1978 British animated film by Martin Rosen
Watership Down
|
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U.S. theatrical release poster
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Directed by
| |
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Written by
| Martin Rosen
|
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Based on
| Watership Down
by
Richard Adams
|
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Produced by
| Martin Rosen
|
---|
Starring
| |
---|
Narrated by
| Michael Hordern
|
---|
Edited by
| Terry Rawlings
|
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Music by
| |
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Production
company
| |
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Distributed by
| |
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Release dates
|
- 14 October 1978
(
1978-10-14
)
(Sweden)
- 19 October 1978
(
1978-10-19
)
(United Kingdom)
|
---|
Running time
| 102 minutes
[2]
|
---|
Country
| United Kingdom
[3]
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Language
| English
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Budget
| $2.4 million
|
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Box office
| $3.5 million (US and Canada
distributor rentals
)
[4]
|
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Watership Down
is a 1978 British
animated
adventure
-
drama
film, written, produced and directed by
Martin Rosen
and based on
the 1972 novel
by
Richard Adams
.
[5]
It was financed by a consortium of British financial institutions and was distributed by
Cinema International Corporation
in the United Kingdom. Released on 19 October 1978, the film was an immediate success and it became the sixth-most popular film of 1979 at the UK box office.
[6]
It features the voices of
John Hurt
,
Richard Briers
,
Harry Andrews
,
Simon Cadell
,
Nigel Hawthorne
and
Roy Kinnear
, among others, and was the last film work of
Zero Mostel
, as the voice of Kehaar the gull. The musical score was by
Angela Morley
and
Malcolm Williamson
.
Art Garfunkel
's hit song "
Bright Eyes
" was written by songwriter
Mike Batt
. It has gained a cult following.
[7]
Plot
[
edit
]
In
Lapine language
mythology, the world was created by the god Frith. All animals were grass eaters, living harmoniously. The rabbits multiplied, and their appetite led to a food shortage. Frith ordered the rabbit prince, El-Ahrairah, to control his people, but was scoffed at. In retaliation, Frith gave special gifts to every animal, making some into predators to hunt the rabbits. Satisfied that El-Ahrairah had learned his lesson, Frith gave rabbits the gifts of speed and cunning.
In the present, in a
warren
near
Sandleford
, a
rabbit
seer
named Fiver has an
apocalyptic
vision when he and his older brother Hazel come across a signboard; it says a residential development is coming, but they cannot read it. The two beg the chief rabbit to order an evacuation; the chief dismisses them, and orders Captain Holly, the head of the warren's Owsla police force, to stop those trying to leave. Fiver and Hazel manage to escape with six other rabbits named Bigwig, Blackberry, Pipkin, Dandelion, Silver, and Violet.
They journey through the woods, avoiding several dangerous situations; until Violet ? the group's only
doe
? is killed by a
hawk
. The others eventually meet a rabbit named Cowslip, who invites them to his warren, where a farmer leaves Cowslip's group ample vegetables. They are grateful, but Fiver leaves when he senses something unsettling in the atmosphere. Bigwig follows, berating Fiver for causing tension. When a
snare
catches Bigwig, Bigwig's friends manage to free him, and Fiver realizes that the farmer is protecting and feeding Cowslip's warren so that he can snare rabbits for his own meals. The group returns to its journey.
The rabbits discover Nuthanger Farm, which contains a
hutch
of domesticated does. Before they can free the females, the farm cat and dog chase them away. Later, they are found by Captain Holly, who recounts the destruction of Sandleford by humans as well as an encounter with vicious rabbits called the "Efrafans". Fiver finally finds the hill he envisioned,
Watership Down
, where the group settles in with Hazel as their new chief.
