2022 Pixar film
Turning Red
|
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Official poster
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Directed by
| Domee Shi
|
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Screenplay by
| |
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Story by
|
- Domee Shi
- Julia Cho
- Sarah Streicher
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Produced by
| Lindsey Collins
|
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Starring
| |
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Cinematography
|
- Mahyar Abousaeedi
- Jonathan Pytko
|
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Edited by
|
- Nicholas C. Smith
- Steve Bloom
|
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Music by
| Ludwig Goransson
. (Score)
Billie Eilish
and
Finneas O'Connell
(songs)
|
---|
Production
company
| |
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Distributed by
| Walt Disney Studios
Motion Pictures
|
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Release dates
|
- March 1, 2022
(
2022-03-01
)
(
El Capitan Theatre
)
- March 11, 2022
(
2022-03-11
)
(United States;
Disney+
)
- February 9, 2024
(
2024-02-09
)
(United States and United Kingdom; theatrical)
|
---|
Running time
| 100 minutes
[1]
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Country
| United States
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Language
| English
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Budget
| $175 million
[2]
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Box office
| $21.5 million
[3]
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Turning Red
is a 2022 American animated
coming-of-age
[4]
fantasy
comedy-drama
film produced by
Pixar Animation Studios
and distributed by
Walt Disney Studios Motion Pictures
. It was directed by
Domee Shi
(in her feature directorial debut) and produced by Lindsey Collins, from a screenplay written by Shi and
Julia Cho
, and a story by Shi, Cho, and Sarah Streicher. The film marks the first Pixar feature film solely directed by a woman. It stars the voices of
Rosalie Chiang
,
Sandra Oh
, Ava Morse, Hyein Park,
Maitreyi Ramakrishnan
, Orion Lee,
Wai Ching Ho
, Tristan Allerick Chen, and
James Hong
. Set in
Toronto
, Ontario in 2002, the film follows Meilin "Mei" Lee (Chiang), a 13-year-old
Chinese-Canadian
student who transforms into a giant
red panda
when she experiences any strong emotion, due to a hereditary curse.
Shi, who previously directed the short film
Bao
(2018), developed the film based on her experiences growing up in Toronto. She pitched three concepts, including
Turning Red
, to Pixar in October 2017. Development began in May 2018 when Shi was announced as writer and director of a full-length film; several Pixar animators visited locations around Northern California gathering inspiration and visual references. The design and animation were inspired by anime works. To capture these anime influences, hand-drawn 2D animated effects were added atop Pixar's 3D animation. Development on
Turning Red
lasted for four years, on an approximate $175 million budget, becoming the fastest production for a Pixar film.
Ludwig Goransson
composed the film's musical score for his first animated film, with
Billie Eilish
and
Finneas O'Connell
writing original songs for the film.
Turning Red
was first shown in London at
Everyman Borough Yards
on February 21, 2022, as a special screening, in Toronto at
TIFF Bell Lightbox
on March 8, and at the
El Capitan Theatre
in Los Angeles on March 1. Originally planned for a worldwide theatrical release, plans were changed due to the
COVID-19 pandemic
. The film was released on March 11, 2022, on the
Disney+
streaming service and was released theatrically in most countries without the streaming service, grossing over $21 million. It was paired with the short film
Kitbull
for its theatrical release in the United States and the United Kingdom on February 9, 2024.
[5]
Turning Red
received critical acclaim and was nominated for
Best Animated Feature
at the
95th Academy Awards
, among
numerous other accolades
.
Plot
In 2002 Toronto, 13-year-old Meilin "Mei" Lee lives with her parents, Ming and Jin, helps take care of the family's
temple
dedicated to her maternal ancestor Sun Yee, and works to make her mother proud. She hides her personal interests from Ming, such as the fact that she and her friends Miriam, Priya, and Abby are fans of the
boy band
4*Town. One night when Ming, who is strict and overprotective, discovers Mei's
crush
on Devon, the 17-year-old local convenience store clerk, she inadvertently humiliates Mei in public.
