20th-century art

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Twentieth-century art ?and what it became as modern art ?began with modernism in the late nineteenth century. [1]

Overview [ edit ]

Nineteenth-century movements of Post-Impressionism ( Les Nabis ), Art Nouveau and Symbolism led to the first twentieth-century art movements of Fauvism in France and Die Brucke ("The Bridge") in Germany. Fauvism in Paris introduced heightened non-representational colour into figurative painting. Die Brucke strove for emotional Expressionism . Another German group was Der Blaue Reiter ("The Blue Rider"), led by Kandinsky in Munich , who associated the blue rider image with a spiritual non-figurative mystical art of the future. Kandinsky, Kupka , R. Delaunay and Picabia were pioneers of abstract (or non-representational) art. Cubism , generated by Picasso , Braque , Metzinger , Gleizes and others rejected the plastic norms of the Renaissance by introducing multiple perspectives into a two-dimensional image. Futurism incorporated the depiction of movement and machine age imagery. Dadaism , with its most notable exponents, Marcel Duchamp , who rejected conventional art styles altogether by exhibiting found objects , notably a urinal , and too Francis Picabia , with his Portraits Mecaniques .

Parallel movements in Russia were Suprematism , where Kasimir Malevich also created non-representational work, notably a black canvas. The Jack of Diamonds group with Mikhail Larionov was expressionist in nature.

Dadaism preceded Surrealism , where the theories of Freudian psychology led to the depiction of the dream and the unconscious in art in work by Salvador Dali . Kandinsky's introduction of non-representational art preceded the 1950s American Abstract Expressionist school, including Jackson Pollock , who dripped paint onto the canvas, and Mark Rothko , who created large areas of flat colour. Detachment from the world of imagery was reversed in the 1960s by the Pop Art movement, notably Andy Warhol , where brash commercial imagery became a Fine Art staple. The majority of his art served as a critique of American consumer culture and its obsession with celebrity and wealth. [2] Warhol also minimised the role of the artist, often employing assistants to make his work and using mechanical means of production, such as silkscreen printing . Another pop artist, Keith Haring, used cartoons and graffiti as a means of political activism, fighting against the stigma surrounding gay men and drug addicts during the 1980 AIDS epidemic. [3] This marked a change from Modernism to Post-Modernism . Photorealism evolved from Pop Art and as a counter to Abstract Expressionists.

Subsequent initiatives towards the end of the century involved a paring down of the material of art through Minimalism , and a shift toward non-visual components with Conceptual art , where the idea, not necessarily the made object, was seen as the art. The last decade of the century saw a fusion of earlier ideas in work by Jeff Koons , who made large sculptures from kitsch subjects, and in the UK , the Young British Artists , where Conceptual Art, Dada and Pop Art ideas led to Damien Hirst 's exhibition of a shark in formaldehyde in a vitrine .

Some important movements [ edit ]

See also [ edit ]

References [ edit ]

  1. ^ "Modern Art ? An Exploration of the 20th Century Modernist Movement" . Retrieved 2019-11-18 .
  2. ^ Mattick, Paul (1998-07-01). "The Andy Warhol of Philosophy and the Philosophy of Andy Warhol" . Critical Inquiry . 24 (4): 965?987. doi : 10.1086/448903 . ISSN   0093-1896 . S2CID   161782283 .
  3. ^ Martin, Colin (2019-10-01). "Art and activism in New York" . The Lancet HIV . 6 (10): e653?e654. doi : 10.1016/S2352-3018(19)30296-6 . ISSN   2352-3018 . S2CID   203829266 .

External links [ edit ]