This chapter introduces the concept of ‘moveable fictions’ as a set of variable aesthetic patterns
in hegemonic cultural practice that function as symbolic reference points for processes of …

… to be faced by critical theory when leaving the twilight zone . … research to move out of the
twilight zone and to contribute to new… to move critical development theory out of the twilight zone . …

… series the Twilight Zone , aired on CBS from 1959 to 1964. Although today in the United
States and elsewhere, Serling's name is most commonly associated with the Twilight Zone , by …

… Life as an ‘illegalised’ worker in the twilight zone does not simply mean foregoing an
employment contract and its associated social security rights, but also the loss of citizenship and …

Between light and shadow, science and superstition, fear and knowledge is a dimension of
imagination. An area we call the Twilight Zone . Adapted by Anne Washburn (Mr Burns) and …

… ’s favourite topics of exploration in The Twilight Zone (1959?64) is … Like Serling, many ageing
characters in The Twilight Zone … the music of nostalgia in The Twilight Zone and the ways in …

This chapter argues that the feminist critics of cosmetic surgery cannot afford the comforts of
alleviating unbearable suffering position. It embraces the uneasiness about women's …

… Generally, we expect the twilight zone threshold to lie around the score, for which the
expected number of random motifs that exceed this score, is about 1 (clearly the choice of 1 is …

… both carried over into the Twilight Zone aesthetic. First, they … Given that the genre category
of The Twilight Zone ? fantasy … from the one that fans of The Twilight Zone know. In an article …

by Courtney S. Campbell he relationship of bioethics and the social sciences is sometimes
complementary, but also often contentious and adversarial. The sociologists Renee Fox and …