American novelist
Frances Harriet Whipple Green McDougall
(1805?1878) was an abolitionist, poet, novelist, editor, botanist, spiritualist medium, and advocate of women's, voters', and workers' rights. In contrast to many other 19th-century women writers, throughout most of her adult life she earned her living as an author; at the same time she often donated her writing for causes she believed in, such as the
abolition of slavery
.
Early years
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Frances Harriet Whipple was born on a farm in
Smithfield, Rhode Island
, in 1805. She descended from two of the state's oldest and most distinguished families. After her father went broke, she earned her own living at an early age.
Career
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McDougall started her literary career by submitting poems to Providence newspapers.
In 1829, she founded the literary periodical
The Original
as editor, catching the attention of critic
John Neal
, who praised her work in
The Yankee
, saying that "these are the things we should encourage" and wishing success "to all the she-magazines of our country".
The Original
ceased after two issues.
Some of her earliest writings were poems printed in the gazettes from 1830 to 1835. Her first volume was
Memoirs of Eleanor Elbridge, a colored woman
, of which there were sold more than 30,000 copies. In 1841, she published
The Mechanic
, a book addressed to the operatives of the country, which was much commended in Mr. Brownson's
Boston Quarterly Review
. In 1844, she published
Might and Right
, a history of the attempted revolution in
Rhode Island
, known as the
Dorr Insurrection
. During a part of the year 1842, she conducted
The Wampanoag
, a journal designed for the elevation of the laboring portion of the community, and thereafter, she was a large contributor to what were called "reform periodicals", particularly
The Nineteenth Century
, a quarterly miscellany, and
The Univercoelum and Spiritual Philosopher
, a paper "devoted to philosophico-theology, and an exposition and inculcation of the principles of Nature, in their application to individual and social life". In the autumn of 1848, she became editor of
The Young People's Journal of Science, Literature, and Art
, a monthly magazine printed in New York.
She gained local recognition for her poetry and in 1838 anonymously penned a best-seller:
The Memoirs of
Elleanor Eldridge
. The profits of this book helped Eldridge retrieve property that had been taken from her unjustly.
In 1842, during the conflict of
Rhode Island
's
Dorr Rebellion
, McDougall supported Dorr's efforts to achieve reform of the state's voting laws. After this uprising was harshly suppressed, she fled to
Connecticut
where she lived "in exile" with her new husband, an artist named Charles Green. Their unhappy marriage ended in 1847 when Frances divorced Charles on grounds of non-support and desertion. She then moved to the area of New York City where she taught
botany
and wrote for spiritualist publications.
In 1861, she moved to
San Francisco
. There she lectured and wrote against slavery, worked for women's rights, and served on the board of the first local women's typographical union. She also continued her spiritualist writing. At the age of 57, she married William McDougall, a miner who had been a
California assemblyman
and was the brother of the state's second
governor
,
John McDougall
. She died in 1878 in
Oakland, California
, where she was buried in
Mountain View Cemetery
.
According to Griswold (1852), Green had perhaps entered more largely than any of her countrywomen into discussions of religion, philosophy, and polities. Her views were frequently original and ingenious, and they were nearly always stated with clearness and maintained with force of logic and felicity of illustration. A consideration of them would be more appropriate in a review of her prose-writings; their peculiarities were not disclosed in her poems, of which the only law was the sense of beauty.
Style and themes
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Griswold (1852) remarked of Green's work thus:?
"One of the best known of Mrs. Green's poems is The Dwarf's Story, a gloomy but passionate and powerful composition, which appeared in The Rhode Island Book, in 1841. The longest and most carefully finished is Nanuntenoo, a Legend of the Narragansetts, in six cantos, of which the first, second and third were published in Philadelphia in 1848. This is a work of decided and various merit. In Nanuntenoo are shown descriptive powers scarcely inferior to those of Bryant and Carlos Wileox. The rhythm is harmonious, and the style generally elegant and poetically ornate. In the delineations of Indian character and adventure, we see fruits of an intelligent study of the colonial annals, and a nice apprehension of the influences of external nature in psychological development. It is a production that will gratify attention by the richness of its fancy, the justness of its reflection, and its dramatic interest."
The minor poems of Mrs. Green are numerous, and they are marked by idiosyncracies which prove them fruits of a genuine inspiration. Her Songs of the Winds, and sketches of Indian life are frequently characterized by a masculine energy of expression, and a minute observation of nature. Though occasionally diffuse, and illustrated by epithets or images that will not be approved, perhaps, by the most fastidious tastes, they have meaning in them, and the reader is not often permitted to forget the presence of the power and delicacy of the poetical faculty."
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Attribution
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