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History of art during the 20th century
Twentieth-century art
?and what it became as
modern art
?began with
modernism
in the late nineteenth century.
[1]
Overview
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Nineteenth-century movements of
Post-Impressionism
(
Les Nabis
),
Art Nouveau
and
Symbolism
led to the first twentieth-century art movements of
Fauvism
in France and
Die Brucke
("The Bridge") in Germany. Fauvism in Paris introduced heightened non-representational colour into figurative painting. Die Brucke strove for emotional
Expressionism
. Another German group was
Der Blaue Reiter
("The Blue Rider"), led by
Kandinsky
in
Munich
, who associated the
blue rider
image with a spiritual non-figurative mystical art of the future. Kandinsky,
Kupka
,
R. Delaunay
and
Picabia
were pioneers of
abstract
(or non-representational) art.
Cubism
, generated by
Picasso
,
Braque
,
Metzinger
,
Gleizes
and others rejected the plastic norms of the
Renaissance
by introducing multiple perspectives into a two-dimensional image.
Futurism
incorporated the depiction of movement and machine age imagery.
Dadaism
, with its most notable exponents,
Marcel Duchamp
, who rejected conventional art styles altogether by exhibiting
found objects
, notably a
urinal
, and too
Francis Picabia
, with his
Portraits Mecaniques
.
Parallel movements in Russia were
Suprematism
, where
Kasimir Malevich
also created non-representational work, notably a black canvas. The
Jack of Diamonds
group with
Mikhail Larionov
was expressionist in nature.
Dadaism
preceded
Surrealism
, where the theories of
Freudian
psychology led to the depiction of the dream and the unconscious in art in work by
Salvador Dali
.
Kandinsky's
introduction of
non-representational art
preceded the 1950s American
Abstract Expressionist
school, including
Jackson Pollock
, who dripped paint onto the canvas, and
Mark Rothko
, who created large areas of flat colour. Detachment from the world of imagery was reversed in the 1960s by the
Pop Art
movement, notably
Andy Warhol
, where brash commercial imagery became a Fine Art staple. The majority of his art served as a critique of American consumer culture and its obsession with celebrity and wealth.
[2]
Warhol also minimised the role of the artist, often employing assistants to make his work and using mechanical means of production, such as
silkscreen printing
. Another pop artist, Keith Haring, used cartoons and graffiti as a means of political activism, fighting against the stigma surrounding gay men and drug addicts during the 1980 AIDS epidemic.
[3]
This marked a change from
Modernism
to
Post-Modernism
.
Photorealism
evolved from Pop Art and as a counter to Abstract Expressionists.
Subsequent initiatives towards the end of the century involved a paring down of the material of art through
Minimalism
, and a shift toward non-visual components with
Conceptual art
, where the idea, not necessarily the made object, was seen as the art. The last decade of the century saw a fusion of earlier ideas in work by
Jeff Koons
, who made large sculptures from
kitsch
subjects, and in the
UK
, the
Young British Artists
, where Conceptual Art, Dada and Pop Art ideas led to
Damien Hirst
's exhibition of a
shark in formaldehyde in a vitrine
.
Some important movements
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See also
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References
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External links
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Premodern
(Western)
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Modern
(1863?1944)
| 1863?1899
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1900?1914
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1915?1944
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Contemporary
and
Postmodern
(1945?present)
| 1945?1959
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1960?1969
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1970?1999
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2000?
present
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Related topics
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History of the 20th century
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Topics
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Lists
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