Spanish Mexican cartoonist (born 1937)
In this
Spanish name
, the first or paternal
surname
is
Aragones
and the second or maternal family name is
Domenech
.
Sergio Aragones
|
---|
|
Born
| Sergio Aragones Domenech
(
1937-09-06
)
September 6, 1937
(age 86)
|
---|
Nationality
| Spanish
|
---|
Known for
| Cartoonist
, writer
|
---|
Notable work
| Mad
,
Groo the Wanderer
|
---|
Awards
|
- Shazam Award
, Best Inker (Humor Division), and Best Humor Story in 1972;
Inkpot Award
1976;
Harvey Award
Special Award for Humor in 1990, 1991, 1992, 1993, 1995, 1997, 1998, 1999, and 2001;
National Cartoonist Society
Comic Book Award for 1986, Humor Comic Book Award for 1973, 1974, and 1976, Magazine and Book Illustration Award for 1989, Special Features Award for 1977, Gag Cartoon Award for 1983, and
Reuben Award
in 1996;
Adamson Award
for Best International Comic-Strip or Comic Book work in Sweden, 1985;
Eisner Award
, Best Short Story in 2001
|
---|
|
|
Sergio Aragones Domenech
(
ARR
-?-
GOH
-niss
,
Spanish:
[?se?xjo
a?a?o?nes
ðo?menek]
;
[a]
born September 6, 1937)
[1]
is a Spanish/Mexican
cartoonist
and writer best known for his contributions to
Mad
magazine and creating the comic book
Groo the Wanderer
.
Among his peers and fans, Aragones is widely regarded as "the world's fastest cartoonist".
[2]
The Comics Journal
has described Aragones as "one of the most prolific and brilliant cartoonists of his generation".
[3]
Mad
editor
Al Feldstein
said, "He could have drawn the whole magazine if we'd let him."
[4]
Early life
[
edit
]
Born in
Sant Mateu
,
Castellon
, Spain, Aragones emigrated with his family to France, due to the
Spanish Civil War
, before settling in
Mexico
at age 6. Aragones had a passion for art since early childhood. As one anecdote goes, Aragones was once left alone in a room by his parents with a box of crayons. His parents returned sometime later to find that he had covered the wall in hundreds upon hundreds of drawings. Aragones recalled his early difficulties in Mexico, saying, "I didn't have too many friends because I had just arrived. You're the new kid, and you have an accent. I've always had an accent ... When the other kids make fun of you, you don't want to get out of the house. So you stay at home, and what do you do? You take pencils and start drawing."
[3]
Aragones used his drawing skills to assimilate. "The earliest money I ever made was with drawings", he remembered. "The teacher would give us homework, which would consist of copying Chapter Eleven, including the illustrations ... a beetle or a plant, the pistil of a flower, or soldiers ? that type of thing. All the kids who couldn't draw would leave a square where the drawing was, and I would charge them to draw that. The equivalent of a few pennies ... That's probably why I draw so fast, because I drew so many of them."
[3]
He made his first professional sale in 1954 when a high school classmate submitted his work to a magazine without telling Aragones. He continued to sell gag cartoons to magazines while studying architecture at the
National Autonomous University of Mexico
(UNAM), where he learned
pantomime
under the direction of
Alejandro Jodorowsky
. "I joined the class", Aragones recalled, "not to become a mime but to apply its physical aspects of movement to my comics."
Aragones taught Mexican Popular Art at the University of Mexico, and became engaged to one of his American students, Lilio Chomette. In 1962, Aragones moved to the United States, where he married Chomette and settled with her in New York.
[5]
Art collector Jeff Singh spoke with Sergio at a convention and wrote. "A friend told me that Sergio's father was a film director/producer in Mexico. I asked about this and it is true. His father didn't want the family on set for fear of actors and workers befriending the family in order to win favor with the father. Among the projects worked on, his father did work for the
Irish McCalla
TV series
Sheena, Queen of the Jungle
which was filmed in Mexico (in 1955). On one of the rare occasions Sergio was on set the stuntman didn't show up. Sergio had to put on the Sheena costume and did some stunts which I understand included swinging from a vine and diving into water. He was in his early teens at this time. He said they were pretty distant shots as despite the wig and costume he didn't look at all like Irish. Irish was not on set that day and he lamented never having got to meet her."