They soon befriend an injured
black-headed seagull
named Kehaar, who flies out in search of does. That night, the rabbits return to Nuthanger Farm to attempt to free the does, but Hazel's leg is shot and the rest are forced to retreat. Fiver follows a vision of the mythical Black Rabbit to his injured brother. Kehaar returns and, while pecking out
buckshot
from Hazel's leg with his beak, reports of the many does at the overcrowded Efrafa warren. Captain Holly describes it as a dangerous
totalitarian state
, but Hazel feels they must go there. Bigwig infiltrates the warren and is made an Owsla officer by their cruel chief, General Woundwort. Bigwig recruits several potential escapees to his cause, including Blackavar and Hyzenthlay. With Kehaar's help, the escapees use a boat to float down the river. That night, Kehaar leaves for his homeland, but promises to return in winter.
Efrafan trackers eventually find Watership Down. Woundwort rejects Hazel's offer of peace, and demands that all deserters must be turned over or Watership Down will be wiped out. While the Watership rabbits barricade their warren, Fiver slips into a trance, in which he envisions a dog named Bob running loose in the woods. His mumblings give Hazel an idea; he chews through the Nuthanger Farm watchdog's leash, and Blackberry, Dandelion and Hyzenthlay bait the animal into following them to the warren. Meanwhile, when the Efrafans break through the warren's defences, Woundwort goes in alone; Blackavar attacks him but is easily killed. Bigwig ambushes Woundwort and they fight to a standstill. When Bob arrives and starts attacking the Efrafans, Woundwort abandons Bigwig and emerges from the warren, refuses to flee and he stands his ground until Bob notices him, and Woundwort fearlessly attacks Bob. However, no trace of Woundwort is ever found, which leaves his fate a mystery.
Several years later, an elderly Hazel is visited by the Black Rabbit, who invites him to join his own Owsla, assuring him of Watership Down's perpetual safety. Reassured, Hazel accepts and dies peacefully. His spirit follows the visitor through the woodland and trees towards the Sun, which metamorphoses into Frith, and the
afterlife
, as Frith's parting advice to El-Ahrairah is heard once more.
Cast
[
edit
]
Production
[
edit
]
Film rights were purchased by producer Martin Rosen.
[8]
He did this with the assistance of a merchant banker,
Jake Eberts
, who enjoyed the experience so much it launched Eberts's career in the film industry. The option for the film rights was £50,000.
[9]
Rosen estimated the budget at $2.4 million. Eberts raised $1 million from the Pearson company and clients of the merchant bank Lazard.
[10]
Production of the film began in 1975 by a new animation studio, formed in London by Rosen.
[11]
It was originally going to be directed by
John Hubley
, who left after disagreements with the film's producer Martin Rosen. His work can still be found in the film, most notably in the "fable" scene.
[12]
He was replaced by Rosen who thereby made his directorial debut.
[
citation needed
]
The backgrounds and locations, especially Efrafa and the nearby railway, are based on the diagrams and maps in Richard Adams's original novel. Most of the locations in the movie either exist or were based on real spots in
Hampshire
and surrounding areas.
[
citation needed
]
Music
[
edit
]
The musical score was by
Angela Morley
and
Malcolm Williamson
, Morley replacing Williamson after the composer had fallen behind and only composed the prelude and main title theme in sketch form.
[13]
A list of the musical cues for the film can be found on the composer's website, which also gives information about the different composers working on the project.
[14]
The soundtrack includes
Art Garfunkel
's British No. 1 hit, "
Bright Eyes
", which was written by the British singer and songwriter
Mike Batt
. He also wrote other songs for the film which were not used. The composer recorded three songs with vocals by Garfunkel, but only "Bright Eyes" made it to the film. The song "When You're Losing Your Way in the Rain" has a very similar feeling and arrangement, and was recorded by the former Zombies vocalist
Colin Blunstone
in 1979. Garfunkel's version was heard years later, on the
Watership Down
TV series
soundtrack released in 2000
. The song, like many others which appeared on the TV soundtrack, was never used in the show.
[
citation needed
]
Release and reception
[
edit
]
Watership Down
was first released to the UK on 19 October 1978, and was later released in the United States on 1 November 1978, where the movie was distributed by
AVCO Embassy Pictures
. In British cinemas the film was preceded by the 1974 live-action short film
Tahere Tikitiki: The Making of a M?ori Canoe
.
