Major events and trends in Latin music in the 1980s
- For Latin music from a year between 1986 and 1989, go to
86
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87
|
88
|
89
This article includes an overview of the major events and trends in
Latin music
in the 1980s
, namely in
Ibero-America
(including Spain and Portugal). This includes recordings, festivals, award ceremonies, births and deaths of Latin music artists, and the rise and fall of various subgenres in Latin music from 1980 to 1989.
Charts
[
edit
]
Overview
[
edit
]
The 1980s saw the major record labels such as
RCA
/
Ariola
,
CBS
, and
EMI
form their own Latin music divisions.
[1]
By 1985,
Billboard
noted that the Latin music industry saw increase in awareness from major corporations such as
Coca-Cola
promoting
Julio Iglesias
and
Pepsi
advertising
Menudo
.
[2]
Latin pop
[
edit
]
Mexican singer
Jose Jose
was named "Top Latin Pop Artist" by
Billboard
for three consecutive years (1986?1988) for having sold the most Latin pop albums in the United States.
[3]
"
Ay Amor
" by Mexican singer
Ana Gabriel
(
right
) was the best-performing Latin song of 1988. It also spent 14 weeks on top of the
Billboard
Hot Latin Tracks chart.
[3]
The
romantic
balada
, which gained popularity in the 1970s, continued to dominate the Latin music charts in the 1980s. Veteran balladeers who continued to be popular in this decade include
Julio Iglesias
,
Jose Jose
,
Roberto Carlos
, and
Juan Gabriel
.
[4]
The Latin
balada
is characterized by its
bolero
origin by fusing music from the United States with
pop
,
R&B
, and
rock
.
[5]
The 1980s was a golden era for the Venezuelan entertainment industry as popular
telenovelas
from the country also led to several actors to become successful singers such as
Carlos Mata
and
Guillermo Davila
. Theme songs from telenovelas also became popular on radio airwaves in Venezuela.
[6]
Female
balada
singers that became topped the Latin music charts includes
Ana Gabriel
,
Daniela Romo
,
Rocio Durcal
,
Gloria Estefan
, and
Marisela
. Notably, several
baladas
were Spanish-language
covers
of songs originally performed in
Italian
. Notable Spanish-language covers of Italian songs include "
La maldita primavera
" by
Yuri
, "
Toda la Vida
" by
Emmanuel
and
Franco
, "
Yo No Te Pido la Luna
" by Daniela Romo, and "Tan Enamorados" by
Ricardo Montaner
.
[7]
Aside from the
baladas
, several Latin pop artists and bands performed variety of Spanish-language pop and dance music targeted to the younger audience. These include Yuri, Marisela,
Mecano
,
Miguel Bose
,
Timbiriche
,
Menudo
, and
Flans
.
[8]
"
Que Te Pasa
" became the longest-running chart of the 1980s, spending 16 weeks on top of the
Billboard
Hot Latin Tracks
chart.
[9]
Juan Gabriel and
Rocio Durcal
collaborated with
Chuck Anderson
to incorporate
mariachi
arrangements on their ballads.
[2]
Child pop singers such as
Pablito Ruiz
,
Luis Miguel
,
Pedrito Fernandez
, and
Lucerito
had a prepubescent following.
[10]
The
Miami Sound Machine
, whose vocals were led by Gloria Estefan, gained international fame in 1985 with their crossover hit song "
Conga
". The song blends both pop music and Latin music from the Caribbean.
[11]
Regional Mexican
[
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]
Los Bukis
, (
former lead singer and songwriter
Marco Antonio Solis
pictured
) had the best-selling Regional Mexican albums in the United States for consecutive years (1986?1988).
[3]
La Mafia
(
lead singer
Oscar De La Rosa
pictured
) was one of the leading Tejano bands that helped pushed the genre's popularity beyond Texas in the 1980s.
In the 1980s, the regional music scene in both Mexico and the Mexican American community in the United States was dominated by
grupera
. This style of Mexican music combines
cumbia
,
norteno
, and rock music.
[5]
The lyrics are rooted with romantic themes including
heartbroken
songs. Several notable grupera ensembles include
Los Caminantes
,
Los Yonic's
,
Los Bukis
, and
Los Temerarios
.