Arrival in the United States
[
edit
]
According to the artist, he arrived in New York in 1962
[6]
with nothing but 20 dollars and his portfolio of drawings. After working odd jobs around the city, Aragones went to
Mad
'
s offices on
Third Avenue
hoping to sell some of his cartoons. "I didn't think I had anything that belonged in
Mad,
" said Aragones. "I didn't have any satire. I didn't have any articles. But everybody was telling me, 'Oh, you should go to
Mad
."
[7]
Since his knowledge of English was not very extensive, he asked for the only
Mad
artist he knew of that spoke Spanish, Cuban-born artist
Antonio Prohias
, creator of the comic strip "
Spy vs. Spy
". Aragones hoped Prohias could serve as an interpreter between him and the
Mad
editors. According to Aragones, this proved to be a mistake, since Prohias knew even less English than he did. Prohias did receive Aragones very enthusiastically and, with difficulty, introduced the young artist to the
Mad
editors as "Sergio, my brother from Mexico," temporarily leading to even further confusion, as the
Mad
editors thought they were meeting "Sergio Prohias."
[7]
Mad
editor
Al Feldstein
and publisher
Bill Gaines
liked what they saw, and Aragones became a contributor to the magazine in 1963. His first sale was an assortment of astronaut cartoons which the editors arranged into a themed article.
[8]
When associate editor
Jerry DeFuccio
encouraged Aragones to submit more material in the future, the cartoonist took it to heart, producing a full article on motorcycle cops overnight. He returned to the
Mad
offices the following morning, and made his second sale. In 2022, Aragones told an interviewer, "I was back at the door before they opened. They were asking, "What happened? What do you need?" I said, "No, I have your articles here." They couldn't believe it. I had drawn close to 15 ideas and they loved it."
[9]
With little money and no connections in the United States, Aragones spent so much time at the office that publisher Gaines allowed him to sleep there overnight. "I don't think any other company would have been so generous or friendly," Aragones recalled 57 years later.
[
citation needed
]
Aragones worked continuously for
Mad
from 1963 to 2020, only stopping because the magazine transitioned into an almost-all-reprint format. His final new material appeared in an issue otherwise entirely filled with Aragones reprints. It was the 491st issue to include new work by Aragones, second only to
Al Jaffee
(509 issues).
[10]
"They told me, 'Make
Mad
your home,'" said Aragones, "and I took it literally."
Marginals
[
edit
]
Aragones has a featured section in every issue called "A
Mad
Look At...", typically featuring 4?5 pages of speechless gag strips that are all related to a single subject, such as "Gambling," "UFOs" or "Pizza." Aragones became famous for his wordless "drawn-out dramas" or "marginals" which were inserted into the margins and between panels of the magazine. The drawings are both horizontal and vertical, and occasionally extend around corners. Prior to Aragones's arrival at
Mad
, the magazine had sometimes filled its margins with text jokes under the catch-all heading "Marginal Thinking." Aragones convinced Feldstein to use his cartoons by creating a dummy sample issue with his Marginals drawn along the edges. The staff of
Mad
enjoyed his marginals, but did not expect him to be able to maintain the steady stream of small cartoons needed for each issue.
[11]
Aragones has provided marginals for every issue of
Mad
since 1963 except one (his contributions to that issue were lost by the Post Office). Associate Editor
Jerry DeFuccio
said, "Writing the 'Marginal Thinking' marginals had always been a pain in the butt. Sergio made the pain go away."
[12]
Aragones is a very prolific artist;
Al Jaffee
once said, "Sergio has, quite literally, drawn more cartoons on napkins in restaurants than most cartoonists draw in their entire careers."
[13]
In 2002, writer
Mark Evanier
estimated that Aragones had written and drawn more than 12,000 gag cartoons for
Mad
alone.
[14]
His new marginal gags in the April 2024
Mad
marked the 509th issue that Aragones has contributed to, the most of any writer or artist. He passed
Al Jaffee
, whose work had appeared in 508
Mad
issues between 1955 and 2020.
[15]
Comic books
[
edit
]
In 1967, he began writing and illustrating full stories for various
DC Comics
titles, including
The Adventures of Jerry Lewis
,
Angel and the Ape
,
Inferior Five
,
Young Romance
, and for various horror anthologies.