That night, Mei has a vivid nightmare involving red pandas. When she wakes up the next morning, she finds that she has transformed into a large red panda. She hides from her parents and discovers that she transforms only when she is in a state of high emotion. When Mei reverts to human form, her hair remains red, and so she goes to school in a
touque
. Ming initially believes Mei is experiencing her first
period
, but learns the truth when she gets into an altercation with the school's security guard, causing Mei to transform from embarrassment and run home in panic and tears.
Ming and Jin explain that Sun Yee was granted this transformation to protect her daughters and her village during wartime, and that all her female descendants have also had this ability. This has become inconvenient and dangerous in modern times, so the red panda spirit must be sealed in a
talisman
by a ritual on the night of a
lunar eclipse
, which will take place in a month's time. Mei's friends discover her transformation, but take a liking to it; Mei finds that concentrating on them enables her to control her transformations.
Ming allows Mei to resume her normal life, but refuses to let Mei attend 4*Town's upcoming concert. Instead, the girls secretly raise money for the tickets at school by exploiting the popularity of Mei's red panda form while lying to Ming about how Mei is spending her time. To raise the last 100 dollars, Mei agrees to attend school bully Tyler's birthday party as the red panda. Before Mei leaves, Mei's grandmother and aunts arrive to assist with Mei's ritual. At the party, Mei is upset to discover that the concert will be on the night she is to undergo the ritual. In her rage, she attacks Tyler when he insults her family, frightening the other kids. Ming discovers Mei's activities and accuses her friends for everything. Mei fails to come to her friends' defense to maintain Ming's approval.
While cleaning, Jin finds videos she recorded of herself as the red panda with her friends and tells her she should not be ashamed of this side of her, but to embrace it. During the ritual, as Mei's red panda form is about to be sealed, she decides to keep her powers and abandons the ritual to attend the concert at the
SkyDome
; in making her escape, she breaks Ming's talisman, releasing her red panda form as well. At the concert, she reconciles with her friends and Tyler. However, an enraged Ming, having become a
kaiju
-sized red panda, disrupts the concert, intending to take Mei back by force.
Mei and Ming argue about the former's independence. As they fight, Mei accidentally knocks her mother unconscious. Mei's grandmother and aunts break their talismans to use their red panda forms to help drag Ming into a new ritual circle. Mei's friends and 4*Town join in singing to complete the ritual, sending Mei, Ming, and the other women to the
astral plane
. Mei reconciles with her mother and helps Ming mend her own bond with her own mother, whom Ming accidentally scarred in anger in the past. The other women contain their red pandas in new talismans; but Mei decides to keep hers and Ming accepts that she is finding her own path.
Later as the Lee family raises money to repair the damage to the SkyDome, Mei and Ming's relationship has improved. Mei balances her temple duties (where her red panda form is now an attraction) and spends time with her friends and Tyler.
Voice cast
"Meilin Lee" redirects here. Not to be confused with
Meiling Li
.
- Rosalie Chiang
as Meilin "Mei" Lee, a 13-year-old
Chinese-Canadian
girl who discovers she can transform into a giant
anthropomorphic
red panda
, whenever she expresses strong emotions
- Sandra Oh
as Ming Lee, Mei's strict and overprotective mother
- Ava Morse as Miriam Mendelsohn,
[6]
a singing
Jewish Canadian
tomboy
with
braces
who is one of Mei's best friends.
- Maitreyi Ramakrishnan
as Priya Mangal,
[6]
a mellow and deadpan
Indo-Canadian
girl who is one of Mei's best friends
[7]
- Hyein Park as Abby Park,
[6]
an energetic and aggressive
Korean Canadian
girl and the shortest of Mei's best friends
- Orion Lee as Jin Lee, Mei's quiet yet supportive father
- Wai Ching Ho
as Wu, Mei's grandmother and Ming's mother
- Tristan Allerick Chen as Tyler Nguyen-Baker,
[6]
Mei's classmate with front teeth braces who initially picks on Mei
- James Hong
as Mr. Gao, a local elder, shaman, and friend of the Lee family
- Addie Chandler as Devon, a local
convenience store
clerk
and Mei's secret crush
- Sasha Roiz
as Mr. Kieslowski, Mei's high-school teacher at Lester B. Pearson Middle School.
