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Ghetto house

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(Redirected from Juke house )
Ghetto house
Stylistic origins
Cultural origins Late 1980s, Chicago , Illinois , United States [1]
Derivative forms

Ghetto house or booty house [1] [2] [3] [4] [5] is a subgenre of house music which started being recognized as a distinct style from around 1992 onwards. [1] It features minimal 808 and 909 drum machine -driven tracks [6] and sometimes sexually explicit lyrics .

The template of classic Chicago house music (primarily, "It's Time for the Percolator" by Cajmere ) was used with the addition of sexual lyrics. [1] It has usually been made on minimal equipment with little or no effects . It usually features either a " 4-to-the-floor " [7] kick drum or beat-skipping kick drums such as those found in the subgenre "juke" (full sounding, but not too long or distorted) along with Roland 808 and 909 synthesized tom-tom sounds , minimal use of analogue synths , and short, slightly dirty sounding (both sonically and lyrically) vocals samples , often repeated in various ways. Also common are 808 and 909 clap sounds, and full " rapped " verses and choruses .

Ghetto house music artists include: DJ Deeon , Jammin' Gerald, DJ Funk , DJ Milton, DJ Slugo, Waxmaster, Traxman, Parris Mitchell. [8] [9]

Subgenres [ edit ]

Chicago juke [ edit ]

The 2000s saw a rise in juke music (sometimes referred to as footwork ), [6] as a faster variant of ghetto house. [10] Chicago juke songs are generally around 150?165 BPM [7] with beat-skipping kick drums , pounding rapidly (and at times very sparsely) in syncopation with crackling snares , claps, and other sounds reminiscent of old drum machines. [10] The production style is often markedly lo-fi , much like baile funk . Chicago juke evolved to match the energy of footwork , a dance style born in the disparate ghettos, house parties and underground dance competitions of Chicago. RP Boo , a former footwork dancer, is generally credited with making the first songs that fall within the canon. [11]

See also [ edit ]

References [ edit ]

  1. ^ a b c d e f McDonnell, John (3 November 2008). "Scene and heard: The ghetto house revival" . The Guardian Music Blog . Retrieved 28 September 2013 .
  2. ^ Barat, Nick (26 January 2007). "Feature: On the Floor with Chicago's Juke DJs" . Fader . The Fader, Inc . Retrieved 11 February 2013 .
  3. ^ Mueller, Gavin (2014). "Ghettotech and ghetto house" . Grove Music Online . doi : 10.1093/gmo/9781561592630.article.a2256635 . ISBN   978-1-56159-263-0 . Retrieved 2021-05-05 .
  4. ^ "Interview: Parris Mitchell" . Fact Magazine . 2016-01-08 . Retrieved 2021-05-05 .
  5. ^ "Deep Inside: 'Hardcore Traxx: Dance Mania Records 1986-1997' " . XLR8R . 2014-02-19 . Retrieved 2021-05-05 .
  6. ^ a b Matos, Michelangelo (3 May 2012). "How Chicago house got its groove back" . Chicago Reader . Retrieved 28 September 2013 .
  7. ^ a b Sheffield, Hazel (27 May 2010). "Footwork takes competitive dancing to the Chicago streets" . The Guardian . Retrieved 11 February 2013 .
  8. ^ "The Five Most Bootylicious Ghetto House Tracks Ever, According to DJ Deeon" . www.vice.com . Retrieved 2021-04-21 .
  9. ^ "The Essential... Dance Mania" . Fact Magazine . 2013-08-13 . Retrieved 2021-05-05 .
  10. ^ a b Kerr, Stephen (16 August 2014). "A Love Letter to Chicago Juke" . DANOEF . Retrieved 25 August 2015 .
  11. ^ Quam, Dave. "Bangs & Works Vol. 1 Liner Notes" . Planet Mu. Archived from the original on 13 May 2012 . Retrieved 14 May 2012 .

External links [ edit ]

  1. ^ "A Brief History of Dance Mania Records" . YouTube .
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