French actress (b. 1953)
Isabelle Anne Madeleine Huppert
(
French:
[izab?l
yp??]
; born 16 March 1953) is a French actress. Known for her portrayals of cold, austere women
devoid of morality
, she is considered one of the greatest actresses of her generation. With 16 nominations and two wins, Huppert is the most nominated actress at the
Cesar Awards
. She is also the recipient of
several accolades
, including five
Lumieres Awards
, a
BAFTA Award
, three
European Film Awards
, two
Berlin International Film Festival
, three
Cannes Film Festival
and
Venice Film Festival
honors, a
Golden Globe Award
, and an
Academy Award
nomination. In 2020,
The New York Times
ranked her second on its list of the greatest actors of the 21st century.
[1]
Huppert's first Cesar Award nomination was for
Best Supporting Actress
in
Aloise
(1975) and she won
Best Actress
for
La Ceremonie
(1995) and
Elle
(2016). For
The Lacemaker
(1977) she won the
BAFTA Award for Most Promising Newcomer
. She went on to win two
Cannes Film Festival Awards for Best Actress
for
Violette Noziere
(1978) and
The Piano Teacher
(2001) as well as the
Volpi Cup for Best Actress
twice for
Story of Women
(1988) and
La Ceremonie
. Huppert's other films in France include
Loulou
(1980),
La Separation
(1994),
8 Women
(2002),
Gabrielle
(2005),
Amour
(2012),
Things to Come
(2016), and
Happy End
(2017).
For her performance in
Elle
, Huppert was nominated for the
Academy Award for Best Actress
; she also won several critics awards as well as a
Golden Globe
and
Independent Spirit Award
. Huppert is among international cinema's most prolific actresses with her best known English-language films including
Heaven's Gate
(1980),
The Bedroom Window
(1987),
I Heart Huckabees
(2004),
The Disappearance of Eleanor Rigby
(2013),
Louder Than Bombs
(2015),
Greta
(2018),
Frankie
(2019), and
Mrs. Harris Goes to Paris
(2022).
Also a prolific stage actress, Huppert is the most nominated actress for the
Moliere Award
, with nine nominations; she received an honorary award in 2017. In the same year she was awarded the
Europe Theatre Prize
.
[2]
She made her London stage debut in the title role of the play
Mary Stuart
in 1996, and her New York stage debut in a 2005 production of
4.48 Psychosis
. Huppert's recent credits include in
Heiner Muller
's
Quartett
(2009) in New York,
Sydney Theater Company
's
The Maids
(2014) and in
Florian Zeller
's
The Mother
(2019) in New York.
Early life and education
[
edit
]
Huppert was born on 16 March 1953,
[a]
in the
16th arrondissement of Paris
, the daughter of Annick (
nee
Beau; 1914?1990), an English language teacher, and Raymond Huppert (1914?2003), a safe manufacturer. The youngest child, she has a brother and three sisters, including filmmaker
Caroline Huppert
. She was raised in
Ville-d'Avray
.
[4]
Her father was Hungarian-Jewish;
[5]
[6]
[7]
his family was from Eperjes,
Kingdom of Hungary
,
Austro-Hungarian Empire
(now
Pre?ov
, Slovakia) and
Alsace-Lorraine
.
[8]
[9]
Huppert was raised in her mother's Catholic faith.
[10]
[11]
On her mother's side, she is a great-granddaughter of one of the
Callot Soeurs
.
[12]
In 1968, aged 15, Huppert enrolled at the
Conservatoire a rayonnement regional de Versailles
[
fr
]
, where she won a prize for her acting. She also attended the
Conservatoire national superieur d'art dramatique
(CNSAD).
[13]
Career
[
edit
]
1970s
[
edit
]
Huppert made her television debut in 1971 with
Le Prussien
, and her feature film debut in
Nina Companeez
's romantic comedy
Faustine et le Bel Ete
(1972). The film was shown Out of Competition at the
1972 Cannes Film Festival
. Also that year she played Annie Smith in
Alain Levent
's adventure film
The Bar at the Crossing
and Marite in
Claude Sautet
's romance drama
Cesar and Rosalie
with the former premiering at the
Berlin International Film Festival
. She made her theatre debut playing Lucile in
Les Precieuses ridicules
at the
Comedie-Francaise
in Paris from 1971 to 1972. Later that year she acted in
A Hunger Artist
at National Theatre Daniel Sorano in Paris followed by a run at the
Shiraz Arts Festival
.
