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Olivier Messiaen - Wikipedia bahasa Indonesia, ensiklopedia bebas Lompat ke isi

Olivier Messiaen

Dari Wikipedia bahasa Indonesia, ensiklopedia bebas
Olivier Messiaen tahun 1986

Olivier Eugene Prosper Charles Messiaen [1] ( UK / ? m ? s i æ? / , [2] US / m ? ? s j æ? , m e? ? s j æ? , m ? ? s j ?? / ; [3] [4] [5] bahasa Prancis:  [?livje m?sj??] ; 10 Desember 1908  ? 27 April 1992 ) adalah seorang komponis Prancis, organis , dan ornitologis , ia merupakan salah satu komposer utama pada abad ke-20.

Catatan [ sunting | sunting sumber ]

  1. ^ Griffiths 2001 .
  2. ^ "Messiaen, Olivier" . Lexico UK Dictionary . Oxford University Press . Diakses tanggal August 18, 2019 .  
  3. ^ "Messiaen" . The American Heritage Dictionary of the English Language (edisi ke-5th). Boston: Houghton Mifflin Harcourt . 2014.  
  4. ^ "Messiaen" . Collins English Dictionary . HarperCollins . Diakses tanggal August 18, 2019 .  
  5. ^ "Messiaen" . Merriam-Webster Dictionary . Diakses tanggal August 18, 2019 .  

Referensi [ sunting | sunting sumber ]

Bacaan selanjutnya [ sunting | sunting sumber ]