[15]
Box office
[
edit
]
The film was very successful at the box office. According to financier
Jake Eberts
, the investors who put up the $50,000 development finance "got their money back with interest, plus an additional $450,000, making a total of ten times their investment".
[16]
Other investors in the film reportedly received a return of 5,000% on their investment.
[17]
Awards
[
edit
]
The film was nominated for the
Hugo Award for Best Dramatic Presentation
in 1979.
[18]
Reception and legacy
[
edit
]
Gene Siskel
and
Roger Ebert
were divided on their opinions of
Watership Down
on their show
Sneak Previews
. Siskel thought that the film was too long, but that otherwise he found "most of it very effective" due to the film's success at situating the audience in the rabbits' point of view which put him "in touch with the delicate and brutal balance of nature". He also called the film "more mature than what we usually expect or get from an animated feature film". However, Ebert felt that the realism of the story, which he liked, did not match with the style of animation which he described as "soft-edged, cuddly and like a cartoon'.
[19]
Some critics commented on the film's success as an adaptation, such as
The Observer
'
s
Philip French
, who wrote that "the novel's texture isn't there and the characters never take on strong pictorial identities". Later in the review he elaborated that the rabbit characters are "blandly drawn" and concluded that the film as a whole is "difficult to enthuse over".
[20]
In
The Times
,
David Robinson
also criticised the film's translation to the screen as inaccessible for "People who come to the film without the assistance of the book", as they "may well have a little difficulty with the special lore and language of Richard Adams' rabbit civilisation" and with the fictional Lapine language spoken by the rabbits. Robinson nevertheless complimented the voice acting and the "fresh and pleasant" animation design.
[21]
The Globe and Mail
'
s
Jay Scott
, on the other hand, described the animation backgrounds of the film as "second-rate shopping mall watercolor landscapes" but praised the film's allegorical aspects (drawing comparisons between the villain General Woundwort and
Adolf Hitler
), the realistic and compassionate approach to its rabbit characters, and the voice cast.
[22]
The
Daily Mail
'
s Margaret Hinxman also praised the voice acting, the "delicious" music, and called the background landscapes "superb", but concluded that "Watership Down is by no stretch of the imagination a
Disney
-type animation feature film. Sadly, I have to say, if it had been I might have enjoyed it more."
[23]
However, other critics drew favourable comparisons with Disney, notably Julian Fox in
Films and Filming
, who called
Watership Down
"far and away the most exciting and totally involving animated feature since Disney's peak years (
ie
that period which ended with
Pinocchio
,
Dumbo
and
Bambi
)."
[24]
He praised in particular the aesthetics, sound design, and the film's way of humanising the rabbit characters without over-anthropomorphising them.
The Guardian
'
s
Derek Malcolm
also complimented Kehaar the seagull's "most Disney-like" animation style even though he found the film as a whole to be "old-fashioned" and the song "Bright Eyes" to be "more than a trifle bland".
[25]
In a joint review of
Watership Down
and
Ralph Bakshi
's
The Lord of the Rings
, animation historian
Michael Barrier
described both films as "very stupid movies, of a special kind" and that "the films themselves show no sign that any intelligence was at work in making them" due to their "grim literalism" in adapting their source texts. He did describe
Watership Down
as the "least offensive" of the two but nevertheless characterised the animation style as "graceless" and expressed disappointment that the vision of the film's original director John Hubley was never fully realised.
[26]
Newsweek
'
s
David Ansen
also drew comparisons with
The Lord of the Rings
, but while he disliked Bakshi's film he was more effusive about
Watership Down
, which he said "has the relentless momentum of a good war movie" and "is swift of foot, graced with wit, and capable of touching the hearts of both children and adults".
