From Wikipedia, the free encyclopedia
The
Kamerny Theatre
was a
chamber theatre
[1]
in
Moscow
, founded in 1914 by director
Alexander Tairov
(1885?1950). Over the next 35 years, this small, intimate theater became "recognized as a major force in Russian theater". Considered among the better presentations staged at the theater were:
Princess Brambilla
(1920),
Phedre and Girofle-Girofla
(1922),
Desire Under the Elms
(1926),
Day and Night
(1926),
The Negro
(1929),
The Beggars' Opera
(1930) and
Vishnevsky
's
An Optimistic Tragedy
(1933).
[2]
Tairov's primary collaborator in building the sets was
Aleksandra Ekster
, and these were based upon the period's
constructivist
style.
[3]
The decor for the theatre was designed by
Konstantin Medunetsky
.
[4]
For three decades the theater survived the effects of the
Russian Revolution
by remaining unpolitical, instead adopting a post-revolutionary romantic idealism
[5]
and relying heavily on classical material from the east and west. However, in 1928, the Kamerny put on
Purple Island
by
Mikhail Bulgakov
, which was a satire that openly mocked the government. As a result, Stalin labeled the Kamerny 'a real bourgeois theater'. Thereafter, the theater had need to reform their presentation.
[6]
The Soviet authorities developed a deep distrust of Tairov, calling him the last representative of the "bourgeois aestheticism".
[7]
In 1937, the Realistic Theater was merged with the Kamerny.
[8]
In
World War II
, the theater was heavily bombed during the
siege of Moscow
and it did not re-open until December 25, 1943.
[7]
The last production staged at the Kamerny was
The Seagull
by
Anton Chekhov
in 1946. The same year the Soviet communist party "condemned all formalism and experimentation in literature and the arts".
[1]
The Kamerny was closed in 1949 as a result of the
Zhdanov Doctrine
.
[8]
References
[
edit
]
- ^
a
b
Roose-Evans, James (1989). "Tairov and the Synthetic Theater".
Experimental theatre: from Stanislavsky to Peter Brook
. Performance studies (4th ed.). Psychology Press. pp. 31?34.
ISBN
0-415-00963-4
.
- ^
Mitter, Shomit; Shevtsova, Maria (2005). "Alexander Tairov (1885–1950)".
Fifty key theatre directors
. Fifty Key Thinkers Series. Psychology Press. p. 37.
ISBN
0-415-18732-X
.
- ^
Banham, Martin (1995).
The Cambridge guide to theatre
(2nd ed.). Cambridge University Press. p.
1099
.
ISBN
0-521-43437-8
.
- ^
Smith, Bernard. (1998)
Modernism's History: A Study in Twentieth Century Art and Ideas
. New Haven:
Yale University Press
, p. 170.
ISBN
0300073925
,
- ^
White, Christine (2009).
Directors & Designers
. Intellect Books. p. 124.
ISBN
1-84150-289-8
.
- ^
Leach, Robert; Borovsky, Victor (1999).
A history of Russian theatre
. Cambridge University Press. p. 333.
ISBN
0-521-43220-0
.
- ^
a
b
Senelick, Laurence (2000).
The Chekhov theatre: a century of the plays in performance
. Cambridge University Press. p. 196.
ISBN
0-521-78395-X
.
- ^
a
b
Cornwell, Neil; Christian, Nicole (1998). "Post-Revolutionary Russian Theater".
Reference guide to Russian literature
. Taylor & Francis. p. 46.
ISBN
1884964109
.
Further reading
[
edit
]
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37°36′09″E
/
55.7619°N 37.6025°E
/
55.7619; 37.6025