2007 mixtape by Nicki Minaj
Playtime Is Over
is the debut
mixtape
by rapper
Nicki Minaj
. It was released on July 5, 2007 by Dirty Money Records. It features guest appearances from
Hell Rell
,
Red Cafe
,
Murda Mook
, Ransom,
Gravy
,
Lil Wayne
, Angel De-Mar and Ru Spits.
Background
[
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]
After releasing five songs with the rap group The Hoodstars, Minaj left the group to pursue music independently.
[1]
She uploaded music to Myspace and reached out to
music producers
.
[2]
Through Myspace, Minaj made contact with Fendi, the CEO of Brooklyn label Dirty Money Entertainment. Fendi signed Minaj to Dirty Money, and Minaj then featured on a film called "The Come Up."
[3]
Her appearance on "The Come Up" caught the attention of Lil Wayne, who later signed her to Young Money Entertainment.
[3]
Composition
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]
Minaj was involved in writing all of the lyrics on "Playtime Is Over".
[4]
Its songs mostly feature either her or another artist rapping, with the chorus from the original instrumental removed. Most lyrics consist of either wordplay or direct insults that establish Minaj as better than other rappers, and suggest that her music is worth listening to.
[4]
It was argued that the lyrics of the mixtape were deeper than that of her subsequent commercial singles.
[5]
Most of the instrumentals on "Playtime Is Over" are sampled from other, more popular songs, and original instrumentals are similar in style. The mixtape features rhythmic, synthesized beats with bass, in a 4/4
time signature
.
[6]
While Minaj's later commercial discography would contain
pop-rap
, "Playtime Is Over" is predominantly
hip-hop
music accompanied by fast-paced rapping.
[7]
[8]
"Playtime Is Over" established many of the motifs that are present in Minaj's later work. As Minaj's first published work as an individual rapper, "Playtime Is Over" debuted Minaj use of alter egos such as "Nicki Lewinsky"
[9]
and engagement with British cockney.
Release and promotion
[
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]
"Playtime Is Over" is the first in a series of mixtapes, all released without a major record label, that were marketed to establish a core fan base who identified with the lifestyle described in her mixtape.
[10]
Minaj established a small fan base before releasing "Playtime Is Over" by communicating with her fans online on Twitter, Myspace, and personal
blogs
. "Playtime Is Over" allowed Minaj to reach more hip-hop enthusiasts, and activity on social networking sites pushed her further into the mainstream.
[3]
Public reception
[
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]
As one of the first up-and-coming female rappers in over a decade, Minaj's work received a lot of attention.
[11]
Even though Minaj was a female rapper in a male-dominated genre, "Playtime Is Over" focused on the mixtape's lyrical content and the public responded positively.
[3]
Fans found her charismatic and serious about her work.
[4]
Critical reception
[
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]
After the release of "Playtime Is Over" (and the subsequent release of
Sucka Free
), her work garnered acclaim from many other artists, including
Robin Thicke
and
Gucci Mane
.
[11]
In 2008, she received Female Artist of the Year from the Underground Music Awards.
[8]
Minaj's early discography also received BET awards for Best New Artist and Best Female Hip Hop Artist, and got her nominated for a Teen Choice Award.
[12]
Legacy
[
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]
"Playtime Is Over" established Nicki Minaj's physical persona as popular and amiable, like a
Barbie doll
. In an article by
MTV
, Minaj stated that "We're going with the whole Barbie doll theme so I'm gonna be doing a lot of kooky poses because I have to look like a doll straight out the box. But I'm not a Barbie that needs to play?Playtime is Over."
[13]
The cover of "Playtime Is Over" shows Minaj with pink lipstick in a pink plastic-looking case, which resembles a packaged barbie doll. However, the music in her mixtape created made Minaj appear aggressive and flaunting; she attacked other rappers directly and boasted about herself through her wordplay.
[4]
I'm the fearless Barbie doll."
[3]
MTV
states that the two contrasting personalities allowed Minaj to relate to a wide audience, and were therefore instrumental to her success as an artist.
[13]
[14]
"Playtime Is Over" was developed with the help of established artists.
[4]
Minaj credits collaboration, especially with Lil Wayne, as extremely helpful in increasing the popularity of her albums.
[4]
[11]
In addition, Minaj's early discography lead to high-profile features on songs by
Wyclef Jean
and
Drake
, which further increased her popularity.
[11]
"Playtime Is Over" is considered unique (compared to albums from other, similar female rappers) in that Minaj put a lot of emphasis on the content of the mixtape, instead of on her sex appeal.
[10]
Minaj's continued emphasis on her lyrical content, instrumentals, and delivery are reasons why
Billboard
credits Minaj as being one of the most influential female rappers.
