Music of the former Netherlands Antilles

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The music of the former Netherlands Antilles is a mixture of native, African and European elements, and is closely connected with trends from neighboring countries such as Venezuela and Colombia and islands such as Puerto Rico , Cuba , Santo Domingo , Haiti , Martinique , Trinidad , Dominica , and Guadeloupe . The former Netherlands Antilles islands of Curacao and Aruba are known for their typical waltzes , danzas , mazurkas and a kind of music called tumba , which is named after the conga drums that accompany it.

The remaining islands are much smaller than Aruba, Bonaire , and Curacao. They are Sint Eustatius , Sint Maarten and Saba . Sint Eustatius has little nightlife, with only one nightclub (the zouk Largo Height Disco) [1] as of 1996. The inhabitants, "Statians", hold impromptu street dances called "road blocks", using booming car stereos. Saba has a number of dances at various restaurants, including a wide variety of hip hop , calypso , soca , kompa , zouk , bouyon , reggae and merengue . Sint Maarten has a well-known Carnival tradition featuring music and dance, held in mid-April and culminating in the traditional burning of King Moui-Moui , as well as a number of nightclubs and casinos featuring music; popular "spots" where locals go to dance include Boo Boo Jam and Lago Height, both located on the northern (French) part of Sint Maarten; the most popular recent casino band is King Bo-Bo , known as the "King of Calypso". [2]

Modern Aruban music [ edit ]

Music is very closely connected to the Aruban culture, and plays a major role in holidays, carnivals and informal celebrations. Carnival music originated in Trinidad in the late 18th century, and combines romantic themes, calypso-inspired tunes, and drums from tumba . Other Aruban celebrations that are based around music include Dera Gai, Dande, Gaita and Aguinaldo.

Music of Curacao [ edit ]

Traditional music on Bonaire [ edit ]

The island of Bonaire is known for an array of dances, including the Bari and Simadan . Imported polka , carioca , rumba , merengue , danza , joropo , jazz waltz and mazurka are also popular. The Baile di Sinta is a popular fertility dance, performed around a maypole . Traditional African work songs on Bonaire evolved over time into ritual songs with complex dances, instrumentation and polyphony. [3]

The Bari, performed during the festival of the same name, as well as at other times, is led by a single singer who improvises lyrics commenting on local events and figures (such a singer is similar to a calypsonian ). Confusingly, the Bari dance, which is performed during the Bari festival, is accompanied by a bongo -like drum called a Bari. The first part of the dance features men competing in a stylized, ritual dance for women, followed by a part where the couples dance, though they don't touch (it is similar to tumba). [3]

After the sorghum harvest in February through April, the Simadan festival is held to celebrate, with the wapa , a rhythmic, shuffling dance, accompanying the celebration. Simadan's traditional songs include three call-and-response forms, the Dan Simadan , Belua and Remailo . These use instruments including the bari, wiri , karko , quarta , guitar , triangle and clapping . [3]

Notes [ edit ]

References [ edit ]

  • "Curacao's Culture" . Curacao Culture and Folklore . Archived from the original on December 3, 2005 . Retrieved December 3, 2005 .
  • De Ledesma; Charles and Gene Scaramuzzo (2000). "Dance-Funk Creole-Style". In Broughton, Simon; Mark Ellingham; James McConnachie; Orla Duane (eds.). World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific . Rough Guides. pp. 289?303. ISBN   1-85828-636-0 .
  • "Culture:A Rich and Diverse Heritage" . Bonaire . Retrieved December 3, 2005 .
  • Cameron, Sarah (1996). Caribbean Islands Handbook with the Bahamas . Passport Books. ISBN   0-8442-4907-6 .
  • Halman, Johannes & Rojer, Robert (2008). Jan Gerard Palm: Life and Work of a Musical Patriarch(In Dutch language) . KITLV, Leiden.
  • Halman, Johannes & Rojer, Robert (2008). Jan Gerard Palm Music scores: Waltzes, Mazurkas, Danzas, Tumbas, Polkas, Marches, Fantasies, Serenades, a Galop and music composed for services in the Synagogue and the Lodge . Broekmans & Van Poppel , Amsterdam.
  • Palm, Edgar (1978). "Music and musicians of the Netherlands Antilles" (in Dutch). Curacaose Drukkerij, Curacao. [ permanent dead link ]
  • Boskaljon, Rudolph (1958). "Hundred years of music life in Curacao" (in Dutch). Van Gorcum & comp. NV, Assen. [ permanent dead link ]

Further reading [ edit ]

  • Jong, Nanette de. “An Anatomy of Creolization: Curacao and the Antillean Waltz”. Latin American Music Review , Volume 24, Number 2, Fall/Winter. 2003, pp. 233?251.
  • de Wolf, Tim. Discography of Music from the Netherlands Antilles and Aruba: Including a history of the local recording studios . Walburg Pers. ISBN   90-5730-088-5 .

External links [ edit ]