[12]
Norteno band
Los Tigres del Norte
continued their success from the 1970s with their
corridos
involving social commentary such as "
Jaula de oro
" ("The Golden Cage") which tells of a Mexican man who crosses the Mexico-United States border illegally and raises a family in the United States who denies their Mexican heritage while the man longs to return to his country.
[13]
Its
parent album
reached number one on the Regional Mexican charts in the United States. Similarly, Mexican singer-songwriter
Joan Sebastian
incorporated sounds of rancheras and ballads on his songs and was dubbed "
El Rey del Jaripeo
" ("The King of Mexican Rodeo").
[14]
Tejano music
was also popular to the Mexican Americans living in the United States mainly in Texas. Its style is characterized by its influences from
polka
, cumbia, bolero, and ranchera as well as pop, rap,
country music
and
reggae
.
[15]
Tejano bands such as
Mazz
,
La Mafia
, and
Little Joe and La Familia
pushed Tejano's popularity beyond the United States.
[16]
Ranchera
Vicente Fernandez
still remain relevant in the 1980s. His album,
Por Tu Maldito Amor
(1989), became the longest running number one Regional Mexican album of the decade in the United States with 21 weeks consecutive weeks at this position. American singer
Linda Ronstadt
, who is of Mexican descent, released
Canciones de Mi Padre
, a collection of songs that her father would sing.
[17]
The album was certified double platinum by the
RIAA
for shipping over two million copies in the United States.
Tropical/salsa
[
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]
Puerto Rican singer
Eddie Santiago
, considered to be one of the
salsa romantica
pioneers had the bestselling Tropical Albums in the United States for three consecutive years (1987?1989). His cover of "Lluvia" was also the highest-peaking salsa song in the 1980s on the
Billboard
Hot Latin Tracks chart.
Dominican Republic bandleader
Wilfrido Vargas
was credited for bringing
merengue music
to a younger audience and helped expand the genre's popularity outside of its native country.
The New York
salsa
, which was popularized
Fania Records
in the 1970s, saw a major decline in the scene.
Merengue music
from the Dominican Republic became favored by Latinos living in New York City.
[18]
Wilfrido Vargas
was credited for bringing merengue attention to the younger audience. Merengue music also became popular even in Puerto Rico.
[19]
Another factor to merengue's popularity in the dance clubs was that it was easier to dance to compared to salsa.
[20]
Milly Quezada
, lead vocals of the group
Milly y los Vecinos
, became the first notable female merengue singer. The group was formed by her husband Rafael Vasquez, who was also her manager.
[21]
Other notable merengue acts in the 1980s include
Bonny Cepeda
,
Fernando Villalona
,
Juan Luis Guerra & 4.40
and
Los Hijos del Rey
. Vargas also formed the first all-female band
Las Chicas del Can
.
[22]
Juan Luis Guerra performed not only love songs, but also social commentary about the poverty in
[23]
the Dominican Republic and those living abroad such as "Visa Para un Sueno" ("Visa For a Dream") and "Ojala Que Llueva Cafe" ("I Hope It Rains Coffee").
Although New York salsa faded in popularity, another form of salsa music gained attention in its place. This form of salsa, which was slower-placed and more focused on its romantic lyrics, was known as
salsa romantica
.
[24]
The
salsa romantica
movement helped salsa continued to be relevant in spite of the rise of merengue music as well as moving away from lyrics dealing with social class.
[25]
Salsa romantica
was characterized by its influence by the aforementioned romantic ballads and more pop-leaning sounds.
[26]
In fact, several famous songs done by
salsa romantica
singers were covers of songs originally sung by
balada
musicians.
[27]
"Lluvia", a song first composed by Luis Angel, was covered by
Eddie Santiago
and became on the highest-peaking
salsa romantica
on the Hot Latin Tracks at number four. A sub-style of
salsa romantica
also included
erotic
lyrics and became known as
salsa erotica
. "
Ven Devorame Otra Vez
" by
Lalo Rodriguez
, a notable
salsa erotica
song, became a top ten hit on the Hot Latin Tracks chart.
[28]
Other famous
salsa romantica
singers include
Frankie Ruiz
,
Luis Enrique
, Willie Gonzalez, David Pabon, and
Jose Alberto "El Canario"
.
