De la Wikipedia, enciclopedia liber?
Fic?iune
(
latin?
:
fictio
= n?scocire) este reprezentare produs? de imagina?ia cuiva ?i care nu corespunde realit??ii sau nu are corespondent in realitate.
[1]
[2]
[3]
[4]
Se poate referi, de asemenea, la naratiuni scrise numai in proz? (romanul ?i povestirea) ?i este adesea folosit ca sinonim pentru roman.
[5]
Cu alte cuvinte este ceva posibil, o idee de viitor sau ceva probabil intamplat in trecut. O excep?ie de la aceast? defini?ie este n?scocirea unei nara?iuni literare. Filozoful german
Kant
define?te fic?iunea in opera sa ?Critica ra?iunii pure” ca
o n?scocire dar in acela?i timp o posibil? acceptare a subiectului
.
O lucrare de fic?iune implic? actul inventiv de a construi o lume imaginar?, astfel incat publicul s?u nu se a?teapt? de obicei s? fie total credincios in lumea real? in prezentarea doar a personajelor care sunt persoane reale sau descrieri care sunt fapte adev?rat.
[6]
In schimb, contextul fic?iunii, in general in?eles ca neaderarea exact? in lumea real?, este mai deschis la interpretare.
[7]
Termenul de origine englez?
fiction
este folosit in domeniul
cinematografiei
?i literaturii ca:
- ^
http://dexonline.ro/definitie/fic?iune
- ^
"
fiction
." Merriam-Webster, Incorporated. 2015.
- ^
Sageng, Fossheim, & Larsen (eds.) (2012).
The Philosophy of Computer Games
. Springer Science & Business Media. pp. 186?87.
- ^
William Harmon and C. Hugh Holman
A Handbook to Literature
(7th edition). New York: Prentice Hall, 1990, p. 212.
- ^
M. h. Abrams,
A Glossary of Literary Terms
(7th edition), Fort Worth: Harcourt Brace, 1999, p. 94.
- ^
Farner, Geir (
).
?Chapter 2: What is Literary Fiction?”
.
Literary Fiction: The Ways We Read Narrative Literature
. Bloomsbury Publishing USA.
- ^
Culler, Jonathan (
).
Literary Theory: A Very Short Introduction
. Oxford University Press. p. 31.
Non-fictional discourse is usually embedded in a context that tells you how to take it: an instruction manual, a newspaper report, a letter from a charity. The context of fiction, though, explicitly leaves open the question of what the fiction is really about. Reference to the world is not so much a property of literary [i.e. fictional] works as a function they are given by interpretation.