[27]
In a review of the DVD edition,
Film Freak Central
'
s Walter Chaw praised the film for offering an "unusually thoughtful" alternative to Disney animated films of the era: "
Watership Down
arose in that extended lull between Disney's heyday and its late-Eighties resurrection. ...
Watership Down
points to the dwindled potential for American animation to evolve into what
anime
has become: a mature medium for artistic expression of serious issues." Chaw commended the film's frankness, honesty, and themes of friendship and loyalty, concluding that, in spite of the film's violent elements, "the picture may be
more
appropriate for young children than a legion of condescendingly sugarcoated Disney fare."
[28]
Effects on children and BBFC classification
[
edit
]
Watership Down
has developed a reputation as a distressing children's text, with Ed Power of
The Independent
describing the film in a 40th anniversary retrospective as a "classic" but which "arguably traumatised an entire generation".
[29]
In 2016, the British broadcaster
Channel 5
faced criticism after broadcasting the film in a pre-
watershed
slot on
Easter Sunday
, which was seen to be in poor taste due to the film's representations of violence inflicted upon rabbits, and with many people on social media expressing concern about child viewers being distressed (though it is unclear whether any children were actually negatively affected).
[30]
Despite the criticism, Channel 5 broadcast
Watership Down
on Easter Sunday again the following year.
[31]
Despite the film's reputation as traumatising, regulators and critics in 1978 expressed little concern about the film's potentially negative effects on children. When the film was first submitted to the
British Board of Film Censors
, the BBFC passed the film with a 'U' certificate (suitable for all ages), deciding that "Animation removes the realistic gory horror in the occasional scenes of violence and bloodshed, and we felt that, while the film may move children emotionally during the film's duration, it could not seriously trouble them once the spell of the story is broken, and that a 'U' certificate was therefore quite appropriate."
[32]
This choice has been quite controversial though, and in 2012, the BBFC acknowledged that it had "received complaints about the suitability of Watership Down at 'U' almost every year since its classification".
[33]
In 2022, the BBFC re-classified the film with a PG rating for "mild violence, threat, brief bloody images, language".
[34]
Like the BBFC, film critics in 1978 characterised
Watership Down
as suitable for children in spite of its potentially distressing aspects.
The Spectator
'
s Ted Whitehead described it as "a straightforward children's adventure story".
[35]
Scott in
The Globe and Mail
wrote that "Parents are more apt to feel squeamish about this than their children: there is nothing as devastating as the death of Bambi's mother. In
Watership Down
, some of the rabbits are unlucky and some live to old age. When they do die, the deaths are treated with sympathy but not
morbidity
. The message is that life is hard, and difficult, but that it's fun, and rewarding, too."
[22]
Malcolm in
The Guardian
dismissed concerns about the film's suitability for children by stating that "It is not true, as had already been hinted at by some, that the film is too violent and disturbing for children. What, pray, about some of
Grimms' fairy tales
?"
[25]
Fox in
Films and Filming
was one of the few critics to express caution by saying that, because of the "graphic horror", "one could scarcely recommend the film to the
very
young".
[24]
More recently, film critics and scholars have defended
Watership Down
'
s potential value for child audiences. Children's media scholar Catherine Lester argues that the violence is "never without a specific narrative or moral purpose" and that discussions of the film's effect upon children require "greater nuance" that acknowledges the complexity and variety of children as viewers and how they respond to films.
[36]
Gerard Jones
, in his essay on the film for the
Criterion Collection
, admits that the film "has troubled me ever since I first saw it" at the age of twenty-one, but that he believes it is an important film for viewers of all ages because it "asks us to spend time with those elements of existence that we will always find most troubling (and haunting and moving), and that we so rarely allow our children's culture or our own entertainment to dwell on." He cites as an example the non-violent death of Hazel from old age at the end of the film, which he calls "as joyous as it is poignant".
[37]
Media
[
edit
]
Picture book
[
edit
]
A picture book adaptation was also produced, titled
The Watership Down Film Picture Book
. Two editions of the book were published, one a hardcover, the other a reinforced cloth-bound edition. The contents include film stills linked with a combination of narration and extracts from the script, as well as a preface by Adams and a foreword by Rosen.