[16]
He wrote or plotted stories that were illustrated by other artists. Aragones helped create DC's Western series
Bat Lash
[17]
and the humor title
Plop!
.
[6]
Aragones broke with DC when the company began insisting on
work-for-hire
contracts; when Aragones balked, an editor tore up Aragones's paycheck in front of his face. He'd been trying obliquely to sell a comic book premise to DC or Marvel, but neither company would allow Aragones to retain the copyright. "I didn't want anyone stealing the idea", said Aragones, "and they weren't able to talk on a theoretical basis."
[
citation needed
]
Aragones had created the humorous barbarian comic book
Groo the Wanderer
in the late 1970s, but the character did not appear in print until 1982. Groo was so named because Aragones sought a name which meant nothing in any language. Writer
Mark Evanier
subsequently joined Aragones on
Groo.
Evanier's role originally was as something of a translator, as Aragones was still somewhat shaky at expressing his ideas in English. Eventually, the two began collaborating on story ideas, and there have been several Groo stories in which Evanier is credited as the sole writer. Aragones has since become fluent in English. The other regular contributors to the comic book are letterer
Stan Sakai
(himself the creator/artist of
Usagi Yojimbo
), and colorist Tom Luth. As a
creator-owned
series,
Groo
has survived the bankruptcy of a number of publishers, a fact which led to the industry joke that publishing the series was a precursor to a publisher's demise. The title was initially published by
Pacific Comics
, briefly by Eclipse Comics, then
Marvel Comics
under their since-discontinued
Epic Comics
imprint
[18]
which allowed creators to retain copyrights, then
Image Comics
, and currently
Dark Horse Comics
.
[16]
On December 2, 1982,
Marty Feldman
died from a heart attack in a hotel room in
Mexico City
. This occurred during the making of the film
Yellowbeard
. Aragones, who was filming nearby and was dressed for his role as an armed policeman, had introduced himself to Feldman that night. He encountered Feldman abruptly, startling and frightening him, which may have induced Feldman's heart attack. Aragones has recounted the story with the punchline "I killed Marty Feldman". The story was converted into a strip in Aragones's issue of DC Comics'
Solo
.
[19]
In the early 1980s, Aragones collaborated with the Belgian cartoonist
Francois Walthery
on
Natacha, l'hotesse de l'air
, a well known series from the magazine
Spirou
. This story was titled "Instantane pour Caltech". Aragones appears in the strip as a police officer character (
ISBN
2-8001-0856-8
/ DUPUIS Editor ? Belgium).
In April 2022, Aragones was reported among the more than three dozen comics creators who contributed to
Operation USA
's benefit anthology book,
Comics for Ukraine: Sunflower Seeds
, a project spearheaded by
IDW Publishing
Special Projects Editor
Scott Dunbier
, whose profits would be donated to relief efforts for Ukrainian refugees resulting from the February
2022 Russian invasion of Ukraine
.
[20]
[21]
Aragones's work can be found in other compilations, including
The Big Book of the Weird, Wild West
, in which he illustrates a retelling of the
Donner Party
incident. His cartoons have appeared in a series of paperback editions for
Mad
.
Film and television
[
edit
]
In 1976, he had an acting role in the film
Norman... Is That You?
[22]
where he played one of the desk clerks at the
Buenos Noches Hotel
.
He appeared in the short-lived 1977 revival of TV's
Laugh-In
.
In addition to printed work, Aragones has worked in television animation. He worked on the NBC program
Speak Up America
(1980) where he would draw during the show. His segments were used for many years on the
Dick Clark
Bloopers
programs. Frequent collaborator Mark Evanier related an anecdote from their time on the short-lived 1983 NBC series
The Half Hour Comedy Hour
, which featured a guest appearance by model
Jayne Kennedy
:
This was one of the most beautiful women in the world, and she wore this dress that was very revealing. So much so, the censors wouldn't let us put her on the air in it without adding some material. So we're all talking to her, the writers and whoever, just in awe of this woman. And Sergio comes walking in looking like a homeless person, carrying his portfolio. And Jayne sees him and she shouts, 'Sergio!' and she runs over and starts kissing him passionately. They'd worked together before, it turned out. But
Johnny Carson
comes walking out into the hallway and he thinks Jayne Kennedy is being sexually assaulted by a homeless person in the NBC hallways. He came over to make sure she was okay. She said it was fine, that she knew him, and I said, 'It's okay, he's a cartoonist.' So Johnny gives that classic look and he says, 'I knew I should have taken up drawing.'