In 1974 she acted in
Alain Robbe-Grillet
's art film
Successive Slidings of Pleasure
and
Rachel Weinberg
's fantasy film
L'Ampelopede
. She also gained notoriety for her later appearance as Suzanne in
Bertrand Blier
's controversial
sex comedy
Les Valseuses
(1974). Huppert acted alongside
Gerard Depardieu
and
Jeanne Moreau
.
Vincent Canby
of
The New York Times
panned the film writing, "It's not very invigorating to see so much talent squandered on such foolish mixed-up romanticism."
[14]
The role made her increasingly recognized by the public.
The following year she acted in
Yves Boisset
's drama
The Common Man
(1975) which won the
Silver Bear Grand Jury Prize
at the
Berlin International Film Festival
. That same year starred in the American action thriller
Rosebud
(1975) directed by
Otto Preminger
. She acted opposite
Peter O'Toole
and
Richard Attenborough
. She also starred in the title role in the drama film
Aloise
which premiered at the
Cannes Film Festival
. In 1976 she acted in
Bertrand Tavernier
's
The Judge and the Assassin
and
Christine Lipinska
's
I Am Pierre Riviere
.
Her international breakthrough came with her performance in
Claude Goretta
's
La Dentelliere
(1977),
[15]
for which she won a
BAFTA award
for Most Promising Newcomer to Leading Film Roles. Critic
Roger Ebert
praised her performance writing, "The movie’s performances are wonderfully subtle. Huppert, as Pomme, is good at the very difficult task of projecting the inner feelings of a character whose whole personality is based on the concealment of feeling".
[16]
The following year she won acclaim playing
the title role
Claude Chabrol
's crime drama
Violette Noziere
(1978) winning the
Cannes Film Festival Award for Best Actress
. It was the first of seven collaborations she would have with director Chabrol. Ebert wrote, "Huppert's performance, which is so assured, so complex it's hard to believe she worked this transformation in character after
The Lacemaker
.
[17]
1980s
[
edit
]
After a five-year absence from American films, Huppert starred in
Michael Cimino
's
Heaven's Gate
(1980), which opened to poor reviews and was a box office failure; decades later, the film has been reassessed, with some critics considering it an overlooked masterpiece.
[18]
Also that year she starred in
Maurice Pialat
's
Loulou
(1980) where she reunited with Gerard Depardieu.
Janet Maslin
of
The New York Times
praised her performance writing, "Miss Huppert does a fine job of seeming exotic, vague, dazzling and also, somehow, unremarkable - all of this at the same time. The performances are much sharper than the film is as a whole."
[19]
Also in 1980 she acted in
Jean-Luc Godard
's
Sauve qui peut (la vie)
(1980).
Throughout the 1980s, Huppert continued to explore enigmatic and emotionally distant characters, most notably in
Diane Kurys
'
Coup de foudre
(1983) directed by
Bertrand Tavernier
. The film was adapted from
Jim Thompson
's
pulp novel
Pop. 1280
. Huppert earned a
Cesar Award for Best Actress
nomination for her performance. She acted in
Curtis Hanson
's
neo-noir
thriller
The Bedroom Window
(1987) acting opposite
Steve Guttenberg
and
Elizabeth McGovern
.
[20]
She won acclaim for her role in
Claude Chabrol
's
Une Affaire de Femmes
(1988).
1990s
[
edit
]
In 1994, Huppert collaborated with American director
Hal Hartley
on
Amateur
, one of her few English-language performances since
Heaven's Gate
. She won acclaim for her role in
La Separation
(1994) with David Parkinson of
British Film Institute
writing, "Her distinctive talent for suppressing suffering is readily evident in Christian Vincent’s excruciating study of her slowly disintegrating relationship with Daniel Auteuil, as Huppert imparts chilling intimacy to a withdrawn hand, an unanswering gaze, a treacherous silence and a careless word in conveying the pain of falling out of love."
[21]
She portrayed a manic and homicidal post-office worker in
Claude Chabrol
's
La Ceremonie
(1995) for which she won the
Cesar Award for Best Actress
and the
Volpi Cup for Best Actress
. Huppert continued her cinematic relationship with Chabrol in
Rien ne va plus
(1997) and
Merci pour le Chocolat
(2000).