- Lily Sanfelippo as Stacy Frick, a
British Canadian
girl and one of Mei's classmates who sees her red panda form in the restroom
- Anne-Marie
as Lauren, one of Mei's classmates (U.K. version)
[8]
Mei's aunts (Chen, Ping, Helen and Lily) are voiced by
Lori Tan Chinn
, Lillian Lim,
Sherry Cola
and Mia Tagano. The members of the 4*Town boy band (Robaire, Jesse, Aaron Z., Aaron T. and Tae Young) are voiced by
Jordan Fisher
,
Finneas O'Connell
,
Josh Levi
, Topher Ngo and Grayson Villanueva.
Production
Development
In 2017, Shi had recently completed the Pixar short
Bao
when Pixar invited her to pitch three ideas for a full-length film. Her proposed concepts were all coming-of-age stories centered on teenage girls. The one that became
Turning Red
was based on a girl going through a "magical puberty", which Shi wrote based on her own personal experiences. Shi said, "Everyone has been there. Everyone has been thirteen and feeling like they're turning into some wild, hairy, hormonal beast, and I think that's why Pixar was drawn to it".
[9]
Shi pitched all three concepts, including
Turning Red
, to Pixar on October 31, 2017.
[10]
According to Pixar producer Lindsey Collins, who sat in on Shi's pitch meeting, the Pixar staff were drawn to the
Turning Red
idea as "it was so clear that Domee had such a sense of who these two main characters were, that Mei and Ming were really clear and special and unique, more than any of the other ideas" and that "she had this really personal experience with these two characters that were kind of versions of her own life. That's like the magic equation, right there".
[9]
The approach of using more personable stories followed from
Luca
under Pixar's new chief creative officer
Pete Docter
's oversight, which shifted the direction the studio took with both storytelling and film production.
[11]
Brenda Hsueh, writer of the subsequent Pixar film
Elemental
, worked on the film as a consultant to Shi for the ideas.
[12]
The film was developed under the
working title
of
Red
.
[13]
Shi was announced as writer and director of an upcoming Pixar full-length film on May 8, 2018, making her the first woman to solely direct a film in the studio.
[14]
[a]
The film's creative leads were also the first all-female team for Pixar, which Pixar's CEO
Jim Morris
said "happened very organically" rather than by intent.
[15]
Rona Liu served as production designer, after doing so for
Bao
. Liu said that working on a feature film was "a dream come true".
[16]
By November 26, 2018, Shi confirmed that the film was in the early stages of development, with the story still being worked on, and that "[she is] really excited to play in this new 90-minute film format".
[17]
The title
Turning Red
was finalized by December 10, 2020.
[18]
[19]
According to Morris,
Turning Red
had one of the fastest development times of a Pixar feature film, taking only four years to complete.
[15]
Casting
In 2017, Pixar hired Chiang to provide
scratch vocals
to support the development of the film.
[20]
Chiang, then only 12 years old, was selected in part because she was a local child actor conveniently based in nearby
Fremont
, which is only about 35 miles (56 km) from Pixar's
Emeryville
headquarters.
[20]
After two years of development, Shi and Collins reached the point where the film was "solid" enough to start casting professional voice actors.
[20]
Despite listening to various auditions, the two realized they had already fallen in love with Chiang's scratch vocals and could not envision anyone else playing Mei.
[20]
They escalated the issue to Pixar chief creative officer
Pete Docter
, who personally approved the casting of Chiang in the film's lead role.
[20]
During an early 2020 recording session, Shi suddenly surprised Chiang with an additional script page where Shi, reading in character as Ming, offered Chiang the role.
