2016 American science-fiction film
This article is about the science fiction film starring Jennifer Lawrence and Chris Pratt. For the mystery/thriller movie starring Anne Hathaway and Patrick Wilson, see
Passengers (2008 film)
.
Passengers
is a 2016 American
science-fiction
romance film
directed by
Morten Tyldum
, written by
Jon Spaihts
and starring
Jennifer Lawrence
and
Chris Pratt
. The supporting cast features
Michael Sheen
,
Laurence Fishburne
, and
Andy Garcia
. The film follows two passengers on an interstellar spacecraft carrying thousands of people to a colony 120-years-traveling-distance from Earth, when the two are awakened 90 years early from their
induced hibernation
.
The script was written in 2007 by Spaihts, but languished in
development hell
with multiple actors attached and detached from it over the years until
Sony Pictures Entertainment
acquired its rights in late 2014. Lawrence, Pratt and Tyldum quickly joined the project, and filming took place from September 2015 to February 2016 in
Atlanta
. It was produced by
Village Roadshow Pictures
, Start Motion Pictures,
Original Film
,
LStar Capital
,
Wanda Pictures
and Company Films, and was the last film from
Columbia Pictures
with the involvement of Village Roadshow Pictures.
Passengers
premiered at the
Regency Village Theater
in
Los Angeles
on December 14, 2016, and was released theatrically in the United States by Columbia Pictures on December 21, 2016. It received mixed reviews, with praise for Lawrence and Pratt's performances,
Thomas Newman
's musical score, and its visual style and production values, but was criticized for its plot and characters.
[5]
[6]
It grossed $304 million worldwide and was nominated for
Best Original Score
and
Best Production Design
at the
89th Academy Awards
.
[7]
Plot
[
edit
]
The
Avalon
, a luxurious
sleeper ship
transporting 5,000 colonists and 258 crew members in
hibernation
pods, is traveling from Earth to the planet Homestead II, a 120-year journey as part of a mass exodus of Earth's population due to
ecocide
and the collapse of the biosphere.
[8]
After only 30 years, an asteroid collision damages the ship despite its defense systems, causing a malfunction that awakens passenger Jim Preston, a mechanical engineer, 90 years too early.
After a year of isolation, with only an
android
barman named Arthur for company, Jim grows despondent and contemplates
suicide
until he notices Aurora Lane, a beautiful young woman inside a pod. He considers reviving her for companionship, but struggles doing so, knowing it is morally wrong and will preclude her intended life on their destination planet. He eventually awakens her, letting her believe it was also a malfunction. He tells Arthur to conceal what he has done. Devastated at having to live out her life on the ship, Aurora unsuccessfully tries to re-enter hibernation. Resigned to the situation, Aurora, a writer and journalist, begins writing about her experience.
Over the next year, the two fall in love. Just before Jim intends to propose to Aurora, Arthur inadvertently reveals the truth about her awakening, after Aurora tells him that she and Jim do not keep secrets from one another. A distraught and enraged Aurora berates, shuns, and even physically attacks Jim. She furiously rejects his apologies and avoids contact with him.
Sometime later, another pod failure awakens Gus Mancuso, a deck chief officer. Using Gus' employee code, the group accesses the ship's bridge. They discover multiple cascading failures throughout the ship's systems, but the computer does not reveal the cause. If left unrepaired the ship will inevitably fail, causing the passengers and crew to perish. Gus realizes that Jim awakened Aurora; Gus does not condone Jim's actions but understands, and tells Aurora that a "drowning man" (meaning the suicidal Jim) will grab onto any lifeline. When Gus falls critically ill, the ship's automated medical suite, the Autodoc, diagnoses
pansystemic necrosis
and gives him hours to live. Gus attributes it to his hibernation pod's multiple failures. Before dying, Gus gives Jim and Aurora his ID badge and employee code to access crew-only areas, so he and Aurora can try to repair the ship.
Jim and Aurora find hull breaches from the asteroid collision two years earlier. The computer module administering the ship's
fusion reactor
power plant has been critically damaged, causing the cascading malfunctions as the other systems' computing power was diverted in an attempt to maintain it. They replace the damaged module, but when the computer attempts to vent the reactor to extinguish a runaway plasma reaction, the exterior vent fails. Jim is forced to spacewalk and vent the plasma from outside, using the manual controls in the vent tube.
