Text describing the history and geography of a country or landscape
Chorography
(from
χ?ρο?
kh?ros
, "place" and
γρ?φειν
graphein
, "to write") is the art of describing or mapping a region or district,
[1]
and by extension such a description or map.
[2]
This term derives from the writings of the ancient geographer
Pomponius Mela
and
Ptolemy
, where it meant the geographical description of regions. However, its resonances of meaning have varied at different times. Richard Helgerson states that "chorography defines itself by opposition to
chronicle
. It is the genre devoted to place, and chronicle is the genre devoted to time".
[3]
Darrell Rohl prefers a broad definition of "the representation of space or place".
[4]
Ptolemy as imagined by a 16th-century artist
Ptolemy's definition
[
edit
]
In his text of the
Geographia
(2nd century CE), Ptolemy defined
geography
as the study of the entire world, but chorography as the study of its smaller parts?provinces, regions, cities, or ports. Its goal was "an impression of a part, as when one makes an image of just an ear or an eye"; and it dealt with "the qualities rather than the quantities of the things that it sets down". Ptolemy implied that it was a
graphic
technique, comprising the making of views (not simply maps), since he claimed that it required the skills of a draftsman or landscape artist, rather than the more technical skills of recording "proportional placements". Ptolemy's most recent English translators, however, render the term as "regional cartography".
[5]
Renaissance revival
[
edit
]
Ptolemy's text was rediscovered in the west at the beginning of the fifteenth century, and the term "chorography" was revived by
humanist
scholars.
[6]
John Dee
in 1570 regarded the practice as "an underling, and a twig of
Geographie
", by which the "plat" [plan or drawing] of a particular place would be exhibited to the eye.
[7]
William Camden
The term also came to be used, however, for
written
descriptions of regions. These regions were extensively visited by the writer, who then combined local topographical description, summaries of the historical sources, and local knowledge and stories, into a text. The most influential example (at least in Britain) was probably
William Camden
's
Britannia
(first edition 1586), which described itself on its title page as a
Chorographica descriptio
.
William Harrison
in 1587 similarly described his own "Description of Britaine" as an exercise in chorography, distinguishing it from the historical/chronological text of Holinshed's
Chronicles
(to which the "Description" formed an introductory section).
[8]
Peter Heylin
in 1652 defined chorography as "the exact description of some Kingdom, Countrey, or particular Province of the same", and gave as examples
Pausanias
's
Description of Greece
(2nd century AD); Camden's
Britannia
(1586);
Lodovico Guicciardini
's
Descrittione di tutti i Paesi Bassi
(1567) (on the
Low Countries
); and
Leandro Alberti
's
Descrizione d'Italia
(1550).
[9]
Camden's
Britannia
was predominantly concerned with the history and antiquities of Britain, and, probably as a result, the term chorography in English came to be particularly associated with
antiquarian
texts.
William Lambarde
,
John Stow
,
John Hooker
,
Michael Drayton
,
Tristram Risdon
,
John Aubrey
and many others used it in this way, arising from a gentlemanly
topophilia
and a sense of service to one's county or city, until it was eventually often applied to the genre of
county history
. A late example was William Grey's
Chorographia
(1649), a survey of the antiquities of the city of
Newcastle upon Tyne
. Even before Camden's work appeared,
Andrew Melville
in 1574 had referred to chorography and
chronology
as the "twa lights" [two lights] of
history
.
[10]
Example of
Christopher Saxton
's cartography
However, the term also continued to be used for maps and map-making, particularly of sub-national or
county
areas. William Camden praised the county mapmakers
Christopher Saxton
and
John Norden
as "most skilfull (sic) Chorographers";
[11]
and
Robert Plot
in 1677
[12]
and
Christopher Packe
in 1743
[13]
both referred to their county maps as chorographies.
By the beginning of the eighteenth century the term had largely fallen out of use in all these contexts, being superseded for most purposes by either "
topography
" or "
cartography
".
Samuel Johnson
in his
Dictionary
(1755) made a distinction between geography, chorography and topography, arguing that geography dealt with large areas, topography with small areas, but chorography with intermediary areas, being "less in its object than geography, and greater than topography".
[14]
In practice, however, the term is only rarely found in English by this date.
