German knight, poet, and composer (died c. 1220)
In this medieval name, the personal name is
Wolfram
and
von Eschenbach
is an appellation or descriptor. There is no family name.
Wolfram von Eschenbach
(
German:
[?v?lf?am
f?n
???n?bax]
;
c.
1160/80
?
c.
1220
) was a German knight, poet and composer, regarded as one of the greatest
epic poets
of
medieval German literature
. As a
Minnesinger
, he also wrote
lyric poetry
.
Life
[
edit
]
Little is known of Wolfram's life. There are no historical documents which mention him, and his works are the sole source of evidence. In
Parzival
, he talks of
wir Beier
("we
Bavarians
"); the dialect of his works is
East Franconian
. On the basis of this and a number of geographical references, the present-day
Wolframs-Eschenbach
, until 1917 Obereschenbach, near
Ansbach
in present-day
Bavaria
, has been officially designated as his birthplace. However, the evidence is circumstantial and not without problems - there are at least four other places named
Eschenbach
in Bavaria, and Wolframs-Eschenbach was not part of the
Duchy of Bavaria
(
Altbayern
) in Wolfram's time.
[
citation needed
]
The
arms
shown in the
Manesse manuscript
come from the imagination of a 14th-century artist, drawing on the figure of the Red Knight in
Parzival
, and have no
heraldic
connection with Wolfram. Wolfram's work indicates a number of possible patrons (most reliably
Hermann I
of
Thuringia
), which suggests that he served at a number of courts during his life.
[
citation needed
]
He was presumably not a wealthy man, as he made frequent allusions to his own poverty.
In his
Parzival
, Wolfram states that he is illiterate; while the claim is treated with scepticism by some scholars, the truth of the assertion, difficult for some moderns to believe,
[2]
is impossible to ascertain. But it has been credited by many commentators. It is noted in
Thomas Mann
's
The Magic Mountain
that "the greatest poet of the
Middle Ages
, Wolfram von Eschenbach, could neither read nor write,"
[3]
and the
Catholic Encyclopedia
observes: "Wolfram in his
Parzival
tells us explicitly that he could neither read nor write. His poems were written down from dictation. His knowledge was extensive and varied rather than accurate. He certainly knew
French
, but only imperfectly; for his proper names often show a curious misunderstanding of French words and phrases."
[4]
Works
[
edit
]
Parzival
[
edit
]
Wolfram is best known today for his
Parzival
, sometimes regarded as the greatest of all
German Arthurian romances
. Based on
Chretien de Troyes
' unfinished
Perceval, le Conte du Graal
, it is the first extant work in German to have as its subject the
Holy Grail
(in Wolfram's interpretation a gemstone). In the poem, Wolfram's narrator expresses disdain for Chretien's (
unfinished
) version of the tale, and states that his source was a poet from
Provence
called
Kyot
.
Titurel
and
Willehalm
[
edit
]
Wolfram is the author of two other narrative works: the fragmentary
Titurel
and the unfinished
Willehalm
. These were both composed after
Parzival
, and
Titurel
mentions the death of Hermann I, which dates it firmly after 1217.
Titurel
consists of two fragments, which tell the story of Schionatulander and Sigune (lovers that were already depicted in
Parzival
). The first fragment deals with the birth of love between the main characters. The second fragment is quite different. Schionatulander and Sigune are alone in a forest, when their peace is suddenly disturbed by a mysterious dog, whose leash contains a story written in rubies. Sigune is eager to read the story, but the dog runs off. Schionatulander sets off to find him, but, as we already know from
Parzival
, he dies in the attempt.
Willehalm
, an unfinished poem based on the
Old French
chanson de geste
,
Aliscans
, was a significant work, and has been preserved in 78 manuscripts. It is set against the backdrop of the religious wars between the Christians and the
Saracens
. The eponymous hero Willehalm kidnaps a Saracen princess, converts her to Christianity and marries her. The Saracen king raises an army to rescue his daughter. The poem has many of the distinguishing features of medieval literature: the victory of the Christians over a much larger Saracen army, the touching death of the young knight Vivian, Willehalm's nephew and the works mirror of chivalric courage and spiritual purity.
Lyric poetry
[
edit
]
Wolfram's nine surviving songs, five of which are
dawn-songs
, are regarded as masterpieces of
Minnesang
. Dawn-songs recount the story of a knight who spends the night with his beloved lady, but at dawn has to slip away unnoticed. Mostly it is the lady who wakes the knight up in the morning, but sometimes this mission is made by the watchman. No melodies survived. Two melodies are still connected to him, the
Schwarzer Thon
, attributed to Wolfram in a 14th-century manuscript, and the fragmentary and unfinished epic
Titurel
(after 1217) with a complicated four-line
stanza
form that was often used in later poems.