2000s
[
edit
]
Huppert made her first collaboration with
Michael Haneke
in his film
The Piano Teacher
(2001), which is based on a novel of the same name (
Die Klavierspielerin
) by Austrian author and winner of the
Nobel Prize in Literature
in 2004,
Elfriede Jelinek
. In this film, she played a piano teacher named Erika Kohut, who becomes involved with a young and charming pianist , Walter Klemmer. Regarded as one of her most impressive turns, her performance netted the 2001
Best Actress
prize in Cannes.
David Denby
of
The New Yorker
praised her performance writing, "Much of her best acting is no more than a flicker of consciousness, barely visible around the edges of the mask. Yet she gives a classic account of repression and sexual hypocrisy, unleashing the kind of rage that the great
Bette Davis
might have expressed".
[22]
In 2002 she acted in the dark comedy musical film
8 Women
directed by
Francois Ozon
. Jonathan Cruiel of
The San Francisco Chronicle
praised her performance writing, "Huppert has a reputation for her intense portrayals, and in
8 Women
, she steals every scene she's in as the uptight, melodramatic, bespectacled aunt."
[23]
In 2004, she starred in
Christophe Honore
's
Ma Mere
as Helene with
Louis Garrel
. Huppert played a middle-aged mother having an
incestuous
relationship with her teenage son.
Ma Mere
was based on a novel by
Georges Bataille
. 2004 also saw her star opposite
Dustin Hoffman
in
David O. Russell
's
I Heart Huckabees
. Huppert worked in Italy (with directors
Paolo and Vittorio Taviani
,
Mauro Bolognini
,
Marco Ferreri
and
Marco Bellocchio
), in Russia (with Igor Minaiev), in Central Europe (with
Werner Schroeter
,
Andrzej Wajda
,
Ursula Meier
, Michael Haneke,
Marta Meszaros
and
Aleksandar Petrovi?
) and in Asia (with
Hong Sang-soo
,
Brillante Mendoza
and
Rithy Panh
).
Huppert is also an acclaimed stage actress, receiving seven
Moliere Award
nominations, including for the titular role in a 2001 Paris production of
Medea
, directed by Jacques Lassalle,
[24]
and in 2005, at the
Odeon-Theatre de l'Europe
in Paris, in the title role of
Ibsen
's
Hedda Gabler
.
[25]
Later that year, she toured the United States in a
Royal Court Theatre
production of
Sarah Kane
's theatrical piece
4.48 Psychosis
. This production was directed by
Claude Regy
[
fr
]
and performed in French.
[26]
Huppert returned to the New York stage in 2009 to perform in
Heiner Muller
's
Quartett
.
[27]
In 2009 she starred in the
Claire Denis
film
White Material
. Sura Wood of
The Associated Press
declared, "She’s helped immeasurably by an astringent, fully committed performance from her leading lady, a gaunt, impossibly resolute Isabelle Huppert".
[28]
Huppert was the president of the jury at the
2009 Cannes Film Festival
.
[29]
She had been a Member of the Jury and Master of Ceremony in previous years, as well as winning the Best Actress Award twice. As president, she and her jury awarded the
Palme d'Or
to
The White Ribbon
by the Austrian director Michael Haneke,
[30]
who directed her in
The Piano Teacher
and
Time of the Wolf
.
[31]
2010s
[
edit
]
In 2010, Huppert starred in the 11th-season finale of
Law & Order: Special Victims Unit
and was cast in the film
Captive
by Filipino director Brillante Mendoza. Huppert played one of the hostages of the
Dos Palmas kidnappings
.
[32]
In 2012, she starred in two films that competed for the
Palme d'Or
at the
2012 Cannes Film Festival
: Michael Haneke's
Amour
and Hong Sang-soo's
In Another Country
, with the former winning the top prize.
[33]
[34]
In 2013, she co-starred in
Sydney Theatre Company
's
The Maids
by
Jean Genet
, with
Cate Blanchett
and
Elizabeth Debicki
and directed by
Benedict Andrews
in a new English translation by Andrews and
Andrew Upton
. In 2014, the production toured in New York as a part of the
Lincoln Center
Festival.
[35]
[36]
Marilyn Stasio of
Variety
wrote of Blanchett and Huppert's performances, "Blanchett gives a dynamic performance as Claire, the melodramatic sister, who flies into a fit at the least provocation. Huppert plays Solange as the smarter, more subtle, more bitterly ironic observer."
[37]
She continued acting in films such as
The Disappearance of Eleanor Rigby
(2013),
Macadam Stories
(2015), and
Louder Than Bombs
(2015).
