Group of British and Irish writers
The
Auden Group
, or
Auden Generation
, was a group of British and Irish writers active in the 1930s that included
W. H. Auden
,
Louis MacNeice
,
Cecil Day-Lewis
,
Stephen Spender
,
Christopher Isherwood
and sometimes
Edward Upward
and
Rex Warner
. They were sometimes called simply the
Thirties poets
.
[1]
Overview
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Although many newspaper articles and a few books appeared about the "Auden Group", the existence of the group was essentially a journalistic myth, a convenient label for poets and novelists who were approximately the same age, who had been educated at
Oxford and Cambridge
, who had known each other at different times and had more or less left-wing views ranging from MacNeice's political scepticism to Upward's committed communism.
The "group" was never together in the same room: the four
poets
(Auden, Day-Lewis, MacNeice and Spender) were in the same room only once in the 1930s, for a BBC broadcast in 1938 of modern poets (also including
Dylan Thomas
and others who were not associated with the "Auden Group"). The event was so insignificant that Day-Lewis faied to mention it when he wrote in his autobiography,
The Buried Day
, that the four were first together in 1953.
The connections between individual writers as friends and collaborators were, however, real. Auden and Isherwood produced three plays and a travel book. Auden and MacNeice collaborated on a travel book. As undergraduates, Auden and Day-Lewis wrote a brief introduction to the annual
Oxford Poetry
. Auden dedicated books to Isherwood and Spender. Day-Lewis mentioned Auden in a poem, but the whole group never operated as such.
Macspaunday
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"
MacSpaunday
" was a name invented by
Roy Campbell
,
[2]
in his
Talking Bronco
(1946), to designate a composite figure made up of the four poets:
Campbell, in common with much literary journalism of the period, imagined that the four were a group of like-minded poets although they shared little but left-wing views in the broadest sense of the word. Campbell elsewhere implied that the four were homosexual, but MacNeice and Day-Lewis were entirely heterosexual.
In later years, the term was sometimes used neutrally, as a synonym for the "Thirties poets" or "the New Poetry of the 1930s".
References
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External links
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