Ferdinand von Richthofen
Modern usages
[
edit
]
In more technical geographical literature, the term had been abandoned as city views and
city maps
became more and more sophisticated and demanded a set of skills that required not only skilled draftsmanship but also some knowledge of scientific
surveying
. However, its use was revived for a second time in the late nineteenth century by the geographer
Ferdinand von Richthofen
. He regarded chorography as a specialization within geography, comprising the description through field observation of the particular traits of a given area.
[15]
The term is also now widely used by historians and literary scholars to refer to the
early modern
genre of topographical and antiquarian literature.
[16]
See also
[
edit
]
References
[
edit
]
- ^
Chisholm, Hugh
, ed. (1911).
"Chorography"
.
Encyclopædia Britannica
. Vol. 6 (11th ed.). Cambridge University Press. p. 270.
- ^
Merriam-Webster
- ^
Helgerson 1992, p. 132.
- ^
Rohl 2011, p. 1.
- ^
J. L. Berggren and Alexander Jones (eds),
Ptolemy's Geography
(Princeton, 2000), pp. 57?59.
- ^
See
Nuti, Lucia (1999). "Mapping Places: chorography and vision in the Renaissance". In Cosgrove, Denis (ed.).
Mappings
. London. pp. 90?108.
{{
cite book
}}
: CS1 maint: location missing publisher (
link
)
- ^
John Dee, 'Mathematicall Praeface', in Euclid,
The Elements of Geometrie
, trans. H. Billingsley (London, 1570), sig. A4r.
- ^
Harrison, William
(1587). "An Historicall Description of the Iland of Britaine". In
Holinshed, Raphael
(ed.).
The First and Second Volumes of Chronicles
(2nd ed.). London. p. sig. [A2]v.
- ^
Heylyn, Peter
(1652).
Cosmographie
. London. p. 27.
- ^
Kinloch, G. R.
, ed. (1829).
The Diary of Mr James Melvill, 1556?1601
. Edinburgh: Bannatyne Club. pp. 38?9.
- ^
Camden, William (1610). "The Author to the Reader".
Britain, or a Chorographicall Description of the most flourishing Kingdomes, England, Scotland, and Ireland, and the Ilands adjoyning, out of the depth of Antiquitie
. Translated by
Holland, Philemon
. London. p. sig. [*5]v.
- ^
Plot, Robert
(1677).
The Natural History of Oxford-shire
. Oxford. p.
299
.
- ^
Packe, Christopher
(1743).
A New Philosophico-Chorographical Chart of East-Kent
. [Canterbury].
- ^
Johnson, Samuel
(1755). "chorography".
A Dictionary of the English Language
. London. p. 373. Archived from
the original
on 2018-11-19
. Retrieved
2018-11-18
.
.
- ^
GEO 466/566: The Profession of Geography
Archived
2012-02-11 at the
Wayback Machine
.
- ^
Particularly influential in reviving the term has been Helgerson 1992, esp. pp. 105?47.
Bibliography
[
edit
]
- Brayshay, Mark, ed. (1996).
Topographical Writers in South-West England
. Exeter: University of Exeter Press.
ISBN
0-85989-424-X
.
- Broadway, Jan (2006).
"No Historie So Meete": gentry culture and the development of local history in Elizabethan and early Stuart England
. Manchester: Manchester University Press.
ISBN
978-0-7190-7294-9
.
- Currie, C. R. J.; Lewis, C. P., eds. (1994).
English County Histories: a guide
. Stroud: Alan Sutton.
ISBN
0-7509-0289-2
.
- Helgerson, Richard (1992).
Forms of Nationhood: the Elizabethan Writing of England
. Chicago: University of Chicago Press.
ISBN
0-226-32633-0
.
- Mendyk, S. A. E. (1989).
"Speculum Britanniae": regional study, antiquarianism and science in Britain to 1700
. Toronto: University of Toronto Press.
ISBN
0-8020-5744-6
.
- Rohl, Darrell J. (2011).
"The Chorographic Tradition and Seventeenth- and Eighteenth-Century Scottish Antiquaries"
(PDF)
.
Journal of Art Historiography
.
5
.
- Shanks, Michael; Witmore, Christopher (2010). "Echoes across the Past: chorography and topography in antiquarian engagements with place".
Performance Research
.
15
(4): 97?106.
doi
:
10.1080/13528165.2010.539888
.
S2CID
190848019
.
- Witmore, Christopher (2020).
Old Lands: A Chorography of the Eastern Peloponnese
. London: Routledge.
ISBN
978-0-815-36344-6
.