In 2016, she starred in two films that received widespread critical acclaim:
Mia Hansen-Løve
's
Things to Come
, which premiered at the
Berlinale
, and
Paul Verhoeven
's
Elle
, which premiered at
Cannes
. In
Elle
she played a woman who was raped by an intruder. Nick James of
The British Film Institute
wrote, "Isabelle Huppert gives one of the most riveting performances of her career...refusing to play the victim in a challenging, twisty thriller that seeks to subvert the expectations of the traditional revenge drama".
[38]
Among other awards and nominations, she won the
National Society of Film Critics Award
,
New York Film Critics Circle Award
and the
Los Angeles Film Critics Association Award
for Best Actress for both films.
[39]
For her performance in
Elle
, Huppert won several awards, including the
Golden Globe Award
,
Cesar Award for Best Actress
,
Gotham Independent Film Award
, and the
Independent Spirit Award
for Best Actress. In addition, she was nominated for the
Academy Award for Best Actress
and the
Critics' Choice Movie Award for Best Actress
.
In 2016, Huppert starred in
Krzysztof Warlikowski
's stage production of
Phedre(s)
, which toured Europe as well as
BAM
in New York.
[40]
Katie Baker of
The Daily Beast
wrote, "Huppert inhabits Phaedra?or Phedre, for the play is in French with subtitles?for the full 3½ hours with such magnetic force that whatever faults the show has pale next to her raw vitality."
[41]
In 2017, she was awarded the
Europe Theatre Prize
. On that occasion she performed with
Jeremy Irons
Correspondence 1944?1959 Readings from the epistles between
Albert Camus
and
Maria Casares
,
and a special creation of
Harold Pinter
's
Ashes to Ashes
,
at the
Teatro Argentina
in Rome.
[42]
In 2019 she played the title role in
Florian Zeller
's play
The Mother
acting opposite
Chris Noth
at the
Atlantic Theatre Company
in New York.
The Guardian
praised Huppert's performance but criticized the production.
[43]
Marilyn Stasio of
Variety
, "In the end, this turns out to be an upsetting play rather than an engaging one, and if it weren’t for Huppert’s mesmerizing performance, it might send you out of the theater and screaming into the night."
[44]
In 2018 she acted as herself in the French comedy series
Call My Agent!
and as Jacqueline in
Matthew Weiner
's
Amazon Prime
series
The Romanoffs
. During this time she acted in Michael Haneke's
Happy End
(2017),
Neil Jordan
's
Greta
(2018) and
Ira Sachs
'
Frankie
(2019).
2020s
[
edit
]
Hupper's recent credits include
Jerzy Skolimowski
's
EO
and
Anthony Fabian
's
Mrs. Harris Goes to Paris
(both released in 2022).
Personal life
[
edit
]
Huppert lived with producer
Daniel Toscan du Plantier
for several years.
[4]
[45]
[46]
She has been in a relationship with writer, producer and director
Ronald Chammah
since about 1982.
[47]
They have three children, including the actress
Lolita Chammah
, with whom she acted in five films, including
Copacabana
(2010) and
Barrage
(2017).
[48]
[49]
She has never married.
Huppert is the owner of the
repertory cinemas
Christine Cinema Club
[
fr
]
and Ecoles Cinema Club in Paris, which her son Lorenzo curates.
[50]
[51]
Acting credits
[
edit
]
Awards and nominations
[
edit
]
Huppert has been nominated 16 times, becoming the most nominated actress in the history of
Cesar Awards
, winning
Best Actress
twice: in 1996 for her work in
La Ceremonie
(1995), and in 2017 for her role in
Elle
(2016).
[52]
She is one of only four women who have twice won
Best Actress
at the
Cannes Film Festival
: in 1978 for her role in
Violette Noziere
by
Claude Chabrol
(tied with
Jill Clayburgh
) and in 2001 for
The Piano Teacher
by
Michael Haneke
.
[53]
She is also one of only four women who have twice received the
Volpi Cup
for Best Actress at the
Venice Film Festival
: in 1988 for her part in
Une affaire de femmes
(tied with
Shirley MacLaine
), and in 1995 for
La Ceremonie
(tied with her partner in the movie,
Sandrine Bonnaire
).
[54]
Both films were directed by
Claude Chabrol
. Additionally, she received a Special Lion in 2005 for her role in
Gabrielle
.