[23]
Stan Lee
interviewed Aragones in the 1991 documentary series
The Comic Book Greats
.
In 2009, Aragones told an interviewer, "I'm thinking and laughing all day long. Every time I think of a joke, I'm also telling myself a new joke. It's a great way to live."
[24]
He appeared as his own preserved head in the
Futurama
episode "
Lrrreconcilable Ndndifferences
", hosting the "Last Actual Comic Book Booth" at Comic Con 3010.
In 2020, Aragones guest-starred in
The Casagrandes
episode "Mexican Makeover" voicing Lupe's pet parrot and Sergio's cousin Paco.
Awards
[
edit
]
Aragones's work has won him numerous awards. He won
Shazam Awards
for Best Inker (Humor Division) in 1972 for his work on
Mad Magazine
and for Best Humor Story in 1972 for "The Poster Plague" from
House of Mystery
No. 202 with
Steve Skeates
.
[25]
Aragones received an
Inkpot Award
in 1976.
[26]
He won the
Harvey Award
Special Award for Humor in 1990,
[27]
1991,
[28]
1992,
[29]
1993,
[30]
1995,
[31]
1997,
[32]
1998,
[33]
1999,
[34]
and 2001.
[35]
He received the
National Cartoonists Society
Comic Book Award for 1986, their Humor Comic Book Award for 1973, 1974, and 1976, their Magazine and Book Illustration Award for 1989, their Special Features Award for 1977, their Gag Cartoon Award for 1983,
[36]
and their top
Reuben Award
in 1996 for his work on
Mad
and
Groo the Wanderer.
In 1985 he was awarded the
Adamson Award
for Best International Comic-Strip or Comic Book work in Sweden. In 1992 he became the first Mexican ever to win the
Eisner Award
for his work on
Groo the Wanderer
, along with
Mark Evanier
.
[37]
In 2009, an exhibition,
Mad About Sergio
, was held at the Ojai Valley Museum. Visitors saw examples of his cartooning dating back to childhood, publications he has appeared in, some of his awards, and Marginal-style sketches by Aragones literally drawn onto the museum's walls and display cases.
[38]
The Comic Art Professional Society
award's prize's name is "The Sergio", an homage to his work.
[39]
Bibliography
[
edit
]
- Aunt's in Your Pants: Memoirs of a Dirty Old Woman
(1967, Alexicon Corp.), collection of cartoons focused on an indecent old lady.
- "Abel's Fables", a page of one panel gag comics in
House of Secrets
featuring
Abel
. (1971?1972, DC Comics)
- Plop!
(1973?1976, DC Comics), Aragones provided intros, stories, gags, and/or prologues for 23 issues of the 24 issue run.
- DC Super Stars
Presents...
(1977, DC Comics), the thirteenth issue of this DC Comics artist anthology series is subtitled "The Wild and Wacky World of Sergio Aragones" and features all-new stories and gags.
- Jon Sable
, Freelance
(1986,
First Comics
). The thirty-third issue of this Mike Grell comic book features 23 pages of Aragones's art for a story titled "Cave of the Half-Pints."
- Usagi Yojimbo
(1988,
Fantagraphics Books
). The eleventh issue of this Stan Sakai comic book features an eight-page Aragones's story titled "Catnippon and the Missive."
- Aragones 3-D
(1989, 3-D Zone), booklet of wordless humor in 3-D, includes two pairs of 3-D glasses.
- Buzz & Bell, Space Cadets
(1991, Platinum Editions), graphic novel of wordless humor featuring an astronaut and his monkey buddy.
- Smokehouse Five
(1991, Platinum Editions), graphic novel of wordless humor featuring the misadventures of a group of firefighters.
- The Mighty Magnor
(1993?1994,
Malibu Comics
), six-issue superhero mini-series (with Mark Evanier).
- Louder Than Words
(1997,
Dark Horse Comics
), six-issue mini-series of wordless humor.
- Boogeyman
(1998, Dark Horse Comics), a four-issue mini-series of humorous horror stories (with Mark Evanier).
