Opera house in Milan, Italy
La Scala
(
,
,
[1]
Italian:
[la
?skaːla]
; officially
Teatro alla Scala
[te?aːtro
alla
?skaːla]
,
lit.
'
Theatre at the Scala
'
) is a historic
opera house
in
Milan
, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as
il Nuovo Regio Ducale Teatro alla Scala
(
lit.
'
the New Royal Ducal Theatre at the Scala
'
,
[2]
[3]
which was the former location of
a church
). The premiere performance was
Antonio Salieri
's
Europa riconosciuta
.
Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus,
La Scala Theatre Ballet
, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy (Italian:
Accademia Teatro alla Scala
), which offers professional training in music, dance, stagecraft, and stage management.
Overview
[
edit
]
La Scala's season opens on 7 December,
Saint Ambrose
's Day, the feast day of Milan's
patron saint
. All performances must end before midnight, and long operas start earlier in the evening when necessary.
The
Museo Teatrale alla Scala
(La Scala Theatre Museum), accessible from the theatre's foyer and a part of the house, contains a collection of paintings, drafts, statues, costumes, and other documents regarding the history of La Scala and of opera in general. La Scala also hosts the Accademia d'Arti e Mestieri dello Spettacolo (Academy for the Performing Arts). Its goal is to train a new generation of young musicians, technical staff, and dancers (at the
Scuola di Ballo del Teatro alla Scala
, one of the academy's divisions).
Above the boxes, La Scala has a gallery?called the
loggione
?where the less wealthy can watch the performances. The gallery is typically crowded with the most critical opera aficionados, known as the loggionisti, who can be ecstatic or merciless towards singers' perceived successes or failures.
[4]
For their failures, artists receive a "
baptism of fire
" from these aficionados, and fiascos are long remembered. For example, in 2006, tenor
Roberto Alagna
left the stage after being booed during a performance of
Aida
, forcing his
understudy
,
Antonello Palombi
, to quickly replace him mid-scene without time to change into a costume. Alagna did not return to the production.
[5]
History
[
edit
]
A fire destroyed the previous theatre, the
Teatro Regio Ducale
, on 25 February 1776, after a
carnival
gala. A group of ninety wealthy Milanese, who owned private boxes in the theatre, wrote to
Archduke Ferdinand of Austria-Este
asking for a new theatre and a provisional one to be used while completing the new one. The
neoclassical
architect
Giuseppe Piermarini
produced an initial design. However, it was rejected by Count Firmian (the governor of the then Austrian
Lombardy
).
A second plan was accepted in 1776 by Empress
Maria Theresa
. The new theatre was built on the former location of the church of
Santa Maria della Scala
, from which the theatre gets its name. The church was deconsecrated and demolished. Over a period of two years, the theatre was completed by Pietro Marliani, Pietro Nosetti, and Antonio and Giuseppe Fe. The theatre had a total of "3,000 or so" seats
organized into 678 pit-stalls, arranged in six tiers of boxes above which is the 'loggione' or two galleries. Its stage is one of the largest in Italy (16.15m d x 20.4m w x 26m h).
Building expenses were covered by the sale of boxes, which were lavishly decorated by their owners, impressing observers such as
Stendhal
. La Scala (as it came to be known) soon became the preeminent meeting place for noble and wealthy Milanese people. In the tradition of the times, the main floor had no chairs, and spectators watched the shows standing up. The orchestra was in full sight, as the orchestra pit had not yet been built.
As with most of the theatres at that time, La Scala was also a
casino
, with gamblers sitting in the foyer.
Conditions in the auditorium, too, could be frustrating for the opera lover, as
Mary Shelley
discovered in September 1840:
At the Opera they were giving
Otto Nicolai
's
Templario
. Unfortunately, as is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan but every sort of trading transaction, from horse-dealing to
stock-jobbing
, is carried on in the pit; so that brief and far between are the snatches of melody one can catch.
La Scala was originally illuminated with 84 oil lamps mounted on the stage and another thousand in the rest of the theatre. To reduce the risks of fire, several rooms were filled with hundreds of water buckets. In time, oil lamps were replaced by gas lamps; these, in turn, were replaced by electric lights in 1883.