[55]
Huppert was twice voted Best Actress at the
European Film Awards
: in 2001 for playing Erika Kohut in
The Piano Teacher
, and in 2002 with the entire cast of
8 Women
(directed by
Francois Ozon
).
[29]
The latter cast also won a Silver Bear for
Outstanding Artistic Contribution
, at the 2002
Berlin International Film Festival
.
[56]
Huppert won the
Golden Globe Award for Best Actress in a Motion Picture ? Drama
[57]
and received her first nomination for the
Academy Award for Best Actress
for her work in
Elle
.
[58]
In 2008, she received the
Stanislavsky Award
for outstanding achievement in acting, and devotion to the principles of the
Stanislavski's system
.
[59]
She was made
Chevalier
(Knight) of the
Ordre national du Merite
on 8 December 1994
[60]
and was promoted to
Officier
(Officer) in 2005.
[60]
She was made
Chevalier
(Knight) of the
Legion d'honneur
on 29 September 1999
[61]
and was promoted to
Officier
(Officer) in 2009.
[61]
She was selected for
Honorary Golden Bear
Lifetime Achievement Award at
72nd Berlin International Film Festival
awarded on 15 February 2022 in festival award ceremony at Berlinale Palast.
[62]
Europe Theatre Prize
On 17 December 2017 she was awarded the XVI
Europe Theatre Prize
, in
Rome
.
[2]
The Prize organization stated:
From her beginnings as a stage actress, Isabelle Huppert has moved between cinema and theatre with an extraordinary productivity, and with results which have made her perhaps the most garlanded performer in the two spheres. Her name, directly linked with French and European auteur cinema, is a guarantee of quality for the productions in which she takes part: she is an artist who chooses her scripts, her roles and the directors with whom she works with the greatest care, always able to make her mark on the films in which she appears. Isabelle Huppert, a world icon in contemporary cinema, has never abandoned the theatre, an art which she continues to practise with passion, deep interest and admirable playing skills. The reasons for her passionate love of theatre, which she herself gave in her message for this year's
World Theatre Day
, are completely in accord with the motivation for the 16th Europe Theatre Prize, which we award to her this year with real pleasure: ≪Theatre for me represents the other; it is dialogue, and it is the absence of hatred. "Friendship between peoples" ? now, I do not know too much about what this means, but I believe in community, in friendship between spectators and actors, in the lasting union between all the people theatre brings together ? translators, educators, costume designers, stage artists, academics, practitioners and audiences. Theatre protects us; it shelters us…I believe that theatre loves us…as much as we love it… I remember an old-fashioned stage director I worked for, who, before the nightly raising of the curtain would yell, with full-throated firmness "Make way for theatre!"≫
[63]
Legacy and reception
[
edit
]
Huppert holds the record for being the actress with the most films entered in the official competition of the
Cannes Film Festival
.
[64]
As of 2022, she has had 22 films in the main competition and a total of 29 films screened at the festival.
[65]
Huppert's frequent Cannes' appearances have led her to be dubbed "the queen of Cannes" by journalists.
[66]
[67]
[68]
[69]
David Thomson
on
Claude Chabrol
's
Madame Bovary
: "[Huppert] has to rate as one of the most accomplished actresses in the world today, even if she seems short of the passion or agony of her contemporary,
Isabelle Adjani
." Stuart Jeffries of
The Observer
on
The Piano Teacher
: "This is surely one of the greatest performances of Huppert's already illustrious acting career, though it is one that is very hard to watch." Director,
Michael Haneke
: "[Huppert] has such professionalism, the way she is able to represent suffering. At one end you have the extreme of her suffering and then you have her icy intellectualism. No other actor can combine the two."
[3]
Of her performance in 2007's
Hidden Love
,
Roger Ebert
said "Isabelle Huppert makes one good film after another.... she is fearless. Directors often depend on her gift for conveying depression, compulsion, egotism and despair. She can be funny and charming, but then so can a lot of actors. She is in complete command of a face that regards the void with blankness."
[70]
In 2010, S.T. VanAirsdale described her as "arguably the world's greatest screen actress."
[71]
Huppert's work in
Elle
and
Things to Come
topped
The Playlist'
s ranking of "The 25 Best Performances Of 2016", stating: "She runs the emotional gamut from one film to the next, carnal, savage, shattered, listless, invulnerable but exposed, a woman on the verge of collapse who refuses to succumb to her instabilities. Huppert's career spans four decades and change, plus a heap of awards and accolades, but with
Elle
and
Things To Come
, she could well be having her best year yet."