  • Baggech, Melody Ann (1998). An English Translation of Olivier Messiaen's "Traite de Rythme, de Couleur, et d'Ornithologie" Norman: The University of Oklahoma.
  • Barker, Thomas (2012). "The Social and Aesthetic Situation of Olivier Messiaen's Religious Music: Turangalila Symphonie." International Review of the Aesthetics and Sociology of Music 43/1:53?70.
  • Benitez, Vincent P. (2000). "A Creative Legacy: Messiaen as Teacher of Analysis." College Music Symposium 40: 117?39.
  • Benitez, Vincent P. (2001). "Pitch Organization and Dramatic Design in Saint Francois d’Assise of Olivier Messiaen." PhD diss., Bloomington: Indiana University.
  • Benitez, Vincent P. (2002). “Simultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera Saint Francois d’Assise .” Music Theory Online 8.2 (August 2002). Music Theory Online
  • Benitez, Vincent P. (2004). "Aspects of Harmony in Messiaen's Later Music: An Examination of the Chords of Transposed Inversions on the Same Bass Note." Journal of Musicological Research 23, no. 2: 187?226.
  • Benitez, Vincent P. (2004). "Narrating Saint Francis's Spiritual Journey: Referential Pitch Structures and Symbolic Images in Olivier Messiaen's Saint Francois d'Assise ." In Poznan Studies on Opera , edited by Maciej Jablonski, 363?411.
  • Benitez, Vincent P. (2008). “Messiaen as Improviser.” Dutch Journal of Music Theory 13, no. 2 (May 2008): 129?44.
  • Benitez, Vincent P. (2009). “Reconsidering Messiaen as Serialist.” Music Analysis 28, nos. 2?3 (2009): 267?99 (published April 21, 2011).
  • Benitez, Vincent P. (2010). "Messiaen and Aquinas." In Messiaen the Theologian , edited by Andrew Shenton, 101?26. Aldershot: Ashgate.
  • Benitez, Vincent Perez (2019). Olivier Messiaen's Opera, Saint Francois d'Assise . Bloomington, IN: Indiana University Press. ISBN 978-0-253-04287-3 .
  • Boivin, Jean (1993). "La Classe de Messiaen: Historique, reconstitution, impact". Ph.D. diss. Montreal: Ecole Polytechnique, Montreal.
  • Boswell-Kurc, Lilise (2001). "Olivier Messiaen's Religious War-Time Works and Their Controversial Reception in France (1941?1946) ". Ph.D. diss. New York: New York University.
  • Bruhn, Siglind (2007). Messiaen's Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s . Hillsdale, NY: Pendragon Press. ISBN   978-1-57647-129-6 .  
  • Bruhn, Siglind (July 7, 2008). Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera . Dimension & diversity, no. 10. (dalam bahasa Inggris) (edisi ke-1st). Hillsdale, NY: Pendragon Press. hlm.  229 . ISBN   978-1-57647-139-5 . OCLC   227191541 .  
  • Burns, Jeffrey Phillips (1995). "Messiaen's Modes of Limited Transposition Reconsidered". M.M. thesis, Madison: University of Wisconsin-Madison.
  • Cheong Wai-Ling (2003). "Messiaen's Chord Tables: Ordering the Disordered". Tempo 57, no. 226 (October): 2?10.
  • Cheong Wai-Ling (2008). "Neumes and Greek Rhythms: The Breakthrough in Messiaen's Birdsong". Acta Musicologica 80, no. 1:1?32.
  • Dingle, Christopher (2013). Messiaen's Final Works . Farnham, UK: Ashgate. ISBN 978-0-7546-0633-8 .
  • Fallon, Robert Joseph (2005). "Messiaen's Mimesis: The Language and Culture of The Bird Styles". Ph.D. diss. Berkeley: University of California, Berkeley.
  • Fallon, Robert (2008). "Birds, Beasts, and Bombs in Messiaen's Cold War Mass". The Journal of Musicology 26, no. 2 (Spring): 175?204.
  • Festa, Paul (2008). Oh My God: Messiaen in the Ear of the Unbeliever . San Francisco: Bar Nothing Books.  
  • Golea, Antoine (1960). Rencontres avec Olivier Messiaen . Paris: Julliard.  
  • Hardink, Jason M. (2007). "Messiaen and Plainchant". D.M.A. diss. Houston: Rice University.
  • Harris, Joseph Edward (2004). "Musique coloree: Synesthetic Correspondence in the Works of Olivier Messiaen". Ph.D. diss. Ames: The University of Iowa.
  • Hill, Matthew Richard (1995). "Messiaen's Regard du silence as an Expression of Catholic Faith". D.M.A. diss. Madison: The University of Wisconsin, Madison.
  • Laycock, Gary Eng Yeow (2010). "Re-evaluating Olivier Messiaen's Musical Language from 1917 to 1935". Ph.D. diss. Bloomington: Indiana University, 2010.
  • Luchese, Diane (1998). "Olivier Messiaen's Slow Music: Glimpses of Eternity in Time". Ph.D. diss. Evanston: Northwestern University
  • McGinnis, Margaret Elizabeth (2003). "Playing the Fields: Messiaen, Music, and the Extramusical". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill.
  • Nelson, David Lowell (1992). "An Analysis of Olivier Messiaen's Chant Paraphrases". 2 vols. Ph.D. diss. Evanston: Northwestern University
  • Ngim, Alan Gerald (1997). "Olivier Messiaen as a Pianist: A Study of Tempo and Rhythm Based on His Recordings of Visions de l'amen ". D.M.A. diss. Coral Gables: University of Miami.
  • Peterson, Larry Wayne (1973). "Messiaen and Rhythm: Theory and Practice". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill
  • Puspita, Amelia (2008). "The Influence of Balinese Gamelan on the Music of Olivier Messiaen". D.M.A. diss. Cincinnati: University of Cincinnati
  • Reverdy, Michele (1988). L'Œuvre pour orchestre d'Olivier Messiaen . Paris: Alphonse Leduc. ISBN   978-2-85689-038-7 .  
  • Rischin, Rebecca (2006). For the End of Time: The Story of the Messiaen Quartet (edisi ke-New). Cornell University Press. ISBN   978-0-8014-7297-8 .  
  • Schultz, Rob (2008). "Melodic Contour and Nonretrogradable Structure in the Birdsong of Olivier Messiaen". Music Theory Spectrum 30, no. 1 (Spring): 89?137.
  • Shenton, Andrew (1998). "The Unspoken Word: Olivier Messiaen's 'langage communicable'". Ph.D. diss. Cambridge: Harvard University.
  • Shenton, Andrew (2008). Olivier Messiaen's System of Signs . Abingdon, Oxon & New York: Routledge. ISBN   978-0-7546-6168-9 .  
  • Shenton, Andrew, ed. (2010). Messiaen the Theologian . Abingdon, Oxon & New York: Routledge. ISBN   978-0-7546-6640-0 .  
  • Sholl, Robert (2008). Messiaen Studies . Cambridge & New York: Cambridge University Press. ISBN   978-0-521-83981-5 .  
  • Simeone, Nigel (2004). "'Chez Messiaen, tout est priere': Messiaen's Appointment at the Trinite". The Musical Times 145, no. 1889 (Winter): 36?53.
  • Simeone, Nigel (2008). "Messiaen, Koussevitzky and the USA". The Musical Times 149, no. 1905 (Winter): 25?44.
  • Waumsley, Stuart (1975). The Organ Music of Olivier Messiaen (edisi ke-New). Paris: Alphonse Leduc. OCLC 2911308; LCCN 77-457244.  
  • Welsh Ibanez, Deborah (2005). Color, Timbre, and Resonance: Developments in Olivier Messiaen's Use of Percussion Between 1956?1965. D.M.A. diss. Coral Gables: University of Miami
  • Zheng, Zhong (2004). A Study of Messiaen's Solo Piano Works. Ph.D. diss. Hong Kong: The Chinese University of Hong Kong.

Film [ sunting | sunting sumber ]

  • Apparition of the Eternal Church ? Paul Festa's 2006 film about responses of 31 artists to Messiaen's music.
  • Messiaen at 80 (1988). Directed by Sue Knussen. BFI database entry .
  • Olivier Messiaen et les oiseaux (1973). Directed by Michel Fano and Denise Tual.
  • Olivier Messiaen ? The Crystal Liturgy (2007 [DVD release date]). Directed by Olivier Mille.
  • Olivier Messiaen: Works (1991). DVD on which Messiaen performs "Improvisations" on the organ at the Paris Trinity Church.
  • The South Bank Show: Olivier Messiaen: The Music of Faith (1985). Directed by Alan Benson. BFI database entry .
  • Quartet for the End of Time , with the President's Own Marine Band Ensemble, A Film by H. Paul Moon

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