Spanish film director
In this
Spanish name
, the first or paternal
surname
is
Coixet
and the second or maternal family name is
Castillo
.
Isabel Coixet Castillo
(
Catalan:
[iz??β?l
ku???t]
; born 9 April 1960) is a Spanish
film director
.
[1]
She is one of the most prolific film directors of contemporary
Spain
, having directed twelve feature-length films since the beginning of her film career in 1988, in addition to documentary films, shorts, and commercials. Her films depart from the traditional national
cinema of Spain
, and help to “untangle films from their national context ... clearing the path for thinking about national film from different perspectives.”
[2]
The recurring themes of “emotions, feelings, and existential conflict” coupled with her distinct visual style secure the “multifaceted (she directs, writes, produces, shoots, and acts)” filmmaker's status as a “
Catalan
auteur
.”
[2]
[3]
Early life
[
edit
]
Isabel Coixet was born in
Sant Adria del Besos
[1]
next to Barcelona on 9 April 1960.
[4]
She started filming when she was given an 8 mm camera on the occasion of her First Communion. After obtaining a BA degree in history at Barcelona University, where she majored in Eighteenth- and Nineteenth-Century History, she worked in advertising and spot writing for the cinema magazine
Fotogramas
. She continued in the world of advertising, standing out as creative director of the agency JWT.
[5]
Her clients included BMW, Renault and Ikea. She won several accolades for her spots, but the ads did not fulfill her expectations.
Coixet made her first short film in 1984:
Mira y veras
.
[6]
Career
[
edit
]
In 1988, Coixet made her debut as a scriptwriter and director in
Demasiado Viejo Para Morir Joven
(
Too Old to Die Young
). For this movie, she was nominated at the
Goya Awards
as a Best New Director.
In 1996, she traveled to the
United States
to shoot her first English-language feature film, entitled
Things I Never Told You
(
Cosas que nunca te dije
). This drama cast American actors led by
Lili Taylor
and
Andrew McCarthy
. Coixet received her second nomination at the Goya Awards for
Best Original Screenplay
. Coixet then connected with a French production company, and in 1998 she shot ? for the first time in Spain and in Spanish ? the historical adventure
A los que aman
. Two years later she founded her own production company, with which she produced her most acclaimed film to date,
Mi vida sin mi
(
My Life Without Me
). Since then she has been one of the most acclaimed directors of Spanish cinema.
[6]
In 2000, she founded her own production company called
Miss Wasabi Films
, for which she has produced over 400 commercials.
Her international success came in 2003 thanks to the intimate drama
My Life Without Me
. The film was based on a short story by Nancy Kincaid.
Canadian
actress
Sarah Polley
played Ann, a young mother who decides to hide from her family that she has terminal cancer. This Hispanic-Canadian co-production was highly praised at the
Berlin International Film Festival
.
[7]
Coixet then continued working with Polley as her lead actress with the film
The Secret Life of Words
, which was released in 2005 and also starred
Tim Robbins
and
Javier Camara
. The film was awarded four Goyas: Best Film, Best Director, Best Production and Best Screenplay.
In 2005, Coixet joined eighteen other international filmmakers, among them
Gus Van Sant
,
Walter Salles
and
Joel
and
Ethan Cohen
, to make the groundbreaking collective project
Paris, je t’aime
, in which each director explored a different
Paris
quarter.
Coixet has also made prominent documentaries on major themes, such as
Invisibles
, which was selected for the "Panorama" section of the 2007
Berlin Film Festival
, about the international medical organization
Doctors Without Borders
. Also the documentary
Journey to the Heart of Torture
, which was filmed in
Sarajevo
during the
Balkan War
and won an award at the October 2003 Human Rights Film Festival.
In April 2006, she was honored with the Creu de San Jordi De Cine Awards by the
Generalitat de Catalunya
. The Barcelona director received not one but two awards. In addition to the critical award for
The Secret Life of Words
(
La vida secreta de las palabras
) as the best Spanish film, she also received the Rosa de Sant Jordi prize, voted by the audience of Radio Nacional de Espana (RNE), for the best production. The award ceremony was held at the
Palau de la Musica
.
[8]
In 2008, Coixet released
Elegy
, which was filmed in
Vancouver
and produced by
Lakeshore Entertainment
. The film was based on
Philip Roth
's novel
The Dying Animal
, was written for the screen by
Nicholas Meyer
, and starred
Penelope Cruz
and
Ben Kingsley
.