[38]
Home media releases
[
edit
]
Watership Down
was initially released on
VHS
in the UK by
Thorn EMI Video
, then later by
Guild Home Video
and later by
PolyGram Video
. It was given a
DVD
release in 2001 by
Universal Pictures Home Entertainment
and another in 2005 from
Warner Home Video
.
In the US,
Watership Down
was first released on
CED
in 1981 by
RCA
SelectaVision
VideoDiscs and was given a VHS and Betamax release in 1983 by Warner Home Video. The film was re-released a number of times on VHS in the US by Warner Home Video, including through their Warner Bros. Classic Tales label, and was released on DVD in the US in 2002
[39]
[40]
and again in 2008. The 2002 DVD release was later duplicated for Warner Bros' 2005 DVD release in the UK, with the only difference being the film being converted to PAL format.
A UK
Blu-ray
for the film was planned to be released in 2010 but, due to a rights dispute between Euro-London Films,
Universal Pictures
, and
Warner Bros.
, the release was cancelled. Warner eventually put out a BD release in Germany, where it held distribution rights. The UK Blu-ray was eventually released in 2013 by Universal using the same HD master as on Warner's 2008 DVD and 2011 German Blu-ray release. In 2014, Euro-London Films acquired the remaining US rights from Warner Bros. (who had held US distribution rights since the 1980s) and licensed the film to
The Criterion Collection
for release on DVD, Blu-ray and streaming in 2015 and
Janus Films
for theatrical repertory runs.
[41]
[42]
[43]
The
British Film Institute
planned to release the film as a
4K Ultra HD
Blu-ray in the UK in February 2023, but cancelled the release due to external issues beyond their control.
[44]
References
[
edit
]
- ^
Wood, Linda.
"British Films 1971-1981"
(PDF)
.
British Film Institute
. Retrieved
19 August
2022
.
- ^
a
b
"Watership Down"
.
British Board of Film Classification
.
Archived
from the original on 17 August 2016
. Retrieved
5 March
2022
.
- ^
"Watership Down (1978)"
.
British Film Institute
. Archived from
the original
on 19 February 2017
. Retrieved
28 December
2017
.
- ^
Donahue, Suzanne Mary (1987).
American film distribution : the changing marketplace
. UMI Research Press. p. 294.
- ^
Lenburg, Jeff (1999).
The Encyclopedia of Animated Cartoons
. Checkmark Books. p. 212.
ISBN
0-8160-3831-7
. Retrieved
6 June
2020
.
- ^
"
Watership Down
"
. Toonhound
. Retrieved
18 December
2006
.
- ^
22 Animated Cult Classics Worth Checking Out - MovieWeb
- ^
Boston, Richard (6 August 1976). "Against the totalitarian military machines of the Axis powers is pitted a civilian army of docent, easy-going, liberal English rabbits who believe in parliamentary democracy. . ': Richard Boston, in his fifth article, reflects on the extraordinary success story of a children's book read by adults, a novel read by people who don't normally read novels".
The Guardian
. p. 10.
- ^
Eberts pp. 11?12
- ^
Eberts p 14
- ^
"
'Watership Down' Goes Avemb; Pending For N.Y. Film Festival".
Variety
. 31 May 1978. p. 44.
- ^
Chicago Reader
- ^
"Angela Morley ? Watership Down cue sheets"
. Retrieved
29 March
2016
.
- ^
"Angela Morley ? Watership Down music cues (page 1)"
. Retrieved
29 March
2016
.
- ^
"ABC Cinemas print ad"
.
Bracknell and Ascot Times
. 2 November 1978 – via
Newspapers.com
.
- ^
Eberts pp. 17?18
- ^
Alexander Walker,
Icons in the Fire: The Rise and Fall of Practically Everyone in the British Film Industry 1984?2000
, Orion Books, 2005 p6
- ^
"1979 Hugo Awards"
.