[29]
In the early 1980s, Cuban musician and bandleader
Roberto Torres
had a major hit with his cover version of "
Caballo Viejo
". The song was performed as a
charanga vallenata
style, a combination of the Cuban
charanga
and the Colombian
vallenato
music.
[30]
It was later inducted into the
Latin Grammy Hall of Fame
in 2007.
Rock en espanol
[
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]
The
Rock en Espanol
movement began around the 1980s. Until the mid-80s the rock scene of most Spanish American countries was not connected, and it was rare for a rock band to gain acclaim and popularity outside its home country. Argentina, which had the largest national rock scene and music industry, became the birthplace of several influential rock acts.
Soda Stereo
from
Buenos Aires
is often acclaimed as the most influential rock band of the 1980s alongside the solo careers of
Charly Garcia
,
Luis Alberto Spinetta
and the new star
Fito Paez
from
Rosario
. Soda Stereo was among the first bands to successfully tour across most of Latin America. Argentina developed also during the 80s a ska rock and punk rock scene. The punk movement, which was pioneered by
Los Violadores
, led to the rise of the
Buenos Aires Hardcore
around 1990.
Soda Stereo
released
Signos
in 1986 which helped
pop rock
en espanol
music reach to an audience beyond Argentina.
[32]
In Chile, which was ruled by a
military dictatorship
all over the 80s,
Nueva cancion
protest songs from the 60s and 70s maintained their popularity despite severe censorship. The progressive/folk-rock band
Los Jaivas
made a Latin American trademark album with
Alturas de Macchu Picchu
[sic] based on
Pablo Neruda
's homonymous poem. The rock band
Los Prisioneros
were successful in combining the protest song atmosphere of the 80s with newer trends in rock including punk, ska, new wave and techno. In the late 1980s, new bands such as
Los Tres
and
La Ley
would start to set the trends for the next decade. In Mexico, the Rock music scene at the time first saw a heavy lack of opportunity as musical acts could not make a solid living from playing alone. Other key factors were that of economic and political instability. Many consider this decade as the
lost decade
. The government would not allow racy-themed content on television and airwaves, music festivals were not allowed. The music that dominated Mexico and much of Latin America during this era was mostly teen-flavored acts like
Menudo
,
Timbiriche
,
Flans
and others. Rock acts could not land any recording deals because record label executives were much more interested in selling listeners a colourful, hip, and trendy image to the general public ranging from youngsters to middle-aged adults.
Folk/traditional
[
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]
Flamenco
saw a resurgence in popularity thanks to the
Gipsy Kings
as well as
Ketama
and
Pata Negra
.
[33]
Brazilian/Portuguese
[
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]
The
lambada
dance crazy took over the international market thanks to
Kaoma
's song of the same name.
[34]
1980
[
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]
Events
[
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]
Notable singles
[
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]
Album releases
[
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]
- Cal Tjader
:
Gozame! Pero Ya...
- Cal Tjader Sextet
:
La Onda Va Bien
- Irakere
:
Irakere 2
- Julio Iglesias
:
Hey!