[5]
Influence
[
edit
]
The 84 surviving manuscripts of
Parzival
, both complete and fragmentary, indicate the immense popularity of Wolfram's major work in the following two centuries.
Willehalm
, with 78 manuscripts, comes not far behind. Many of these include a continuation written in the 1240s by
Ulrich von Turheim
under the title
Rennewart
. The unfinished
Titurel
was taken up and expanded around 1272 by a poet named Albrecht, who is generally presumed to be
Albrecht von Scharfenberg
and who adopts the narrative persona of Wolfram. This work is referred to as the
Jungere Titurel
(
Younger Titurel
).
The modern rediscovery of Wolfram begins with the publication of a translation of
Parzival
in 1753 by the Swiss scholar
Johann Jakob Bodmer
.
Parzival
was the main source
Richard Wagner
used when writing the
libretto
to his opera,
Parsifal
. Wolfram himself appears as a character in another Wagner opera,
Tannhauser
.
References
[
edit
]
Notes
[
edit
]
- ^
In the foreword to his translation of Wolfram's
Parzival
, A. T. Hatto opines that ". . . his claim not to know his A B C must be discounted as one of his tactical jokes."
Parzival
, p. vi.
- ^
Thomas Mann,
The Magic Mountain
, trans. H.T. Lowe-Porter (New York: Alfred A. Knopf, 1946), p. 522; translation first published in 1927, the original published in 1924.
- ^
The Catholic Encyclopedia
. (1913).
- ^
Wolfram von Eschenbach at the Oxford Music Online
Bibliography
[
edit
]
- Bumke, Joachim (2004).
Wolfram von Eschenbach
(in German). Stuttgart: J.B. Metzler.
ISBN
3-476-18036-0
.
- Chisholm, Hugh
, ed. (1911).
"Wolfram von Eschenbach"
.
Encyclopædia Britannica
. Vol. 28 (11th ed.). Cambridge University Press. pp. 775?776.
- D. H. Green,
The Art of Recognition in Wolfram's Parzival
. Cambridge & New York: Cambridge University Press, 1982.
ISBN
0-521-24500-1
- Groos, Arthur
.
Romancing the Grail: Genre, Science, and Quest in Wolfram's
Parzival. Ithaca: Cornell University Press, 1995.
ISBN
0-8014-3068-2
- Hasty, Will, ed. (1999).
A Companion to Wolfram's
Parzival
. Columbia, SC: Camden House.
ISBN
1-57113-152-3
.
- Heinzle, Joachim (2019).
Wolfram von Eschenbach. Dichter der ritterlichen Welt. Leben, Werke, Nachruhm
(in German). Basel: Schwabe Verlag.
ISBN
978-3-7965-3955-8
.
- James F. Poag,
Wolfram von Eschenbach
(Twayne's World Authors Series) Twayne Publishers 1972.
ISBN
0-8290-1750-X
- Sager, Alexander.
Minne von mæren: on Wolfram's "Titurel."
Gottingen: V&R, 2006.
- Otto Springer. "Wolfram's
Parzival
" in
Arthurian Literature in the Middle Ages
, Roger S. Loomis (ed.). Clarendon Press: Oxford University. 1959.
ISBN
0-19-811588-1
- Steinmeyer, Elias von (1964),
"Eschenbach, Wolfram von"
,
Neue Deutsche Biographie
(in German), vol. 6, Berlin: Duncker & Humblot, pp. 340?346
; (
full text online
)
- Wolfram von Eschenbach,
Parzival with Titurel and The Love-lyrics
, trans. Cyril Edwards (Woodbridge, Boydell Press, 2004).
- Wolfram von Eschenbach,
Parzival
, trans. A.T.Hatto. Penguin 1980.
ISBN
0-14-044361-4
.
- Edwards, Cyril, "Wolfram von Eschenbach, Islam, and the Crusades," in James Hodkinson and Jeffrey Morrison (eds),
Encounters with Islam in German Literature and Culture
(Woodbridge, Camden House, 2009), pp. 36?54.
- "Wolfram von Eschenbach"
.
Grove Music Online
. Oxford:
Oxford University Press
. 2001.
doi
:
10.1093/gmo/9781561592630.article.30511
.
ISBN
978-1-56159-263-0
.
(subscription or
UK public library membership
required)
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]
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