[20]
This session, right before the onset of the
COVID-19 pandemic
in the United States, turned out to be their last one conducted in person.
[21]
To keep production going, Pixar shipped an enormous amount of professional audio equipment to Chiang, who turned one of the rooms in her parents' house into a makeshift recording studio.
[21]
Sandra Oh was Shi's top pick for Ming. Besides the fact that Oh was a fellow Canadian, Shi felt Oh could convey the range of complex emotions they wished to portray in Ming.
[22]
Design
Setting
The film takes place in
Toronto
, Ontario, Canada in 2002, as confirmed by a production designer in February 2021.
[23]
As it takes place through the eyes of a thirteen-year-old girl named Mei Lee, the entire environment has been stylized to convey a specific feeling; Shi described the film's overall look as an "Asian tween fever dream".
[2]
According to executive producer
Dan Scanlon
, "It feels more like a very soft, colorful, magical, idyllic, almost youthful version of the city".
[6]
Shi also considered how video games like
Pokemon
,
EarthBound
and
The Legend of Zelda: Breath of the Wild
were able to "stylize their world in such an appealing, chunky, cute kind of way".
[24]
Part of this desired setting was capturing the popularity of
boy bands
at the turn of the
millennium
and how teenage girls reacted to them.
[25]
Pixar animators visited locations around Northern California for inspiration and visual references.
[21]
They studied red pandas at the
San Francisco Zoo
, and looked at architecture in
Chinatown
in San Francisco and the
Bok Kai Temple
in
Marysville
.
[21]
Inspirations
Shi said that several
anime
influenced the film, including
Sailor Moon
,
Ranma ½
,
Fruits Basket
, and
Inuyasha
.
[26]
To capture these anime influences, hand-drawn 2D animated effects were added atop Pixar's 3D animation.
[27]
Shi was also inspired by
My Neighbor Totoro
, in creating an "iconic grabbable giant animal that you just want to rub your face in".
[28]
Nintendo
games
, such as
Earthbound
,
Pokemon
and
The Legend of Zelda
, have also been cited as a major influence for the film.
[29]
Shi also compared the plot of the film to Disney's
A Goofy Movie
, a similar coming-of-age movie involving a parent and child trying to mend their relationship, with a pop band as part of the film's climax.
[28]
The film also deals with
puberty
, though the film does not directly talk of biological changes. For example, Mei's mother mistakes Mei's reaction to her transformation for her
first menstruation
. Shi said they were "unapologetic" about the discussion of these topics in the film; the title
Turning Red
is an allegory for menstruation.
[30]
The color red also reflects other feelings experienced by teenagers, according to Shi, such as embarrassment or lust.
[2]
Shi and her staff had feared that studio executives would want the scenes referencing puberty removed, but the scenes were accepted.
[30]
Liu oversaw the production of the food scenes, as she had done for
Bao
. They partnered with the non-profit organization Gold House that specializes in promotion of East Asian and Pacific cultures to identify what foods to include. For rendering the foods, they were inspired by the approach that
Studio Ghibli
had done with foods in their works, as well as exaggerating their look in the same manner that
Sanrio
uses to bring cuteness into their products, and the way the film
The God of Cookery
showed food in a "dream glow".
[31]
Music
The film's music is scored by
Ludwig Goransson
in his first animated film project, and was recorded within a two-week period after
COVID-19 lockdown
relaxations.
[32]
[33]
The film also featured three original songs written by
Billie Eilish
and
Finneas O'Connell
: "
Nobody Like U
," "1 True Love," and "U Know What's Up." These songs were performed in the film by the fictional boy band 4*Town, which O'Connell was a part of. Producer Lindsey Collins said that her child was a fan of Eilish's music, which inspired her to approach Eilish and O'Connell at the start of production. Collins had pitched to their pair using a scrapbook featuring scenes from the film and cutouts of the duo.
[34]
Walt Disney Records
released the soundtrack album digitally and on CD on March 11, 2022.