Elegy
was presented at the 58th Berlin International Film Festival.
[9]
In 2009, as an official selection of the
Cannes Film Festival
, she premiered the film
Map of the Sounds of Tokyo
, shot in both
Japan
and Barcelona and starring
Rinko Kikuchi
,
Sergi Lopez
and
Min Tanaka
, with a script by Coixet herself. And at the
Centre D'Art Santa Monica
, she inaugurated
From I to J
, an installation in honor of the work of
John Berger
.
That same year she received the gold medal for Fine Arts and was also part of the jury of the 59th edition of the Berlin Film Festival.
In April 2009 at the Centre d'Arts Santa Monica in Barcelona and in April 2010 at
La Casa Encendida
in
Madrid
, Coixet presented a monographic exhibition dedicated to the British writer, art critic, poet and artist John Berger entitled
From I to J. A tribute by Isabel Coixet to John Berger
, with the collaboration of the architect
Benedetta Tagliabue
and the participation of the actresses
Penelope Cruz
,
Monica Bellucci
,
Isabelle Huppert
,
Maria de Medeiros
,
Sarah Polley
,
Tilda Swinton
and
Leonor Watling
.
[10]
Also in 2009 she directed a short documentary called
La mujer es cosa de hombres
about male violence and the media.
[11]
for a project entitled "50 years of..." about the history of Catalonia.
In 2010, she took on responsibility for the content of one of the three Spanish Pavilion lounges for the
Expo Shanghai
. Plus, she inaugurated the exhibition
Aral
. The Lost Sea
, which shows her documentary with the same title, shot in
Uzbekistan
in 2009.
[12]
[13]
In 2011, within the "Berlinale Specials" section of the Berlin Film Festival, she premiered the documentary
Listening to Judge Garzon
giving voice to
the Spanish magistrate
through an interview with writer
Manuel Rivas
. The film won the
Goya
in the Best Documentary category.
[14]
During 2012, she directed a documentary about the 10 years of the Prestige disaster and the volunteers who participated in the recovery of the
Galician
coasts under the title
White Tide
.
[15]
That same year, Coixet shot and produced
Ayer no termina nunca
(
Yesterday Never Ends
) which premiered in the Panorama Section of the 63rd edition of the International Film Festival of Berlin. The film also opened the
Malaga Film Festival
the same year, where it won four Silver Biznagas in the categories Special Jury Prize, Best Actress, Best Photography and Best Editing, the last two prizes won by Jordi Azategui.
[16]
In the end of 2012 she also started shooting a new project, which she finished in 2013, called
Another Me
, an English-language thriller written and directed by Coixet with a cast that featured
Sophie Turner
,
Rhys Ifans
,
Jonathan Rhys-Meyers
and
Geraldine Chaplin
, among others.
[17]
In the summer of 2013 she started shooting
Learning to Drive
, an American production developed in
New York City
, based on an article published in
The New York Times
and starring Sir
Ben Kingsley
and
Patricia Clarkson
, with whom Isabel Coixet had already worked in
Elegy
. It premiered at the
Toronto International Film Festival
and won the Grolsch People's Choice Award.
[18]
Nobody Wants The Night
was her next project, filmed in
Norway
,
Bulgaria
and the
Canary Islands
. The film starred
Juliette Binoche
,
Rinko Kikuchi
and
Gabriel Byrne
. The film opened the 66th Berlin International Film Festival to competition.
[19]
Coixet is always interested in shooting documentaries to denounce what she doesn't agree with or to give voice to her protagonists. She shot a documentary in
Chad
at the end of 2014 narrated by Juliette Binoche entitled
Talking about Rose: Prisoner of
Hissene Habre
. The piece relates the experience of a group of torture victims in their struggle to bring the former Chadian dictator to justice, an effort led by US human rights lawyer
Reed Brody
.
[20]
During the 2015 edition of the Malaga Festival, the prize was awarded to her entire career and it was presented a retrospective documentary of her work, commissioned by the Festival itself,
Words, Maps, Secrets And Other Things
, directed by Elena Trape.
[5]
[21]
Also in 2015 she received the recognized prize of the French Ministry of Culture of Knight of Arts and Letters.