[72]
See also
[
edit
]
Notes
[
edit
]
- ^
Huppert formerly gave her date of birth as 16 March 1955, shaving two years off her age.
[3]
Asked about the discrepancy, she told an interviewer "Don't go thinking that I'll help you out with that one."
[4]
References
[
edit
]
- ^
Dargis, Manohla; Scott, A.O. (25 November 2020).
"The 25 Greatest Actors of the 21st Century (So Far)"
.
The New York Times
. Retrieved
28 November
2020
.
- ^
a
b
"XVI Edizione"
.
Premio Europa per il Teatro
(in Italian)
. Retrieved
16 December
2022
.
- ^
a
b
Jeffries, Stuart (28 October 2001).
"Just don't ask her to play cute"
.
The Guardian
.
The Observer
.
- ^
a
b
c
Chalmers, Robert (3 July 2010).
"Isabelle Huppert: 'I don't have a reputation for being difficult'
"
.
The Independent
. Retrieved
17 July
2017
.
- ^
Leigh, Danny (23 February 2017).
"Isabelle Huppert: 'Men aren't afraid of women the way women are afraid of men'
"
.
The Guardian
. Retrieved
20 May
2018
.
- ^
"The face of fearless cinema: French actress Isabelle Huppert at 65"
.
DW-TV
. 16 March 2018
. Retrieved
20 May
2018
.
- ^
"France's Isabelle Huppert nominated for Best Actress Oscar for film 'Elle'
"
.
The Local France
. 24 January 2017
. Retrieved
20 May
2018
.
- ^
Szwarc, Sandrine (11 May 2015).
"Isabelle Huppert bientot sur la scene de l'Espace Rachi"
(in French). Actualite Juive
. Retrieved
21 February
2017
.
- ^
Pfefferman, Naomi (17 February 2017).
"Isabelle Huppert uncovers the true strength of her characters"
.
Jewish Journal
. Retrieved
20 May
2018
.
- ^
Leon, Masha (18 November 2009).
"Sea of Faces: French Film Star Isabelle Huppert Presents Award to Robert Wilson at FIAF Gala"
. Forward
. Retrieved
18 November
2009
.
- ^
"Entretien avec Caroline Huppert"
(PDF)
(in French). groupe25images.fr. Archived from
the original
(PDF)
on 23 September 2016
. Retrieved
13 December
2016
.
- ^
Bale, Miriam (9 October 2017).
"Isabelle Huppert, Probably World's Greatest Actress, Reveals Where She Does Her Worst Acting"
.
W
. Retrieved
9 October
2017
.
- ^
Marx, Rebecca Flint.
"Isabelle Huppert"
.
Allmovie
. Retrieved
15 August
2009
.
- ^
Canby, Vincent (14 May 1974).
"Screen: 'Going Places':Blier Directs Tale of Two Errant Youths The Cast"
.
The New York Times
. Retrieved
3 September
2023
.
- ^
"Isabelle Huppert"
.
Yahoo! Movies
. Retrieved
15 August
2009
.
- ^
"The Lacemaker review"
.
Rogerebert.com
. Retrieved
3 September
2023
.
- ^
"Violette: The dark side of Huppert and Chabrol"
.
September 3, 2023
.
- ^
Barber, Nicholas.
"Heaven's Gate: From Hollywood disaster to masterpiece"
. Retrieved
2 December
2016
.
- ^
Maslin, Janet (8 October 1980).
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"The Bedroom Window (1987)"
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"Isabelle Huppert's 10 Essential Films"
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Denby, David (24 March 2002).
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Isherwood, Charles (21 October 2005).
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Brantley, Ben (6 November 2009).
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.
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.
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"Huppert hands Haneke the Palme d'Or"
.
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Brown, Mark (24 May 2009).
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.
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.
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.
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"The Maids in New York"
.
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. 12 August 2014. Archived from
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.
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.
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"Film of the week: Elle ? far deeper (and more disquieting) than a rape-revenge thriller"
.
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.
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.
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.
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.
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"Huppert and Irons are theatrical dynamite in Pinter's power games"
.
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Soloski, Alexis (12 March 2019).
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.
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.
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"Off Broadway Review: Isabelle Huppert in 'The Mother'
"
.
Variety
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.
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.
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.
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"
.
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.
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.
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.
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.
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.
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.
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.
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.
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.
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.
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"
.
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.
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.
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.
Further reading
[
edit
]
External links
[
edit
]
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