[35]
Subsequently, tracks from 4*Town appeared in multiple languages, some of which were performed by boy bands such as
Da-ice
(Japanese)
[36]
and
W0LF(S)
(Mandarin).
[37]
The album debuted at number 187 on the
Billboard
200
chart on the week of March 21, 2022,
[38]
and peaked at #87 on the week of April 9, 2022.
[39]
Marketing
Promotion
A first look of the film was shown at the Disney Investor Day on December 10, 2020.
[40]
The teaser trailer premiered on July 13, 2021, as the official trailer premiered on November 17, 2021.
[41]
[42]
In the lead up to the film's release, Disney partnered with
Mozilla
to promote the film via the
Firefox
web browser, as red pandas are also known as "firefoxes". Users on
mobile
and desktop are able to apply custom backgrounds and themes within the browser, respectively. According to Mozilla's chief marketing office Lindsey Shepard, the collaboration gives Mozilla the opportunity "to bring [the] Mozilla ethos to the new generation".
[43]
One of the red pandas at the
San Francisco Zoo
was renamed Meilin on the day of the film's release.
[44]
Air Canada
decorated an
Airbus A220
with images of Mei and her "red panda form" to fly over Canada promoting the film, and also had a contest for the public to attend the premiere in Toronto and win special prizes.
[45]
A large statue of Mei as a red panda was placed in Toronto next to the
CN Tower
,
Ripley's Aquarium
,
Roundhouse Park
,
Scotiabank Arena
and the
Rogers Centre
(formerly known as Air Canada Centre and the Skydome, respectively) where passerby could have their photos taken with the statue.
[46]
iSpot.tv reported that Disney had spent $23 million on television spots for
Turning Red
, which was more than what the studio spent on
Black Widow
,
Jungle Cruise
($19.5 million), and
Cruella
($12.6 million), and what Netflix spent on its most-watched film,
Red Notice
($3.3 million). Since February 21, 2022, the trailer for the film had been the 16th-most-seen TV spot of all time.
[47]
Tie-in media
Disney licensed several books based on the film, which were released both before and after the U.S. premiere, including novelizations, short stories, a sticker album, a behind-the-scenes book and coloring books.
[48]
A
manga
focused on 4*Town, titled
4*Town 4*Real
, was released by
Viz Media
on April 25, 2023.
[49]
[50]
On February 27, 2023, it was announced that Red Panda Mei would become a meet-and-greet character at
Shanghai Disneyland
for a limited time, from March 1 to May 31, 2023.
[51]
Release
Theatrical and streaming
Turning Red
had special screenings that took place in London at
Everyman Borough Yards
on February 21, 2022, and in Toronto at
TIFF Bell Lightbox
on March 8, 2022.
[52]
[53]
It premiered at the
El Capitan Theatre
in Hollywood on March 1, 2022.
[54]
It was originally scheduled for theatrical release in the United States on March 11, 2022, by
Walt Disney Studios Motion Pictures
.
[55]
[56]
[57]
On June 17, 2021, a Pixar insider reaffirmed the film would have a theatrical release after both
Soul
(2020) and
Luca
(2021) were assigned direct-to-streaming releases on
Disney+
in response to the
COVID-19 pandemic
.
[58]
However, as the
Omicron variant
cases rose, on January 7, 2022, the decision was made to shift the film from its theatrical release to its direct-to-streaming release on Disney+ as a Disney+ original. In international markets where Disney+ was not available, it was released theatrically.
[59]
In February 2022, it was announced that it would play a one-week theatrical engagement at Hollywood's
El Capitan Theatre
from March 11?17, 2022.
[60]
It also began playing at Manhattan's
AMC Empire 25
and Oakland's
Grand Lake Theatre
the same day it was released to Disney+,
[61]
[62]
as well as several
Showcase Cinema de Lux
venues across the United Kingdom.
[63]
Disney canceled the Russian release on February 28, 2022, in response to the
Russian invasion of Ukraine
.