[22]
During 2015 and 2016, Isabel Coixet directs the project
Spain in a Day
, the Spanish version of the documentary
crowdsourcing
project produced by
Mediapro
. The project aims to portray the reality of a country reflected by hundreds of domestic videos recorded during the same day and that has had as direct precedents
Britain in a Day
and
Italy in a Day
. In the case of
Spain in a Day
, the videos were recorded on 24 October 2015 by thousands of volunteers.
[23]
In the summer of 2016 she directed the feature film
The Bookshop
(
La libreria
). The script adapted by Coixet was based on the novel of the same name by the English writer
Penelope Fitzgerald
and received the prize for the best literary adaptation at the
Frankfurt
Book Fair in 2017.
[24]
The film was shot in
Northern Ireland
and Barcelona, starring
Emily Mortimer
,
Bill Nighy
and
Patricia Clarkson
.
[25]
The Bookshop
inaugurated the SEMINCI 2017, as a world premiere, receiving good reviews and it was commercially released in Spain on November 10, with a very positive critical reception and great public success.
[26]
[27]
[28]
The Bookshop was premiered outside Spain in a "Berlinale Special Gala" at the 68th edition of the Berlin International Film Festival, which took place in February 2018.
[29]
In February 2019, Coixet released the film
Elisa y Marcela
in collaboration with
Netflix
. The film, based on the first registered same-sex marriage in Spain, was the third original Spanish film by Netflix.
[30]
On 4 September 2020, the Spanish Ministry of Culture and Sports announced that Isabel Coixet would be awarded the National Film Award 2020. The award was presented at the San Sebastian International Film Festival.
[31]
Productions
[
edit
]
Isabel Coixet created her own production company in 2000,
Miss Wasabi
, with the vocation to self-produce her own more personal projects. The production company has dedicated itself basically to advertising, the making of video clips, documentaries and a fictional feature film, but also to projects outside the audiovisual sector, such as exhibitions, books and other types of cultural projects. Among the main projects, directed and produced by Isabel Coixet, are the documentary '
Aral, el mar perdido
' (2009), '
From I to J
' (2010), '
Escuchando al Juez Garzon
' (2011), the feature film '
Ayer no termina nunca
' (2013), or "
Talking about Rose. Prisoner of Hissene Habre
" (2015).
[32]
50 anos de...
[
edit
]
On the occasion of the celebration of the 50th anniversary of TVE Catalunya (TVE Cataluna) Isabel Coixet, along with fifteen other Catalan documentary filmmakers, had the idea of capturing in images, taken from the archive of
Television Espanola
, the last half Spanish century. The programme
50 years of...
(
50 anos de…
) is in honor of the fiftieth anniversary of the first TVE broadcast in Catalonia, whose first headquarters was the mythical Miramar Hotel in Barcelona, which was maintained for twenty-four years, until 1983, when the production center was moved to
San Cugat del Valles
. There has been a second season, as well as a third entitled
Como hemos cambiado
.
[33]
[34]
Personal life and political views
[
edit
]
Coixet has a daughter, Zoe, born in 1997, and lives in Barcelona with her boyfriend, Reed Brody, a human rights lawyer.
In October 2012 Coixet was one of the signatories of the "Call to the federalist and left-wing Catalonia" manifesto, asking the Catalan left-wing for an unabashed
federalist
stance vis-a-vis the State.
[35]
She openly declared her opposition to the
October 2017 independence referendum held in Catalonia
, signing another manifesto calling on people not to take part in the vote.
[36]
In April 2020 she signed a manifesto to say "enough" to the "Catalan government's political mismanagement" and "its unsupportive and irresponsible statements" on the coronavirus crisis.
[37]
Style and themes
[
edit
]
Coixet's work as a director is striking for being, as
The New York Times
describes her, “unclassifiable.”
[38]
Depending on the film, she shoots in English or Spanish, and subjects are diverse. Coixet's trademark is her filmmaking technique, which was derived from her background in advertising, where visuals, color, and composition are carefully constructed.
[38]
She works as the camera operator on all of her films.
Among her most recurrent themes we can find a concern for communication, for words as a way of conventional understanding between people and that usually do not have the effect we expect. As she herself has acknowledged on occasion, she is obsessed with those situations in which messages do not reach their recipient.
Another of her signs of identity is her marked social commitment, both with themes such as global warming (which she showed in 'The Secret Life of Words') and with social themes (documentaries such as the one made to Judge Garzon are a good example).