The original structure was renovated in 1907 when it was given its current layout with 1,987 seats. In 1943, during
World War II
, La Scala was severely damaged by
bombing
. It was rebuilt and reopened on 11 May 1946, with a memorable concert conducted by
Arturo Toscanini
?twice La Scala's principal conductor and an associate of the composers
Giuseppe Verdi
and
Giacomo Puccini
?with a soprano solo by
Renata Tebaldi
, which created a sensation.
La Scala hosted the first productions of many famous operas and had a special relationship with Verdi. However, for several years, Verdi did not allow his work to be played here, as some of his music had been modified (he said "corrupted") by the orchestra. This dispute originated in a disagreement over the production of his
Giovanna d'Arco
in 1845; however, the composer later conducted his
Requiem
there on 25 May 1874. He announced in 1886 that La Scala would host the premiere of what was to become his penultimate opera,
Otello
.
The premiere of his last opera,
Falstaff
was also given in the theatre.
Filarmonica della Scala
[
edit
]
In 1982, the Filarmonica della Scala orchestra was established to develop a symphonic repertoire to add to La Scala's operatic tradition,
[10]
the orchestra drawing its members from the larger pool of musicians that comprise the Orchestra della Scala. The Filarmonica was conducted first by
Carlo Maria Giulini
, then by
Riccardo Muti
, plus many collaborative relations with some of the greatest conductors of the time.
[10]
Recent developments
[
edit
]
1950s
[
edit
]
As early as 1958 R. Vermeulen of Philips Electronics experimented with "loudspeakers for stereo reverberation" at La Scala, which were "concealed in the cove along the ceiling".
[11]
Major renovation, 2002 to 2004
[
edit
]
The theatre underwent a major renovation from early 2002 to late 2004. The theatre closed following the traditional 7 December 2001 season-opening performances of
Otello
, which ran through December. From 19 January 2002 to November 2004, the opera company transferred to the new
Teatro degli Arcimboldi
, built in the Pirelli-Bicocca industrial area 4.5 miles (7.2 km) from the city center.
The renovation by
architect
Mario Botta
proved controversial, as preservationists feared that historic details would be lost.
[12]
[13]
However, the opera company was satisfied with the improvements to the structure and the sound quality, which was enhanced when the heavy red carpets in the hall were removed. The stage was entirely rebuilt, and an enlarged backstage allows more sets to be stored, permitting more productions.
Seats now include monitors for the
electronic libretto system
provided by
Radio Marconi
, an Italian company, allowing audiences to follow opera libretti in English and Italian in addition to the original language.
The opera house re-opened on 7 December 2004 with a production, conducted by
Riccardo Muti
, of
Salieri's
Europa riconosciuta
, the opera performed at La Scala's inauguration in 1778.
[14]
Tickets for the re-opening fetched up to €2,000.
[15]
The renovations cost a reported €61 million and left a budget shortfall that the opera house overcame in 2006.
[15]
2005 onward
[
edit
]
Carlo Fontana, the general manager of La Scala since 1990, was dismissed in February 2005 by the board of governors over differences with the music director,
Riccardo Muti
. The resulting staff backlash caused serious disruptions and staff strikes. In a statement, the theatre's board said it was "urgent to unify the theatre's management". On 16 March 2005, the La Scala orchestra and other staff overwhelmingly approved a no-confidence motion against Muti. They demanded the resignation of Fontana's replacement, Mauro Meli. Muti had already been forced to cancel a concert a few days earlier because of the disagreements. Italy's culture minister,
Giuliano Urbani
, supported the conductor but called for urgent action by management to safeguard the smooth operation and prestige of La Scala. On 2 April 2005, Muti resigned from La Scala, citing "hostility" from staff members.
[
citation needed
]
In May 2005,
Stephane Lissner
, formerly head of the
Aix-en-Provence Festival
, was appointed General Manager and artistic director of La Scala, becoming the first non-Italian in its history to hold the office. On 15 May 2006,
Daniel Barenboim
was named
Maestro Scaligero
, or
de facto
principal guest conductor of the company. In October 2011, Barenboim was appointed the next music director of La Scala, effective December 2011, with an initial contract of 5 years.
[16]
In December 2013, management named
Riccardo Chailly
the next music director of La Scala, effective 1 January 2015.