[64]
Embrace the Panda: Making Turning Red
, a 48-minute documentary about the film especially focusing on its all-female creative team, was released on Disney+ the same day.
[65]
[66]
On December 5, 2023, it was announced that
Turning Red
, as well as
Soul
and
Luca
, would be released in theaters in the United States throughout early 2024, with
Turning Red
being released on February 9, 2024, accompanied by Pixar's
SparkShorts
short film
Kitbull
.
[67]
Home media
Turning Red
was released on digital services on April 26, 2022, and by
Walt Disney Studios Home Entertainment
on 4K Ultra HD, Blu-ray and DVD on May 3, 2022.
[68]
Censorship
Kuwait
refused to distribute the film for its explicit depictions of puberty and other mature themes.
[69]
[70]
Reception
Box office
Before February 9, 2024,
Turning Red
did not see a traditional theatrical release in most markets and was released to the Disney+ streaming service due to COVID-19. By September 2022, the film earned $20.1 million outside the U.S. and Canada.
[3]
It earned $3.8 million from 12 international markets in the opening weekend, with second-place openings in Saudi Arabia ($920,000), Poland ($430,000) and the United Arab Emirates ($420,000).
[71]
It earned $2.8 million in its second weekend
[72]
and $1.7 million in its third.
[73]
The film is ranked first on the list of "Biggest Money Losers, Based on Absolute Loss on Worldwide Earnings" by film industry data website
The Numbers
.
[74]
Its domestic gross was $1.4 million during its theatrical re-release.
[75]
Viewership
According to
Samba TV
,
Turning Red
was streamed in 2.5 million U.S. households over its opening weekend, the most-ever for a Disney+ original title.
[76]
According to
Nielsen
,
Turning Red
was the most watched program across all streaming services in the U.S. with 1.7 billion minutes viewed for the week of March 7 to 13, 2022.
[77]
It continued to hold the top position during March 14 to 20, 2022, with 1.675 billion minutes.
[78]
According to Nielsen,
Turning Red
became the second most-watched movie on U.S. streaming services in 2022 with 11.4 billion minutes viewed.
[79]
Critical response
Turning Red
received critical acclaim.
[b]
On the
review aggregator
website
Rotten Tomatoes
, 95% of 282 critics' reviews are positive, with an average rating of 8/10. The website's consensus reads, "Heartwarming, humorous, beautifully animated, and culturally expansive,
Turning Red
extends Pixar's long list of family-friendly triumphs".
[85]
Metacritic
, which uses a
weighted average
, assigned the film a score of 83 out of 100 based on 52 critics, indicating "universal acclaim".
[86]
The Washington Post
'
s Michael O'Sullivan gave 4 stars out of 4 and concludes: "[The film] delivers a bigger, and in some ways more universal message: It's okay to not always be in control, to let your freak flag fly. To paraphrase
Sigmund Freud
, sometimes a red panda is just a red panda. And sometimes it's a metaphor for that inner spark of creativity, the flame of originality that is to be cherished, not extinguished. With 'Turning Red,' Shi demonstrates that she's got it, in spades".
[87]
IGN
'
s Siddhant Adlakha gave a rating of 9 out of 10 and concludes: "A story of magical transformation as a metaphor for personal and cultural change,
Turning Red
(from Bao director Domee Shi) is Pixar's funniest and most imaginative film in years. It captures the wild energy of adolescence, uses pop stars as a timeless window into puberty, and tells a tale of friendship and family in the most delightfully kid-friendly way".
[88]
Vanity Fair
's
Richard Lawson
commented that "The film often seems squarely, deliberately, aimed at ... parents instead, offering them a gentle (if busy) reminder that they were young once too, once bursting at the seams with enthusiasm and curiosity and, yes, budding lust."
[89]
The film was also praised for its realistic depiction of female friendships and their ups and downs,
[90]
which producer Lindsey Collins credited to having mostly women on the creative team.
