Canadian artist (1795-1855)
Joseph Legare
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Born
| 1795
(
1795
)
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Died
| 1855 (aged 59–60)
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Education
| Petit Seminaire de Quebec
; apprenticed as a painter and glazier with Moses Pierce
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Occupation(s)
| Painter
, glazier, political figure
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Spouse
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Genevieve Damien
(
m.
1818)
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Joseph Legare
(March 10, 1795 – June 21, 1855) was a painter and glazier, artist,
seigneur
and political figure in
Lower Canada
.
Early life
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The eldest son in a family of six children, Joseph Legare was born in
Quebec City
, the son of a cobbler also called Joseph and Louise Routier, and was educated at the
Petit Seminaire de Quebec
.
[1]
The financial success of his father as a business man was augmented by extra loans he made and properties rented out.
[1]
The family became relatively wealthy as a result. The young Joseph spent three years of study at the Seminaire de Quebec but he discontinued his studies in July 1811. On 19 May 1812 he was apprenticed as a painter and glazier with Moses Pierce.
[1]
Joseph Legare died at 60
Middle period
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On 21 April 1818 Legare married Genevieve Damien.
[1]
He owned part of the fief of Saint-Francois from 1827 to 1841. A self-taught artist, he began painting reproductions of European religious works and later produced his own paintings, receiving a medal from the Societe pour l’Encouragement des Sciences et des Arts en Canada in 1828. He was the first landscape artist of French-Canadian origin. In 1833, Legare opened his own gallery in Quebec City, the first art gallery in Canada; it closed two years later. In 1838, he opened another gallery in partnership with lawyer Thomas Amiot. Legare served as a member of the municipal council for the city and the board of health; he also served as a
justice of the peace
. In 1842 he helped found the
Saint-Jean-Baptiste Society
[1]
at Quebec and gathered signatures for a petition in support of the
Ninety-Two Resolutions
. Legare was an unsuccessful candidate for a seat in the legislative assembly in 1848 and 1850.
The Connoisseur
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On the municipal and provincial levels, Legare's political engagement did not preclude an active role within the cultural life of his time. His activities both as collector and propagandist for art qualify him not merely as a pioneer but as one of the "very first connoisseurs".
[1]
The "Desjardins Collection" had an enormous influence on his career and he purchased thirty of the works using a loan provided by his father in July 1819.
[1]
These thirty works formed the nucleus of his collection. The majority of his later acquisitions came through Johan Christopher Reiffenstein and G.D. Balzaretti, two Quebec merchants.
[1]
Historical paintings
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Legare painted a number of works depicting the "customs of North American Indians".
[1]
However, some of his more memorable works include:
First Monastery of the Ursulines at Quebec
,
Memorials of the Jesuits of New France
,
The Martyrdom of Brothers Brebeuf and Lalement
and
The Battle of Sainte-Foy
.
Later years
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The overall achievement of Legare contrasts with that of his prolific contemporaries Roy-Audy,
Antoine Plamondon
and Theophile Hamel. Legare's relative financial freedom allowed him to paint as he pleased without having to worry about saleability. He sold several works to parish churches and religious orders but did not always find a ready market for his works. Many of his landscapes "were all but rejected by his fellow countrymen, as other of his works were, because of his political opinions".
[1]
Many of his supporters were "as newspapers of the day often emphasized, foreigners".
[1]
He was named to the
Legislative Council of the Province of Canada
in February 1855 and died in office in Quebec City at the age of 60.
The 1980 film
A Quebecois Rediscovered: Joseph Legare 1795-1855
was made about his life.
[2]
References
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External links
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International
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National
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Artists
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