Jim discovers that he must remain in the tube to keep the vent open while Aurora initiates venting from inside the ship. Revealing her enduring feelings for him, she admits she is terrified of losing him and being left alone. Jim improvises a heat shield and survives the venting but is blasted out into space as his tether snaps, and his damaged spacesuit begins losing oxygen. Aurora retrieves a
clinically dead
Jim from space and resuscitates him in the Autodoc. The
Avalon
, its reactor repaired, returns to normal operations.
After burying Gus in space, Jim learns the Autodoc can function as a hibernation pod for one person, and Jim insists that Aurora use it for the remainder of the voyage. Realizing she would never see Jim again, she chooses to remain awake with him. He presents her with the makeshift engagement ring he made earlier, which she accepts.
Eighty-eight years later, the ship's passengers and crew awaken on schedule, shortly before arrival at Homestead II. In the ship's grand concourse, they discover a huge tree with trailing vines, lush vegetation, flying birds, and a small cabin. A recording of Aurora's story describes the wonderful life she and Jim shared on the
Avalon
.
Cast
[
edit
]
Emma Clarke
,
Chris Edgerly
,
Matt Corboy
,
Fred Melamed
, and screenwriter
Jon Spaihts
perform as the voices of the
Avalon
, InfoMat, video game, observatory, and Autodoc, respectively.
Production
[
edit
]
Development
[
edit
]
In Jon Spaihts's original 2007 script, Aurora's surname was Dunn.
[9]
At one point in the film's development, it was set to star
Keanu Reeves
and
Emily Blunt
.
[10]
Other actors temporarily attached to it included
Reese Witherspoon
and
Rachel McAdams
.
[11]
Brian Kirk
was originally set to make his feature directorial debut with Reeves in the lead.
[12]
[13]
On December 5, 2014, it was announced that
Sony Pictures Entertainment
had won the rights to the film,
[14]
and in early 2015,
Morten Tyldum
was chosen to direct.
[15]
He had always wanted to do a big-scale sci-fi movie, but also stressed the importance of character development over effects.
[16]
The final cast was announced between February 2015 and January 2016.
[17]
[18]
[19]
[20]
Lawrence was paid $20 million against 30% of the profit after the movie
broke even
. Pratt received $12 million.
[11]
[21]
Filming
[
edit
]
Principal photography
began on September 15, 2015 at
Pinewood Atlanta Studios
in Atlanta,
[22]
[23]
with most of it involving the two leads only. Rodrigo Prieto was cinematographer, and
Maryann Brandon
was film editor.
[24]
[25]
Filming
wrapped
on February 12, 2016.
[26]
Music
[
edit
]
Thomas Newman composed the score for
Passengers
.
[27]
Spaihts said that he wrote
Passengers
while listening to Newman's previous scores.
[28]
Imagine Dragons
also recorded the song "Levitate" for the soundtrack, which was released on December 2, 2016.
[29]
The Chinese theme song for the film is
"Light Years Away"
, composed by
G.E.M.
; it became the first Chinese music video to surpass 200 million views in September 2019.
[30]
Marketing
[
edit
]
At the 2016
CinemaCon
,
Passengers
was featured by Sony Pictures chairman
Thomas Rothman
with Lawrence and Pratt in attendance. A teaser trailer of unfinished footage was shown afterwards.
[31]
The first official images of the film were released on August 12, 2016.
[32]
Release
[
edit
]
Theatrical
[
edit
]
The film had its world premiere at the
Regency Village Theater
in December 14, 2016. It was released in the United States by
Sony Pictures Entertainment
on December 21, 2016.
[33]
Home media
[
edit
]
Passengers
was released on
DVD
,
Blu-ray
, and
4K Ultra HD Blu-ray
on March 14, 2017, and made available on digital HD from
Amazon Video
and
iTunes
on March 7, 2017.
[34]
On March 14, 2017,
Passengers: Awakening
, a virtual-reality experience based on the film launched for
Oculus Rift
and
HTC Vive
.
[35]
Reception
[
edit
]
Box office
[
edit
]
Passengers
grossed $100 million in the United States and Canada and $203.1 million in other territories for a worldwide total of $303.1 million, against a net production budget of $110 million.