[15]
Track listing
[
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]
Title
| Writer(s)
| Original instrumental
|
---|
1.
| "1-900-Ms-Minaj" (featuring
Hell Rell
,
Red Cafe
,
Murda Mook
,
Ransom
and
Gravy
)
| | | 4:48
|
---|
2.
| "Dreams '07"
| | | 2:39
|
---|
3.
| "Wuchoo Know"
| | | 2:18
|
---|
4.
| "Interlude" (featuring
Lil Wayne
)
| | | 1:50
|
---|
5.
| "Can't Stop Won't Stop" (featuring Lil Wayne)
| | | 2:26
|
---|
6.
| "Playtime Is Over"
| | | 1:46
|
---|
7.
| "Jump Off '07"
| | | 2:24
|
---|
8.
| "Click Clack"
| | | 4:02
|
---|
9.
| "40 Bars"
| | | 2:09
|
---|
10.
| "Dilly Dally"
| | | 3:03
|
---|
11.
| "Warning"
| |
- "Warning" by the Notorious B.I.G.
| 2:52
|
---|
12.
| "N.I.G.G.A.S." (featuring Angel De-Mar)
| | | 3:48
|
---|
13.
| "Sunshine" (featuring Gravy)
| | | 2:39
|
---|
14.
| "Letcha Go" (featuring Angel De-Mar)
| | | 2:37
|
---|
15.
| "Sticks in My Bun"
| | | 2:46
|
---|
16.
| "I'm Cumin'"
| | | 2:03
|
---|
17.
| "Freestyle"
| | | 1:01
|
---|
18.
| "Hood Story"
| |
- "Glory" by Cam'ron featuring Noreaga
| 1:59
|
---|
19.
| "Ease Up" (featuring Ru Spits)
| | | 3:39
|
---|
20.
| "Encore '07"
| | | 4:10
|
---|
Total length:
| 44:10
|
---|
References
[
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]
- ^
"A Look at Nicki Minaj Before She Blew Up"
.
Uproxx
(Blog).
Archived
from the original on August 1, 2013
. Retrieved
February 13,
2015
.
- ^
Davis, Todd.
"Nicki Minaj: On the Rise"
.
RapIndustry.com
. Archived from
the original
on July 18, 2012
. Retrieved
February 13,
2015
.
- ^
a
b
c
d
e
Lipshutz, Jason.
"Nicki Minaj Catches Eyes on Lil Wayne's Young Money Tour"
.
Billboard
.
Archived
from the original on November 30, 2015
. Retrieved
February 27,
2015
.
- ^
a
b
c
d
e
f
Battan, Carrie.
"Cover Story: Nicki Minaj"
.
The Fader
.
Archived
from the original on March 24, 2015
. Retrieved
April 1,
2015
.
- ^
Perez, Alicia (November 28, 2012).
"A Feminist's Defense of Nicki Minaj"
.
Feminspire
.
Archived
from the original on April 5, 2015
. Retrieved
April 25,
2015
.
- ^
Cantor, Paul.
"Nicki Minaj Going Back to Her Hip-hop Roots Doesn't Make Sense"
.
Vice
.
Archived
from the original on May 18, 2015
. Retrieved
April 22,
2015
.
- ^
McBee, Wilson.
"What Is Pop Rap, And Why Do We Hate It?"
.
Prefix
.
Archived
from the original on January 26, 2016
. Retrieved
April 22,
2015
.
- ^
a
b
"Nicki Minaj ? Beware Sucka MCs"
.
Hip Hop Ruckus
.
Archived
from the original on February 24, 2015
. Retrieved
February 27,
2015
.
- ^
Davis, Allison.
"Every Rap Song That Mentions Monica Lewinsky"
.
New York Magazine
.
Archived
from the original on May 18, 2015
. Retrieved
May 11,
2015
.
- ^
a
b
Stewart, Justin.
"Nicki Minaj Officially Becomes A Young Money Millionaire"
.
HipHopWired
.
Archived
from the original on December 10, 2015
. Retrieved
April 1,
2015
.
- ^
a
b
c
d
Concepcion, Mariel.
"Nicki Minaj: Artists To Watch 2010"
.
Billboard
.
Archived
from the original on April 26, 2016
. Retrieved
February 27,
2015
.
- ^
Scott, Chris (2011).
The Simple Guide To Nicki Minaj
.
Archived
from the original on March 13, 2023
. Retrieved
April 22,
2015
.
- ^
a
b
Nadeska, Alexis.
"Nicki Minaj Channels Barbie In 'Playtime Is Over' Mixtape Shoot"
.
MTV
.
Archived
from the original on July 1, 2015
. Retrieved
April 1,
2015
.
- ^
"7 Years After "Playtime Is Over": A 2007 Interview With Nicki Minaj"
.
The Source
.
Archived
from the original on September 8, 2014
. Retrieved
April 1,
2015
.
- ^
Ramirez, Erika.
"Ladies First: 31 Female Rappers Who Changed Hip-Hop"
.
Billboard
.
Archived
from the original on April 9, 2015
. Retrieved
April 1,
2015
.
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Studio albums
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Compilation albums
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Mixtapes
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Reissues
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Concert tours
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