experiment " (powerpoint). Space Telescope Science Institute. Retrieved on 2007-01-21 . "??????? ????" . Archived from the original on 2007-02-06 . Retrieved 2013-02-09 . {{ cite web }}: CS1 maint: bot: original URL status unknown ( link ) "??????? ????" . Archived from the original on 2007-02-06 . Retrieved 2013-02-09 . "??????? ????" . Archived from the original on 2007-02-06 . Retrieved 2013-02-09 .

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