[91]
Sara Michelle Fetters describes the film as a coming-of-age sensation where the supernatural and the mundane happily walk hand in hand, with each eye-popping surprise grounded in lifelike normality.
[92]
The Guardian
'
s Benjamin Lee gave 3 stars out of 5 and concludes: "The journey is slick and diverting, and at times incisive, but Turning Red is yet another Pixar film that coasts rather than glides. Hopefully its next offering can turn into something more".
[93]
Chicago Sun-Times
' Richard Roeper gave 2.5 stars out of 4 and comments that "The problems are mostly with the script, which often requires Meilin to be almost irritatingly obnoxious. Meanwhile, her mother behaves like a monster for much of the story, which takes on an increasingly supernatural element to the point where there's a 'Ghostbusters' homage".
[94]
World
's Collin Carbarino comments that "With
Turning Red
, Pixar abandons decades of nuanced storytelling and warms over Disney's cliched advice to follow your heart."
[95]
The Gospel Coalition
's Brett McCracken said that "For all of its merits, the film ultimately advocates a wrongheaded central message under the guise of empowerment: embrace who you are, even your reckless vices and dangerous impulses, and don't let anyone stop you."
[96]
CinemaBlend
's
Sean O'Connell called the focus on a Chinese Canadian girl as "limiting" to a broad audience: "By rooting
Turning Red
very specifically in the Asian community of Toronto, the film legitimately feels like it was made for Domee Shi's friends and immediate family members. Which is fine ? but also, a tad limiting in its scope".
[97]
The New Yorker
'
s Jane Hu echoed O'Connell's views, accusing the film of relying on East Asian stereotypes and of being "hyper-specific and alienating."
[98]
The review received backlash by members of the press on social media, who called it "sexist" and "racist"; crew and cast members of the movie eventually spoke up on the case. Lead voice actress Rosalie Chiang said the film was meant to appeal to all: "This is a
coming of age
film, everyone goes through this change ... I think different people of different cultures are going to go through it differently, but at the end of the day, the core messiness and change is something everyone can relate to". As a result of the push-back,
CinemaBlend
's
editor-in-chief Mack Rawden pulled O'Connell's review and apologized publicly for it and that the site had "failed to properly edit" the review before posting; O'Connell also posted his own apology for the review.
[99]
The attention drawn by O'Connell's review led to parents and other audience critics to raise further issues with the film due to the character specificity, bringing up concerns that the film, aimed at a family audience, brings up the issues of menstruation, teenage crushes and sexuality, and disobedience of one's parents, which these people felt were topics best left for parents to discuss with their children on their own.
[100]
[101]
Movie critics for
The New York Times
,
The Atlantic
,
The Daily Beast
, and
Vox
argued that these are natural topics that reflect the realities of 13-year-old girls and should not be considered taboo, and praised the film for its honest portrayal of these behaviors.
[100]
[102]
[101]
[103]
In 2023, Barry Hertz of
The Globe and Mail
named the film as one of the 23 best Canadian comedy films ever made, acknowledging that it was not a Canadian production but writing that "
Turning Red
gets a pass because it not only reminds audiences of what Pixar can do when it's not in an Elemental-y slump, but showcases one of this country's brightest, funniest filmmakers, who is surely just getting started."
[104]
Kimberly Jones from the Austin Chronicles summarizes the film as a funny, sweet, and empathetic portrait of cultural identity, gentle teen rebellion, and tetchy mother-daughter relations.
[105]
Accolades
At the
95th Academy Awards
,
Turning Red
received a nomination for
Best Animated Feature
.
[106]
The film's other nominations include seven
Annie Awards
,
[107]
a
British Academy Film Award
,
[108]
a
Critics' Choice Movie Award
,
[109]
and a
Golden Globe Award
.
[110]
Future
Domee Shi has expressed interest in a follow-up, stating: "We are open, but we haven't talked about it. But yeah, it's an invitation at the end for more stories". Chiang and Oh also expressed interest and came up with ideas for a sequel or a prequel.
[111]
[112]
Notes
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