" What we demand is the unity of politics and art, the unity of content and form, the unity of
revolutionary political content and the highest possible perfection of artistic form. Works of art?…

some time spent with Godard in Toronto Page 1 Part of the following derives from two film
festival encounters ? a panel discussion on Godards Histoire?s) da cine’ma held in Locarno?…

This is the only book that covers the entirety of Godard's career, from his early film criticism
for Cahiers du Cinema to his most recent video/film work. Illustrated with forty-six rare stills?…

I first saw Jean-Luc Godard's 2 ou 3 choses que je sais d'elle with my friend Joel Haycock
shortly after its American premiere at the New Yorker Theater on April 30, 1970. The?…

When Jean-Luc Godard received the grand prize at last year's Venice Film Festival from a
jury composed largely of directors of his generation, it was widely felt that it was an award for?…

Godard on Godard1 contains 116 pieces written or spoken by Godard between June 1950
and August 1967. Items 1-85 comprise Godard's output as a film critic through July 1959. In?…

In a celebrated review of Alfred Hitchcock's The WrongMan (US, 1956) in the Cahiers du
cinema^ a review titled (after Artaud)" Le Cinema et son double," Jean-Luc Godard focuses?…

It has become commonplace to speak of a continuing development in Godard's films of the
1960 s away from conventional narrative technique toward a filmic syntax based on?…

Consider one of the many great moments from Godard's films: in Pierrot lefou (1965), Pierrot
and Marianne are speeding along the road in a large convertible as they flee the scene of?…

All art in the twentieth century is political. If revolution is indeed a work of art, as Marx and
then Lenin affirmed, then art is also revolution?" if, and only if, it creates feelings?…