Performance dance technique
Jazz dance
is a
performance dance
and style that arose in the
United States
in the mid 20th century.
[1]
[2]
Jazz dance may allude to vernacular
jazz
,
Broadway
or dramatic jazz. The two types expand on
African American
vernacular styles of dance that arose with jazz music. Vernacular jazz dance incorporates
ragtime
moves,
Charleston
,
Lindy hop
and
mambo
. Popular vernacular jazz dance performers include
The Whitman Sisters
,
Florence Mills
,
Ethel Waters
,
Al Minns
and
Leon James
,
Frankie Manning
,
Norma Miller
,
Dawn Hampton
, and
Katherine Dunham
. Dramatic jazz dance performed on the show stage was promoted by
Jack Cole
,
Bob Fosse
,
Eugene Louis Faccuito
, and
Gus Giordano
.
The term 'jazz dance' has been used in ways that have little or nothing to do with jazz music. Since the 1940s, Hollywood movies and Broadway shows have used the term to describe the choreographies of Bob Fosse and
Jerome Robbins
. In the 1990s, colleges and universities applied to the term to classes offered by physical education departments in which students dance to various forms of
pop music
, rarely jazz.
[3]
Swing dancing
[
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]
In 1917, jazz pianist Spencer Williams wrote a song called "Shim-Me-Sha-Wabble" which inspired a jazz dance called the
shimmy
. The shimmy is done by holding the body still "except for the shoulders, which are quickly alternated back and forth". The dances that emerged during this period were the Charleston and the
Lindy hop
.The Charleston is "characterized by its toes-in, heels-out twisting steps".
[4]
It can be done as a solo or with any number of people.
The Lindy hop was a wild and spontaneous partner dance that was extremely rhythmically conscious. When the Great Depression began in October 1929, many people turned to dance. Because of this, the Aubrielle and the Lindy hop are now considered to be under the umbrella term "swing dance stylized, continuously flowing movements that developed the technique and style for the combinations that followed".
[1]
Cole's style has been called hip, hard, and cool".
[5]
Fosse combined "vaudeville, striptease, magic shows, nightclubs, film and Broadway musicals".
[6]
Pop music and television
[
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]
Contemporary jazz became well known because of its television shows unlike
So You Think You Can Dance
.
Mia Michaels
's earlier work exemplifies this style. Some other companies and choreographers that create contemporary jazz dance are
Sonya Tayeh
,
Mandy Moore
, and
Hubbard Street Dance Chicago
. Commercial jazz, which has been popular since the 1980s, combines aspects of hip hop and jazz and is often done to pop music. This style can be seen in the music videos of
Janet Jackson
and
Paula Abdul
. Commercial jazz often includes more "tricks." Commercial jazz and contemporary jazz are both seen at dance competitions. Another variety of jazz is Latin jazz. "Maria Torres developed and popularized the fusion at Broadway Dance Center".
[7]
Latin jazz has an emphasis on the movement of hips and isolations. It can be seen in the films
El Cantante
and
Dance with Me
, as well as on TV dance shows.
Dancers, directors, choreographers
[
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]
- Jack Cole influenced
Matt Mattox
, Bob Fosse, Jerome Robbins, and Gwen Verdon, and is credited with popularizing the theatrical form of jazz dance with his great number of choreographic works on television and Broadway.
[8]
- Katherine Dunham
is an anthropologist, choreographer, and pioneer in black theatrical dance who introduced isolations jazz dance.
- Eugene Louis Faccuito also known as Luigi, was an American jazz dancer, teacher, choreographer, and creator of the first codified jazz technique, the Luigi Technique.
[1]
- Bob Fosse, choreographer and film director, revolutionized jazz dance with his sexually suggestive movements. His choreography is very recognizable and can be found in the musicals and films that he has choreographed, such as
Cabaret
and
Chicago
.
- Gus Giordano was a jazz dancer and choreographer in Chicago known for his clean, precise movement.
- Patsy Swayze
, choreographer and dance instructor, combined jazz and ballet, founded the Houston Jazz Ballet Company, and served as its director.
[9]
See also
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]
References
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]
Bibliography
[
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]
- Bailey, A. Peter.
Revelations: The Autobiography of Alvin Ailey
. Carol Publishing Group, 1995.
ISBN
978-0-8065-1861-9
- Carter, Curtis. "Improvisation in Dance".
The Journal of Aesthetics and Art Criticism
. 58, No. 2, p. 181?90. jstor.org
- Cohan, Robert.
The Dance Workshop
. Gaia Books, 1989.
ISBN
978-0-04-790010-5
- Crease, Robert.
Divine Frivolity: Hollywood Representations of the Lindy Hop, 1937?1942
. In
Representing Jazz
. Durham: Duke University Press, 1995.
- Dunning, Jennifer.
Alvin Ailey: A Life in Dance
. Da Capo Press, 1998.
ISBN
978-0-306-80825-8
- Reid, Molly.
New Orleans: A Haven for Swing Dance Beginners, Professionals
.
The Times-Picayune
. 21 January 2010
- Seguin, Eliane
Histoire de la danse jazz
. Editions Chiron, 2003.
ISBN
978-2-7027-0782-1
- Torbert, Margot L.
Teaching Dance Jazz
. Margot Torbert, 2000.
ISBN
978-0-9764071-0-2