Love and solitude are also constant in her cinema, in a very deep and spiritual way, nothing topical and stereotyped, although there is a common place recognizable in several of her productions that is the laundry.
The filmmaker's approach to her characters and their stories is surprising because of her ability to get them in deep. Her approach is also surprising because of her ability to offer her characters and their stories to the spectator with a simple but tremendously transparent view.
This search for connection is influenced by one of her great referents: the poet John Berger, from whom she draws, in his own words, the conviction that "anything can explain the world" through the connection between poetry, philosophy, etc.
In Coixet's universe, spiritual connections between people are combined with a strong social consciousness, always ready to denounce the injustices of the world.
In addition, Isabel Coixet's political and feminist involvement is evident. For example,
The Secret Life of Words
is a film that denounces the rape of a certain woman in a certain conflict: the Balkan War.
[39]
Filmography
[
edit
]
Film
[
edit
]
Feature films
[
edit
]
Producer only
- Clue
(2008) (Executive Producer)
- Nobody's Watching
(2017) (co-producer)
- Distances
(2018) (Associate producer)
Short films
[
edit
]
Year
|
Title
|
Director
|
Writer
|
Notes
|
1984
|
Mira y veras
|
Yes
|
Yes
|
Also producer
|
2006
|
Bastille
|
Yes
|
Yes
|
Segment for the anthology film
Paris, je t'aime
|
2016
|
Un corazon roto no es como un jarron roto o un florero
|
Yes
|
Yes
|
Content-branded short
|
2017
|
Proyecto Tiempo. Parte I: La llave
|
Yes
|
No
|
Proyecto Tiempo. Parte II: La Cura
|
Yes
|
No
|
Proyecto Tiempo. Parte III: El Juego
|
Yes
|
No
|
Amodio
|
Yes
|
No
|
2018
|
Proyecto Tiempo. Parte IV: Brainstart
|
Yes
|
No
|
Producer
- Meteoritos
(1997)
- Jealousy
(2002) (executive producer)
- Teeth
(2014) (also executive producer)
- Sara a la fuga
(2015)
Documentaries
[
edit
]
Documentary films
[
edit
]
Year
|
Title
|
Director
|
Writer
|
Producer
|
Notes
|
2003
|
Viaje al corazon de la tortura
|
Yes
|
Yes
|
No
|
|
2011
|
Escsuchando al Juez Garzon
|
Yes
|
No
|
Yes
|
Also editor and camera
|
2016
|
Spain in a Day
|
Yes
|
Yes
|
Yes
|
|
2017
|
El espiritu de la pintura
|
Yes
|
Story
|
Yes
|
|
2022
|
El Techo Amarillo
|
Yes
|
Yes
|
Executive
|
|
Associate producer
- Hotel Explotacion: Las Kelly's
(2018)
- Drowning Letters
(2020)
Documentary short films
[
edit
]
Year
|
Title
|
Director
|
Writer
|
Producer
|
Notes
|
2004
|
La insoportable verdad del carrito de compra
|
Yes
|
No
|
No
|
Sgement for the collaborative documentary film "¡Hay Motivo!"
|
2007
|
Cartas a Nora
|
Yes
|
Yes
|
No
|
Segment for the collaborative documentary film "Invisibles"
|
2010
|
Dear John
|
Yes
|
Yes
|
No
|
Also cinematographer
|
Aral, el mar perdido
|
Yes
|
No
|
No
|
|
2012
|
Marea Blanca
|
Yes
|
No
|
Yes
|
|
2013
|
Venice 70: Future Reloaded
|
Yes
|
No
|
No
|
Untitled segment director
|
2015
|
Parler de Rose, prissionniere de Hissene Habre
|
Yes
|
No
|
Executive
|
Also editor
|
2016
|
Normal
|
Yes
|
Yes
|
No
|
|
No es tan fria Siberbia
|
Yes
|
Yes
|
No
|
Also cinematographer
|
Television
[
edit
]
Year
|
Title
|
Director
|
Writer
|
Notes
|
1998
|
XII premios Goya
|
Yes
|
Yes
|
TV special
|
2009
|
50 anos de...