- Tito Puente
:
Dancemania 80's
- Roberto Torres y su Charanga Vallenata
:
Vol. II
- Peret
:
El Jilguero
- Miguel Rios
:
Rocanrol bumerang
[
es
]
- Parchis
:
Villancicos
- Rodolfo Aicardi
:
El De Siempre
- Roberto Carlos
:
Roberto Carlos '80/Amante a la Antigua
[
pt
]
- Los Yonic's
:
En Su Punto
- Maria Martha Serra Lima
:
Entre Nosotros
- Lalo Rodriguez
:
Simplemente... Lalo
- Cheo Feliciano
:
Sentimiento, Tu
- Hector Lavoe
:
El Sabio
- Ray Barretto
:
Giant Force
- Angelica Maria
:
Y el Sentir de Juan Gabriel
- Emmanuel
:
Intimamente
[
es
]
- Miguel Bose
:
Miguel
- Jose Luis Rodriguez
:
Me vas a echar de menos
[
es
]
- Dyango
:
La Radio
- Jose Jose
:
Amor Amor
- Jose Jose
:
Romantico
- Jose Luis Rodriguez
:
Atrevete
- Lupita D'Alessio
:
Lupita D'Alessio
(1980)
- Jose Maria Napoleon
:
Celos
- Andy Montanez
:
Salsa Con Cache
- El Gran Combo de Puerto Rico
:
Unity
- Hector Casanova
[
es
]
Casanova
- Camilo Sesto
:
Amaneciendo
- Lissette
:
Lissette
- Alberto Cortez
:
Castillos en el Aire
- Vikki Carr
:
Y El Amor: Canta en Espanol
- Yuri
:
Esperanzas
- Hernaldo Zuniga
:
Hernaldo
- Los Bravos del Norte de Ramon Ayala
:
Cuando Mas Necesite de Tu Carino
- La India de Oriente
:
La India de Oriente
- Oscar D'Leon
:
Al Frente de Todos
- Fania All Stars
:
California Jam
- Ray Conniff
:
Exclusivamente Latino
- Juan Gabriel
:
Recuerdos
- Juan Gabriel
:
Juan Gabriel con Mariachi
- Manoella Torres
:
Ahora No
- Tania
:
Indiscutible
- Miguel Gallardo
:
Sigueme
[
es
]
- Estela Nunez
[
es
]
:
Demasiado Amor ? Canta a Juan Gabriel
- Los Humildes
:
Mas de Lo Que Merecias
- Los Cadetes de Linares
:
El Chubasco
- Lorenzo De Monteclaro
:
Abrazado de un Poste
- Beatriz Adriana
:
Mexico y Su Musica
- Celia Cruz
,
Johnny Pacheco
and
Pete "El Conde" Rodriguez
:
Celia, Johnny, Pete
- Willie Rosario
:
El De a 20 de Willie
- Wilfrido Vargas
:
El Jeque
- Johanna Rosaly
:
Sencillamente
- Roberto Roena
:
Looking Out For Numero Uno
- Roberto Roena
:
Que Suerte He Tenido de Nacer
- Paquito Guzman
[
es
]
:
Dedicado a...Esa Mujer
- Johnny Pacheco
,
Jose Fajardo
,
Pupi Legarreta
, and Javier Vazquez:
Las Tres Flautas
- Adalberto Santiago
:
Feliz Me Siento
- Mazz
:
Class
- Rocio Durcal
:
Canta con Mariachi Volumen 4
[
es
]
- Milly y Los Vecinos
:
En Su Momento
- Johnny Ventura
:
Yo Soy el Merengue
- Santiago Ceron
[
es
]
:
Tumbando Puertas
- Tito Rojas
:
Tito Rojas & El Conjunto Borincano
- Betty Missiego
:
Mi Tierra
- Ruben Blades
:
Maestra Vida
[
es
]
- Rigo Tovar
& su Costa Azul:
Rigo Tovar En Vivo
- Basilio
:
Basilio
(1980)
- Rafael Jose
:
Contigo Mujer
- Yolandita Monge
:
Fantasia
- Los Muecas
[
es
]
:
Los Muecas
- Lupita D'Alessio
:
En Concierto
- Little Joe
:
King Of The Brown Sound
- Gualberto Castro
:
Que Mal Amada Estas
- Aniceto Molina
:
Cabaretera
- ABBA
:
Gracias Por La Musica
- Louie Ramirez
:
Salsero
- Raphael
:
Y... Sigo Mi Camino
- Los Bravos del Norte de Ramon Ayala
:
Pistoleros Famosos
- Los Bravos del Norte de Ramon Ayala
:
Mas Musica Brava
- Los Solitario
[
es
]
:
Mi Amor
- Henry Fiol
:
Fe, Esperanza y Caridad
- Raffaella Carra
:
Latino
- Bonny Cepeda
:
El Maestro
- Joan Sebastian
:
Joan Sebastian
(1980)
- Tony Croatto
:
Tradicion
- Los Tigres Del Norte
:
En La Plaza Garibaldi
- Willie Colon
and
Ismael Miranda
:
Doble Energia
- Oscar D'Leon
:
Presenta La Critica Con Wladimir Y Teo
- Fania All Stars
:
Commitment
- Agustin Ramirez
:
Necesito Tu Amor
- Pedrito Fernandez
:
La Mugrosita
- Beatriz Adriana
:
Adios y Bienvenida
- La India de Oriente
:
¡Desde El Cobre Con Amor!