The Hugo Awards
. 26 July 2007
. Retrieved
25 December
2018
.
- ^
"Paradise Alley, Magic, Midnight Express, Watership Down, Comes a Horseman"
, 1978, Siskel and Ebert Movie Reviews
- ^
French, Philip (22 October 1978). "Bunnies in the molehill".
The Observer
. p. 32.
- ^
Robinson, David (20 October 1978). "Down the rabbit hole and into Disneyland".
The Times
. p. 15.
- ^
a
b
Scott, Jay (20 January 1979). "British bunnies triumphant in warren piece".
The Globe and Mail
.
- ^
Hinxman, Margaret (20 October 1978). "What a beastly affair!".
Daily Mail
. pp. 32?33.
- ^
a
b
Fox, Julian (December 1978). "Watership Down".
Films and Filming
. pp. 33?34.
- ^
a
b
Malcolm, Derek (19 October 1978). "The buck stops here".
The Guardian
. p. 12.
- ^
Barrier, Michael.
"Funnyworld Revisited: Going by the Book"
.
www.michaelbarrier.com
. Retrieved
28 June
2022
.
- ^
Ansen, David (20 November 1978). "Hobbits and Rabbits".
Newsweek
.
- ^
Chaw, Walter (8 May 2002).
"Watership Down (1978) [The Criterion Collection] ? Blu-ray Disc"
.
Film Freak Central
. Retrieved
28 June
2022
.
- ^
Power, Ed (20 October 2018).
"How Watership Down terrified an entire generation"
.
The Independent
. Retrieved
28 June
2022
.
- ^
Denham, Jess (30 March 2016).
"Channel 5 criticised for airing 'traumatic' Watership Down at Easter"
.
The Independent
. Retrieved
28 June
2022
.
- ^
"Bunny bloodbath on Easter Sunday sparks outrage as Channel 5 air Watership Down"
.
Daily Record
. 16 April 2017
. Retrieved
28 June
2022
.
- ^
"Watership Down"
(PDF)
.
British Board of Film Censors
. 15 February 1978. Archived from
the original
(PDF)
on 23 January 2014
. Retrieved
21 July
2023
.
- ^
"From the Archive.. viewing a 'repressive rabbit regime'
"
.
British Board of Film Classification
. Archived from
the original
on 9 April 2012
. Retrieved
29 March
2016
.
- ^
"Watership Down"
. British Board of Film Classification. 17 August 2022
. Retrieved
13 September
2022
.
- ^
Whitehead, Ted (21 October 1978). "Sententious".
The Spectator
. p. 30.
- ^
Lester, Catherine (13 December 2018).
"Watership Down: family-friendly BBC version risks losing the power of epic original"
.
The Conversation
. Retrieved
28 June
2022
.
- ^
Jones, Gerard (26 February 2015).
"Watership Down: 'Take Me with You, Stream, on Your Dark Journey'
"
.
The Criterion Collection
. Retrieved
28 June
2022
.
- ^
Adams, Richard; Rosen, Martin (1978).
The Watership Down Film Picture Book
. Harmondsworth: Penguin.
ISBN
9780140050639
.
- ^
"On 26 March, the Enchanting
Watership Down
Becomes Available on DVD for the First Time Ever"
.
Business Wire
.
Berkshire Hathaway
. 14 December 2001. Archived from
the original
on 21 December 2001
. Retrieved
4 August
2019
– via
Yahoo.com
.
- ^
DVD Savant Review: Watership Down (Deluxe Edition)
- ^
The Criterion Collection
- ^
Janus Films
- ^
The Criterion Channel
- ^
"BFI: Watership Down 4K Blu-ray Canceled"
,
Blu-ray.com
, 10 November 2022
, retrieved
13 November
2022
Bibliography
[
edit
]
- Eberts, Jake; Illott, Terry (1990).
My indecision is final
. Faber and Faber.
External links
[
edit
]
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Adaptations
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Related articles
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