|
Yes
|
No
|
TV documentary series
Episode: "...La mujer, cosas de hombres"
|
2019
|
Foodie Love
[40]
|
Yes
|
Yes
|
TV Miniseries
Also creator and executive producer
8 episodes
|
2021
|
Peace Peace Now Now
|
Yes
|
No
|
TV documentary Series
Episode: "Libertad Bajo Condena"
|
2022
|
Cuidarnos Entre Nosotros Nos Hace Humanos
|
Yes
|
No
|
TV documentary Series
4 episodes
|
Music videos
[
edit
]
Year
|
Title
|
Artist
|
Notes
|
1992
|
Pisando fuerte
|
Alejandro Sanz
|
|
2004
|
It's All Right
|
Marlango
|
Co-directed with
Rafa Sunado
|
Once Upon a Time
|
|
2021
|
Forever Just Beyond
|
Clem Snide
|
|
Awards
[
edit
]
Goya Awards
Medals of the
Circle of Cinematographic Writers
Feroz Awards
Forque Awards
Year
|
Category
|
Nominated work
|
Result
|
Ref.
|
2004
|
Best Film of the Year
|
My Life Without Me
|
Nominated
|
|
2006
|
Best Film of the Year
|
The Secret Life of Words
.
|
Won
|
[56]
|
Won
|
2008
|
Special EGEDA Award for the Best Documentary Feature
|
Invisibles
|
Nominated
|
|
2016
|
Best Feature
|
Nobody Wants the Night
|
Nominated
|
2017
|
Best Director
|
The Bookshop
|
Won
|
[57]
|
Gaudi Awards
Year
|
Category
|
Nominated work
|
Result
|
Ref.
|
2018
|
Best Director
|
The Bookshop
|
Nominated
|
|
Best Screenplay
|
|
Won
|
|
Butaca Awards
Other Awards
Books
[
edit
]
- My Life Without Me (Mi vida sin mi)
(2003)
- La vida es un guion
(2004)
- La vida secreta de las palabras
(2005)
- Mapa de los sonidos de Tokio
(2009)
- Isabel Munoz
(2009)
- From I to J
(2009)
- Alguien deberia prohibir los domingos por la tarde
(2011)
- La vida secreta de Isabel Coixet
(2011)
[58]
See also
[
edit
]
References
[
edit
]
- ^
a
b
"Isabel Coixet obre l'any de la Filmoteca de Catalunya amb un doble cicle"
(PDF)
(in Catalan). Filmoteca de Catalunya. January 11, 2016
. Retrieved
November 6,
2022
.
- ^
a
b
Pavlovic, Tatjana (2009).
100 Years of Spanish Cinema
. Wiley-Blackwell Publishing. pp.
181
?225.
ISBN
978-1-4051-8420-5
.
- ^
Smith, Paul Julian (January 2004). "Waiting for Pedro".
Sight and Sound
.
14
(1): 9.
- ^
"Isabel Coixet biography"
.
Tribute.ca
. Retrieved
May 3,
2019
.
- ^
a
b
"Oficial Malaga Film Festival Webpage"
.
Festival de Malaga
.
- ^
a
b
"Guia del Ocio"
.
Guia del Ocio
. Archived from
the original
on 2019-04-24
. Retrieved
2018-11-16
.
- ^
"My Life Without Me | Mein Leben ohne mich"
.
www.berlinale.de
. Retrieved
2018-11-16
.
- ^
"Isabel Coixet se convierte en la gran triunfadora de los Sant Jordi de cine"
.
El Pais
(in Spanish). 2006-04-26.
ISSN
1134-6582
. Retrieved
2018-11-16
.
- ^
"Elegy"
.
www.berlinale.de
. Retrieved
2018-11-16
.
- ^
"Isabel Coixet recrea el universo del escritor John Berger y le hace un homenaje"
.
europapress.es
(in European Spanish). 2010-02-12
. Retrieved
2018-11-16
.
- ^
50 anos de... La mujer, cosa de hombres (TV) (2009)
(in Spanish)
, retrieved
2018-11-16
- ^
"El documental 'Aral. El mar perdido' de Isabel Coixet, vuelve al Roca Barcelona Gallery - diariodesign.com"
.
diariodesign.com
(in European Spanish). 2011-03-16
. Retrieved
2018-11-16
.
- ^
"China muestra a un publico multitudinario su Expo en Shanghai"
.
La Vanguardia
. Retrieved
2018-11-16
.
- ^
"Coixet presenta el documental sobre Garzon"
.
Fotogramas
(in European Spanish). 2011-02-15
. Retrieved
2018-11-16
.
- ^
Internet, Unidad Editorial.