- Johnny Pacheco
:
Champ
- Veronica Castro
:
Norteno
- Los Cadetes de Linares
:
Pelicula Pistoleros
- Los Pasteles Verdes
:
Solitario
- Marvin Santiago
:
Caliente y Explosivo!
- Orchestra Harlow
:
El Dulce Aroma del Exito
- Rafael Cortijo
:
El Sueno del Maestro
- Daniel Santos
:
50
- Vicente Fernandez
:
El Tapatio
- Los Huracanes del Norte
:
El Hijo de la Musiquera
- Ismael Rivera
:
Maelo
- Alfredo "Chocolate" Armenteros
:
Monsieur Chocolate Prefiero El Son
- Willy Chirino
:
Diferente
- La Pequena Compania
[
es
]
:
Boleros y Cha Cha Chas
- Roberto Pulido
& Los Clasicos:
Mi Pequenito
- Rigo Tovar
:
Y Su Costa Azul
- La Sonora Poncena
:
New Heights
- La Lupe
:
En Algo Nuevo
- Claudia de Colombia
[
es
]
:
Yo creo en ti
- Arrigo Barnabe
:
Clara Crocodilo
- Itamar Assumpcao
and Banda Isca de Policia:
Beleleu, Leleu, Eu
- Egberto Gismonti
:
Circense
- Egberto Gismonti
:
Circense
- Joan Manuel Serrat
:
En transito
Deaths
[
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]
Births
[
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]
1981
[
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]
Events
[
edit
]
Notable singles
[
edit
]
Album releases
[
edit
]
Deaths
[
edit
]
Births
[
edit
]
1982
[
edit
]
Events
[
edit
]
Notable singles
[
edit
]
Album releases
[
edit
]
Deaths
[
edit
]
Births
[
edit
]
1983
[
edit
]
Events
[
edit
]
Notable singles
[
edit
]
Album releases
[
edit
]
Deaths
[
edit
]
Births
[
edit
]
1984
[
edit
]
Events
[
edit
]
Notable singles
[
edit
]
Album releases
[
edit
]
Deaths
[
edit
]
Births
[
edit
]
1985
[
edit
]
Events
[
edit
]
Notable singles
[
edit
]
Album releases
[
edit
]
Deaths
[
edit
]
Births
[
edit
]
1986
[
edit
]
1987
[
edit
]
1988
[
edit
]
1989
[
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]
References
[
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]
- General
- Print editions of the
Notitas Musicales
magazine for the #1 songs in Mexico.
- Salaverri, Fernando (September 2005).
Solo exitos: ano a ano, 1959?2002
(1st ed.). Spain: Fundacion Autor-SGAE.
ISBN
84-8048-639-2
.
(#1 songs in Spain)
- ^
Manuel, Peter (1991).
Essays on Cuban Music: North American and Cuban perspectives
. University Press of America. p.
175
.
ISBN
9780819184306
.
- ^
a
b
Zhito, Lee (26 January 1985).
"¡Viva Latino!"
.
Billboard
. Vol. 97, no. 4. Nielsen Business Media. p. VL-5.
ISSN
0006-2510
. Retrieved
5 August
2019
.
- ^
a
b
c
"The 80s - Latin".
Billboard
. Vol. 101, no. 51. Nielsen Business Media. 23 December 1989. pp. D-49, D-50.
ISSN
0006-2510
.
- ^
Cobo, Leila (November 29, 2003).
"The Prince's 40-Year Reign: A Billboard Q&A"
.
Billboard
. Vol. 115, no. 48. p. 28.
- ^
a
b
Stavans, llan
(2014).
Latin music: musicians, genres, and themes
. Santa Barbara, California:
ABC-CLIO
. p. 547.
ISBN
978-0-313-34396-4
. Retrieved
October 30,
2014
.
- ^
Gonzalez, Yarlis (30 July 2010).
"Canciones de novelas"
.
Revista Sala de Espera Venezuela
(in Spanish)
. Retrieved
6 August
2019
.
- ^
Ardilla, Uriel (24 May 2016).