- Dia De Los Muertos (Day of the Dead)
(1998, Dark Horse Comics), one-shot comic about the annual Mexican celebration honoring the dead (with Mark Evanier).
- Fanboy
(1999, DC Comics), six-issue mini-series on comics and society's reaction to them, from the point of view of a self-described "fanboy" (with Mark Evanier).
- Blair Which?
(1999, Dark Horse Comics), one-shot comic with Mark Evanier spoofing the movie
The Blair Witch Project
- Space Circus
(2000, Dark Horse Comics), four-issue mini-series of a boy joining a circus that travels throughout the galaxy (with Mark Evanier).
- Actions Speak
(2001, Dark Horse Comics), another six-issue mini-series of wordless humor (sequel to "Louder Than Words").
- Sergio Aragones Massacres Marvel
(1996,
Marvel Comics
),
Sergio Aragones Destroys DC
(1996, DC Comics), and
Sergio Aragones Stomps Star Wars
(2000, Dark Horse Comics), the artist's comical interpretation of the superheroes of both Marvel and DC and the mythology of the Star Wars franchise (all with Mark Evanier).
- Solo
(2006, DC Comics), the eleventh issue of this DC Comics artist anthology series features various stories written and illustrated by Aragones, some biographical, and a Batman story written by Mark Evanier.
- Bart Simpson/Simpsons Comics
(2009, Bongo Comics), He is a writer/artist since
Bart Simpson
No. 50, and he did a full issue in
Simpsons Comics
No. 163. He has a one to three-page comic strip called, "Maggie's Crib" in every issue of
Bart Simpson
since No. 50
- Sergio Aragones Funnies
(July 2011?February 2014, Bongo Comics), A twelve-issue anthology of fictional, non-fictional and autobiographical content in addition to puzzles and related materials under Aragones's sole authorship.
[16]
Filmography
[
edit
]
| This section
needs expansion
. You can help by
adding to it
.
(
March 2024
)
|
Notes
[
edit
]
References
[
edit
]
- ^
"Happy 75th Birthday, Sergio Aragones!"
.
Mad
. September 6, 2012.
Archived
from the original on September 18, 2018.
- ^
Renaud, Jeffrey (October 18, 2007).
"Sergio Aragones Un-Destroys DC"
.
Comic Book Resources
.
Archived
from the original on April 18, 2016.
Arguably the fastest cartoonist in the world...
- ^
a
b
c
Thompson, Kim
(April 1989). "Sergio Aragones: Around The World In 80,000 Gags".
The Comics Journal
(128). Seattle, Washington:
Fantagraphics Books
: 67?98.
- ^
Evanier, Mark
(2002).
Mad Art: A Visual Celebration of the Art of Mad Magazine and the Idiots Who Create It
. New York, NY:
Watson-Guptill
.
ISBN
978-0823030804
.
- ^
De Fuccio, Jerry (1968). "Introduction".
Viva MAD
. New York: Signet Books. p. 5.
- ^
a
b
Cassell, Dewey (April 2007). "The Hellish Humor of
Plop!
".
Back Issue!
(21). Raleigh, North Carolina:
TwoMorrows Publishing
: 21?27.
- ^
a
b
Thompson, Kim (April 1989).
"Doodle King: An Interview with Sergio Aragones"
.
The Comics Journal
(128). Seattle, Washington: Fantagraphics Books.
Archived
from the original on March 3, 2016.
- ^
Gilford, Doug (n.d.).
"
Mad
#76 January 1963"
. Madcoversite.com.
- ^
Hunter, Ira, "Comic Book Icons: Sergio Aragones, Part 1," Absolute Underground magazine, issue #104
- ^
Slaubaugh, Mike (December 5, 2020).
"
Mad
Magazine Contributor Appearances"
.
Archived
from the original on March 13, 2016
. Retrieved
December 5,
2020
.
- ^
Evanier, Mark (March 17, 2007).
"One More Honor For Sergio"
.
News From ME
.
Archived
from the original on June 26, 2016.
- ^
Evanier,
Mad Art
p. 127
- ^
Evanier,
Mad Art
pp. 128?129
- ^
Evanier,
Mad Art
pp. 127?128
- ^
https://users.pfw.edu/slaubau/mad/madcontributor.htm
- ^
a
b
c
Sergio Aragones
at the
Grand Comics Database
- ^
McAvennie, Michael (2010). "1960s". In Dolan, Hannah (ed.).
