Serbian art historian, art critic, curator and writer
Milan Ka?anin
(
Serbian Cyrillic
:
Милан Кашанин
; 21 February 1895 ? 22 November 1981) was a Serbian art historian, art critic, curator and writer. He served as the head of three
Belgrade
based museums, the Museum of Prince Pavle (the modern-day
National Museum of Serbia
),
[1]
the Museum of Contemporary Art and the Gallery of Frescoes.
Biography
[
edit
]
Of humble origins, Ka?anin adopted his mother's surname because he was born out of wedlock. Granted a scholarship, he studied art history at the
Sorbonne
.
[2]
With the dissertation
Bela crkva Karanska
(The White Church of Karan), Ka?anin obtained his PhD from the
University of Belgrade
in 1926. He was curator at the Museum of Contemporary Art, director of the Museum of
Prince Pavle
(the modern-day
National Museum of Serbia
) and the Gallery of Frescoes in Belgrade.
[3]
He is also known as one of the organizers of some of the first major European art exhibitions in
Belgrade
,
The Italian Portrait Through the Ages
, in 1938, and
French Painting of the 19th Century
one year later. Apart from organizing foreign exhibitions in Yugoslavia, he also organized exhibits of Serbian frescoes and other art in many European capitals, as well as in
South America
.
Ka?anin was the founder and editor of the magazine
Umetni?ki pregled
(Art Review), which was published between 1937 and 1941. He served as the head of the Museum of Prince Pavle between 1935 and 1944. In order to compile the art collection of the Museum of Prince Pavle, Ka?anin traveled through Europe and stayed in the
Netherlands
, among other places. His travel reports, first published in newspapers and later also in the anthology
Pronađeni predmeti
(Lost Objects) (1962), are a testimony to this. The organization of the exhibitions of both Yugoslav art in Amsterdam and Dutch art in Belgrade is also attributed to Ka?anin; for this, the Dutch Government bestowed him with a state decoration. As part of his scientific work, he researches Serbian art from the Middle Ages to the modern era. His interpretations are based on insights gained by the French research school of the interwar period and are written in a refined style and with a thorough analysis. It also brought him into the company of Serbian artists and collectors such as
Milan Konjovi?
and
Pavle Beljanski
respectively. Ka?anin also made a significant contribution to the knowledge of Serbian medieval literature. He began publishing art criticism in 1924 and was published in magazines such as
Politika
,
Vreme
and in the magazine
Re? i slika
. In 1927, he co-authored a book with
Veljko Petrovi?
on the contribution of Serbian artists to the visual arts in
Vojvodina
.
[4]
He was also noted for his fierce literary criticism.
[5]
After World War II, Ka?anin fell out of favor with Yugoslavia's new communist government because of his former close ties with Prince Pavle, and struggled to get a job and publish his books.
[3]
[6]
Ka?anin had four children, three sons and a daughter. His brother Radivoje was an accomplished mathematician and academic, while some of his friends included the fellow art historian
Kenneth Clark
,
[3]
and Serbian writers such as
Isidora Sekuli?
,
Anica Savi? Rebac
, and
Ivo Andri?
. His collected works were published in 2002 with a total of eight volumes.
[7]
Ka?anin was a recipient of the
Order of St Sava
(I, III and V degree), the
Order of the Yugoslav Crown
,
[8]
the French
Legion of Honour
, the
Order of Orange-Nassau
(III degree), the Danish Order (III degree), the
Order of Polonia Restituta
(III degree), and an Italian order. A street in Belgrade is named after him.
[9]
Works
[
edit
]
- Jutrenja i bdenja
, Belgrade, 1925, 1926.
- Srpska umetnost u Vojvodini
, co-author with
Veljko Petrovi?
,
Novi Sad
, 1927.
- Zaljubljenici
, Belgrade, 1928.
- Bela crkva Karanska: Njena istorija, arhitektura i ?ivotopis
, Belgrade, 1928.
- Sabrana dela I-II
, Belgrade, 1929-1932.
- Troko?uljnik, roman
, Belgrade, 1930.
- Pijana zemlja I, II
, Belgrade, 1932.
- Jugoslavische hedengasche beldenge kunst
,
Amsterdam
, 1935.
- Srpska umetnost u Vojvodini do velike seobe
, Novi Sad, 1939.
- L' art yougoslave des nos origines a nos jours
, Belgrade, 1939.
- Dva veka srpskog slikarstva
, Belgrade, 1942.
- Umetnost i umetnici
, Belgrade, 1943.
- Između orla i Vuka
, essay, Belgrade, 1953.
- Savremeni beogradski umetnici. Reprodukcije
, Belgrade, 1953.
- U senci slave
, Novi Sad, 1961.
- Pronađene stvari
, Belgrade, 1961.
- Umetni?ke kritike
, Belgrade, 1968.
- Sudbine i ljudi
, Belgrade, 1968.
- Susreti i pisma
, Novi Sad, 1974.
- Srpska knji?evnost u srednjem veku
, Belgrade, 1975.
- Slu?ajna otkri?a
, Novi Sad, 1977.
- Izabrani eseji
, Belgrade, 1977.
- Pogledi i misli
, Novi Sad, 1978.
- Kamena otkri?a
, Belgrade, 1978.
- Priviđenja I
, Novi Sad, 1981.
- Milan Ka?anin, Svetislav Mari?: Prepiska dvojice mladi?a
, Novi Sad, 1991.
- Gradovi i dvorci u srednjovekovnoj Srbiji
, Belgrade, 2015.
[10]
Translations
[
edit
]
See also
[
edit
]
References
[
edit
]
Further reading
[
edit
]
- Dimitrijevi?, Kosta (2015).
Razgovori sa Milanom Ka?aninom
(in Serbian). Catena Mundi.
- Group of authors (2006).
S njive do akademije
(in Serbian). Mirovna grupa Oaza.
- Kova?eik, Bo?idar (2005).
Milan Ka?anin i Matica srpska
. Letopis Matice Srpske.
- Nedi?, Marko (2002).
Razgovori sa Milanom Ka?aninom
(in Serbian). SKD Prosvjeta.
- Nenin, Milivoj (2005).
Pisma Milana Ka?anina Tihomiru Ostoji?u
.
- Njegovan, Drago (2003).
Znameniti Srbi iz Baranje (od po?etka XVI. do sredine XX. veka)
.
|
---|
Related articles
| | |
---|
Medieval literature
| |
---|
Pre-19th century
| |
---|
19th century
| |
---|
20th century
| |
---|
Contemporary
| |
---|
Literary awards
| |
---|
|
---|
International
| |
---|
National
| |
---|
Other
| |
---|