[4]
[3]
It was the second-highest grossing original live-action Hollywood release of 2016, after
La La Land
.
[36]
Passengers
opened alongside
Sing
and
Assassin's Creed
, and was initially expected to gross around $50 million from 3,478 theaters over its first six days, although the studio anticipated a more conservative $35 million debut.
[37]
[38]
After making $1.2 million from Tuesday night previews
[39]
and $4.1 million on its first day, projections for the six-day opening were lowered to $27 million.
[40]
It went on to gross $15.1 million in its opening weekend (a six-day total of $30 million), finishing third at the box office behind
Rogue One
and
Sing
.
[41]
It became the third-biggest original live-action domestic release of 2016 behind
La La Land
($149 million) and
Central Intelligence
($126 million).
[36]
Critical response
[
edit
]
On
Rotten Tomatoes
, the film holds an approval rating of 30% based on 288 reviews, with an average rating of 5/10. The website's critical consensus reads: "
Passengers
proves Chris Pratt and Jennifer Lawrence work well together ? and that even their chemistry isn't enough to overcome a fatally flawed story."
[42]
On
Metacritic
, the film has a weighted average score of 41 out of 100, based on 48 critics, indicating "mixed or average reviews".
[43]
Audiences polled by
CinemaScore
gave the film an average grade of "B" on an A+ to F scale, while
PostTrak
reported filmgoers gave it a 77% overall positive score.
[41]
Mick LaSalle of
The San Francisco Chronicle
gave the film 3 out of 4 stars, writing: "Despite the confinement and the limited cast,
Passengers
has moments of intense drama that take the actors to places of extreme feeling."
[44]
James Dyer of
Empire
gave the film 4 out of 5 stars, saying it was "as surprisingly traditional as it is undeniably effective", and describing it as "
Titanic
amongst the stars" and "a touching, heartfelt tale of loss and love for the
Gravity
generation".
[45]
Peter Keough of
The Boston Globe
gave it 2.5 out of 4 stars, stating: "Perhaps as a well-written play for a cast of three,
Passengers
might have been first class. Instead, it's just another mediocre thrill ride."
[46]
Peter Bradshaw of
The Guardian
called the film an "appealing sci-fi romance", but criticized its final act as an "anticlimax", giving it 3 out of 5 stars.
[47]
Sheri Linden of
The Hollywood Reporter
said it "concocts a sort of
Titanic
in outer space, with dollops of '
Sleeping Beauty
' and
Gravity
thrown into the high-concept mix." She praised the striking visual design and elegant costumes, but said that the "heavy-handed mix of life-or-death exigencies and feel-good bromides finally feels like a case of more being less."
[1]
Rebecca Hawkes of
The Telegraph
described the film as not a romance, but "a creepy ode to manipulation", describing the action as a "central act of violence" that is softened and justified.
[48]
Andrew Pulver of
The Guardian
called it an "interstellar version of social-media stalking" with "a fantastically creepy start" that, contrary to romantic comedies that managed to "plane down" the nastiness of stalking tactics, presented them in a way where they were "gruesomely inescapable".
[49]
Alissa Wilkinson of
Vox
called it "a fantasy of
Stockholm syndrome
, in which the captured eventually identifies with and even loves the captor" and "a really disturbing wish fulfillment fantasy".
[50]
Lawrence was initially proud of the film, but agreed with suggestions that it might have benefited from a different edit, starting with her character waking up.
[6]
[51]
Later Lawrence said that
Adele
had advised her against doing the film and that she should have listened.
[52]
[53]
Producer
Neal Moritz
said he loved the film and thought the script was one of the best he had ever read. He pointed out that it was well received at test screenings, but that shortly before its release the media picked up on one review and "it became a mantra". He "thought it was a really unfair thing because I think it's a beautiful film I couldn't be more proud of."
[6]
Accolades
[
edit
]
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June 23,
2018
.
- ^
McNary, Dave (March 2, 2017).
"Saturn Awards Nominations 2017: 'Rogue One,' 'Walking Dead' Lead"
.
Variety
.
Archived
from the original on March 3, 2017
. Retrieved
March 3,
2017
.
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