DC Comics Year By Year A Visual Chronicle
. London, United Kingdom:
Dorling Kindersley
. p. 131.
ISBN
978-0-7566-6742-9
.
Sergio Aragones and artist Nick Cardy served up the offbeat Western hero Bat Lash in August [1968]'s
Showcase
#76.
- ^
DeFalco, Tom
(2008). "1980s". In Gilbert, Laura (ed.).
Marvel Chronicle A Year by Year History
. London, United Kingdom:
Dorling Kindersley
. p. 220.
ISBN
978-0756641238
.
Marvel's Epic Comics imprint also launched their longest-running and most successful title,
Groo the Wanderer
. It was drawn by Sergio Aragones...and was written by Mark Evanier.
- ^
Seneca, Matt (September 6, 2012).
"Duet On
Solo
, Part Eleven: Sergio Aragones"
.
ComicsAlliance
. Archived from
the original
on September 5, 2015.
- ^
Kaplan, Rebecca O. (April 18, 2022).
"ZOOP launches benefit anthology COMICS FOR UKRAINE: SUNFLOWER SEEDS"
. The Beat.
Archived
from the original on April 18, 2022
. Retrieved
April 26,
2022
.
- ^
Brooke, David (April 18, 2022).
"
'Comics for Ukraine: Sunflower Seeds' to benefit Ukrainian refugees"
. AIPT.
Archived
from the original on April 26, 2022
. Retrieved
April 26,
2022
.
- ^
Sergio Aragones Interview
, by Peter Bosch; in
Amazing Heroes
#99 (July 15 1986); p. 50; via
archive.org
- ^
Maher, Sean (April 3, 2010).
"WC10: The Sergio & Mark Show"
.
Comic Book Resources
.
Archived
from the original on June 4, 2016.
- ^
Melrose, Kevin (September 4, 2009).
"Comics A.M. The comics Internet in two minutes"
.
Comic Book Resources
.
Archived
from the original on March 23, 2012.
I like this profile of legendary cartoonist Sergio Aragones: 'Like pain, laughter is inside of a person. It's as natural as hunger. … I'm thinking and laughing all day long. Every time I think of a joke, I'm also telling myself a new joke. It's a great way to live.' [
Ventura County Star
]
- ^
"1972 Academy of Comic Book Arts Awards"
. Hahn Library Comic Book Awards Almanac.
Archived
from the original on April 20, 2016.
- ^
"Inkpot Award Winners"
. Hahn Library Comic Book Awards Almanac.
Archived
from the original on July 9, 2012.
- ^
"1990 Harvey Awards"
.
Harvey Awards
. n.d. Archived from
the original
on March 15, 2016.
- ^
"1991 Harvey Awards"
. Harvey Awards. n.d. Archived from
the original
on May 6, 2016.
- ^
"1992 Harvey Awards"
. Harvey Awards. n.d. Archived from
the original
on March 15, 2016.
- ^
"1993 Harvey Awards"
. Harvey Awards. n.d. Archived from
the original
on March 15, 2016.
- ^
"1995 Harvey Awards"
. Harvey Awards. n.d. Archived from
the original
on March 15, 2016.
- ^
"1997 Harvey Awards"
. Harvey Awards. n.d. Archived from
the original
on March 15, 2016.
- ^
"1998 Harvey Awards"
. Harvey Awards. n.d. Archived from
the original
on March 15, 2016.
- ^
"1999 Harvey Awards"
. Harvey Awards. n.d. Archived from
the original
on March 15, 2016.
- ^
"2001 Harvey Awards"
. Harvey Awards. n.d. Archived from
the original
on March 15, 2016.
- ^
"Division Awards Comic Books"
.
National Cartoonists Society
. 2013.
Archived
from the original on December 16, 2013
. Retrieved
December 16,
2013
.
- ^
"Icon Award"
.
Comic-Con International
. Retrieved
March 3,
2018
.
- ^
Johnson, Reed (August 9, 2009).
"Ojai museum fetes Mad magazine's Sergio Aragones"
.
Los Angeles Times
.
Archived
from the original on April 6, 2016.
- ^
"Designing a Trophy"
. Comic Art Professional Society. n.d. Archived from
the original
on March 9, 2016.
External links
[
edit
]
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