"Isabel Coixet: 'Ahora tenemos 50 'Prestige' a la vez'
"
. Retrieved
2018-11-16
.
- ^
"Palmares del Festival de Malaga 2013: '15 anos y un dia' y 'Ayer no termina nunca' salen triunfadoras"
.
eCartelera
(in Spanish)
. Retrieved
2018-11-16
.
- ^
Another Me
, retrieved
2018-11-16
- ^
"
'The Imitation Game' Wins Toronto Audience Award"
.
TheWrap
. 2014-09-14
. Retrieved
2018-11-16
.
- ^
"Nadie quiere la noche | Nobody Wants the Night"
.
www.berlinale.de
. Retrieved
2018-11-16
.
- ^
"Isabel Coixet calienta el juicio contra Hissene Habre con la historia de Rose"
.
La Vanguardia
. Retrieved
2018-11-16
.
- ^
Garcia, Rocio (2015-04-24).
"Isabel Coixet recibe en Malaga el premio a toda su carrera"
.
El Pais
(in Spanish).
ISSN
1134-6582
. Retrieved
2018-11-16
.
- ^
"Isabel Coixet recibe la medalla de Caballero de la Orden de las Artes y las Letras de Francia"
.
www.efe.com
(in Spanish)
. Retrieved
2018-11-16
.
- ^
20Minutos.
"
'Spain in a day', el proyecto de Isabel Coixet, recibe mas de 5.200 videos en solo 48 horas"
.
20minutos.es - Ultimas Noticias
(in Spanish)
. Retrieved
2018-11-16
.
{{
cite news
}}
: CS1 maint: numeric names: authors list (
link
)
- ^
"Frankfurter Buchmesse prize for Best International Literary Adaptation 2017"
.
www.buchmesse.de
. Archived from
the original
on 2017-11-11
. Retrieved
2018-11-16
.
- ^
"Interview with EWA president Isabel Coixet - EWA Women"
.
EWA Women
. 2014-01-13
. Retrieved
2018-11-16
.
- ^
"
'La libreria', de Isabel Coixet: La vida secreta de las palabras"
.
Fotogramas
(in European Spanish). 2017-10-20
. Retrieved
2018-11-16
.
- ^
"Asi es 'La libreria' de Isabel Coixet"
.
El Pais
(in Spanish). 2017-10-27.
ISSN
1134-6582
. Retrieved
2018-11-16
.
- ^
"
"LA LIBRERIA", DE ISABEL COIXET, DA LA SORPRESA EN LA TAQUILLA ESPANOLA | El Blog de Cine Espanol"
.
www.elblogdecineespanol.com
. 11 November 2017
. Retrieved
2018-11-16
.
- ^
"Berlinale Special & Berlinale Series"
.
www.berlinale.de
. Retrieved
2018-11-16
.
- ^
20Minutos.
"Isabel Coixet se alia con Netflix para su nueva pelicula, 'Elisa y Marcela'
"
.
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"
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abc
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'Nos quieren silenciar': la directora de cine catalana Isabel Coixet habla sobre lo que sienten quienes se oponen al referendum por la independencia"
.
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.
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.
El Periodico
. 25 April 2020.
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'La libreria' de Isabel Coixet. Goya 2018 a Mejor guion adaptado"
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Further reading
[
edit
]
External links
[
edit
]
Awards for Isabel Coixet
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1980s
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1990s
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2000s
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2010s
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2020s
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1980s
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1990s
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2000s
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2010s
|
- 2010:
Agusti Villaronga
- 2011: Angel de la Cruz, Ignacio Ferreras,
Paco Roca
, and Rosanna Cecchini
- 2012: Javier Barreira, Gorka Magallon, Ignacio del Moral, Jordi Gasull, and Neil Landau
- 2013:
Alejandro Hernandez
and
Mariano Barroso
- 2014:
Javier Fesser
, Claro Garcia, and Cristobal Ruiz
- 2015:
Fernando Leon de Aranoa
- 2016:
Alberto Rodriguez
and
Rafael Cobos
- 2017:
Isabel Coixet
- 2018:
Alvaro Brechner
- 2019:
Benito Zambrano
, Daniel Remon, and Pablo Remon
|
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2020s
| |
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[1]
Awarded as Best Screenplay (including both original and adapted)
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1980s
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1990s
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2000s
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2010s
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2020s
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International
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National
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Academics
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People
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Other
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