"8 canciones que no sabias que son italianas"
.
Vibra
(in Spanish)
. Retrieved
7 August
2019
.
- ^
"Clasicos de los anos ochenta"
.
People en Espanol
(in Spanish). 13 November 2009
. Retrieved
6 August
2019
.
- ^
Mendizabal, Amaya (4 October 2016).
"Enrique Iglesias' 'Bailando' & More of the Longest-Leading No. 1s in 30 Years of the Hot Latin Songs Chart"
.
Billboard
. Prometheus Global Media
. Retrieved
6 August
2019
.
- ^
Canelo, Pedro (14 May 2009).
"El ultimo llanto de Roxanita Varga"
.
El Comercio
(in Spanish)
. Retrieved
6 August
2019
.
- ^
Doeden, Matt (2017).
American Latin Music: Rumba Rhythms, Bossa Nova, and the Salsa Sound
. Twenty-First Century Books. p. 33.
ISBN
9781512452761
. Retrieved
6 August
2019
.
- ^
Pineda, Ricardo (12 February 2014).
"Melodia para dos: baladas, gruperos, corazones rotos y cubas 'pintaditas'
"
.
Vice
(in Spanish)
. Retrieved
8 August
2019
.
- ^
Curry, Richard K. (2017).
The First Few Minutes of Spanish Language Films: Early Cues Reveal the Essence
. McFarland. p. 9.
ISBN
9781476627236
. Retrieved
8 August
2019
.
- ^
Moyer, Justin Wm. (14 July 2015).
"Balladeer Joan Sebastian is dead at 64"
.
Washington Post
. Retrieved
8 August
2019
.
- ^
Miguel, Guadalupe San (2002).
Tejano Proud: Tex-Mex Music in the Twentieth Century
.
Texas A&M University Press
. p.
3
.
ISBN
9781585441884
.
-
Read online, registration required
- ^
Pena, Manuel H. (1999).
Musica Tejana: The Cultural Economy of Artistic Transformation
. Texas A&M University Press. p. 3.
ISBN
9780890968888
.
- ^
Garcia, Alma M. (2002).
The Mexican Americans
. Greenwood Publishing Group. p.
198
.
ISBN
9780313314995
. Retrieved
8 August
2019
.
- ^
Bush, John.
"Fania All-Stars: Biography & History"
.
AllMusic
. Rovi
. Retrieved
15 August
2019
.
- ^
Rodriguez, Nelson (1 September 1998).
"A look at contemporary Merengue. - Free Online Library"
.
Latin Beat Magazine
. thefreelibrary.com. Archived from
the original
on 1 May 2021
. Retrieved
7 July
2019
.
- ^
Pacini, Deborah Pacin (2010).
Oye como va! : hybridity and identity in Latino popular music
. Temple University Press. p. 88.
ISBN
9781439900918
.
Merengue was also easier to dance to than the choreographically intricate salsa and thus was more accessible to New York's increasingly heterogeneous Latinos from Central and South America, who were less attached to Puerto Rican and Cuban clave-based rhythms.
- ^
Boidi, Carla (21 June 2001).
"Hear Her Roar"
.
Miami New Times
. Retrieved
15 August
2019
.
- ^
Austerlitz, Paul (1997).
Merengue
. Temple University Press. p. 97.
ISBN
9781566394840
.
- ^
Balderston, Daniel; Gonzalez, Mike; Lopez, Ana M. (2000).
Encyclopedia of Contemporary Latin American and Caribbean Cultures
. Routledge. p. 690.
ISBN
9781134788521
.
- ^
Pietrobruno, Sheenagh (2006).
Salsa and Its Transnational Moves
. Lexington Books. p. 56.
ISBN
9780739114681
. Retrieved
15 August
2019
.
- ^
Remeseira, Claudio Ivan (2010).
Hispanic New York: A Sourcebook
. Columbia University Press. p. 58.
ISBN
9780231148191
. Retrieved
15 August
2019
.
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Further reading
[
edit
]
Zhito, Lee (26 January 1985).
"¡Viva Latino!"
.
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. Vol. 97, no. 4. Nielsen Business Media. p. VL-5.
ISSN
0006-2510
. Retrieved
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2019
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