[17]
Stephane Lissner left La Scala for the
Paris Opera
. His successor
Alexander Pereira
[
de
]
, formerly director of the
Salzburg Festival
, began his tenure on 1 October 2014.
[18]
In June 2019 it was announced that Pereira will leave in 2020 and will be replaced by
Dominique Meyer
.
[19]
La Scala was originally selected to host the opening ceremony of the
134th IOC Session
in 2019, but the event was moved to
Lausanne
, Switzerland after Milan submitted a
joint bid
with
Cortina d'Ampezzo
for the
2026 Winter Olympics
.
[20]
Principal conductors or music directors
[
edit
]
Premieres
[
edit
]
- See:
Category:Opera world premieres at La Scala
References
[
edit
]
Notes
[
edit
]
- ^
"La Scala"
[
dead link
]
(US) and
"La Scala"
.
Lexico
UK English Dictionary
.
Oxford University Press
. Archived from
the original
on 16 May 2020.
- ^
The La Scala Theatre at Milan
. 1936.
- ^
Bauer, Helen; Voigt, Deborah.
Verdi for Kids
. p. 20.
- ^
"Cecilia Bartoli triumphs at La Scala amidst catcalls and boos"
. 4 December 2012
. Retrieved
16 October
2021
.
- ^
Wakin, Daniel J. (13 December 2006).
"After La Scala Boos, a Tenor Boos Back"
.
The New York Times
. Retrieved
31 January
2018
.
- ^
a
b
"Filarmonica della Scala ? About Us, History"
.
filarmonica.it
. Archived from
the original
on 31 October 2020
. Retrieved
27 October
2020
.
- ^
Vermeuelen, Roeleof. “Stereo-Reverberation.” Journal of the Audio Engineering Society, 6:2 (April 1958), 124?130. [Article includes photograph and installation diagram.]
- ^
Riding, Alan (5 December 2004).
"La Scala Proudly Emerges From a Drama of Its Own"
.
The New York Times
.
ISSN
0362-4331
. Retrieved
2 May
2022
.
- ^
"Critics say restoration has ruined La Scala"
.
the Guardian
. 10 December 2002
. Retrieved
2 May
2022
.
- ^
"La Scala revamp finished early"
.
CBC News
. 5 November 2004.
- ^
a
b
"La Scala board fires top official"
.
BBC News
. 25 February 2005.
- ^
"Barenboim to head La Scala"
.
Gramophone
. London. 14 October 2011
. Retrieved
15 October
2011
.
- ^
It's official: Riccardo Chailly to be La Scala's new music director
,
Gramophone
(London). 10 December 2013.
- ^
"Alexander Pereira to Begin La Scala Tenure in October 2014, Year Earlier Than Originally Announced"
.
Opera News
. 19 July 2013
. Retrieved
7 October
2013
.
- ^
Brug, Manuel (22 June 2019).
"Teatro alla Scala: Meyer soll Pereira in Mailand ablosen"
. Retrieved
31 July
2019
.
- ^
"IOC Elects Milan as Host of the IOC Session in 2019"
(Press release). International Olympic Committee. 15 September 2017
. Retrieved
21 February
2019
.
- ^
Cantelli died in an airplane crash one week after his appointment.
Sources
[
edit
]
- Beauvert, Thierry; Moatti, Jacques & Kleinefenn, Florian (1995).
Opera Houses of the World
. New York: The Vendome Press.
ISBN
978-0-86565-977-3
.
- Conati, Marcello; Medici, Mario, eds. (1994).
The Verdi-Boito Correspondence
. Translated by William Weaver. Chicago: University of Chicago Press.
ISBN
978-0-226-85304-8
.
- Kelly, Thomas Forrest
(2004).
First Nights at the Opera
. Yale University Press.
ISBN
978-0-300-10044-0
.
- Mallach, Alan (30 November 2007).
The Autumn of Italian Opera: From Verismo to Modernism, 1890?1915
. Lebanon, NH:
University Press of New England
.
ISBN
978-1-55553-683-1
.
- Shelley, Mary
(1844).
Rambles in Germany and Italy in 1840, 1842, and 1843
. Vol. I. London: Edward Moxon. p. 111.
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