Автопортрет
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| Автор
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Рембрандт
(1606?1669)
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| Альтернативные имена
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Rembrandt van Rijn,
имя при рождении
: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn
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| Описание
|
Североголландский
художник, художник книги (printmaker) ва рисовальщик
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| Дата рождения/смерти
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15 юл 1606
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4 октобер 1669
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| Место рождения/смерти
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Лейден
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Амстердам
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| Годы творчества
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с около 1625 до, примерно, 1669
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
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| Место творчества
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| Авторитетный файл
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|
artist QS:P170,Q5598
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| Изображённые персоны
InfoField
| Rembrandt Harmensz. van Rijn
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| Название
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English:
Selfportrait
Svenska:
Sjalvportratt
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| Тип
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картина
object_type QS:P31,Q3305213
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| Жанр
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автопортрет
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| Сипат гьаби
|
English:
Rembrandt’s self-portrait is a relatively small painting, measuring just 12.2x15.5 cm. The base is copper plate covered with a layer of white lead completely overlaid with gold leaf. The portrait was acquired by Nationalmuseum in connection with the Rembrandt exhibition of 1956 and portrays the artist as a serious, quite melancholic young man. The face is modelled with fine, careful brushstrokes. The young man’s gaze is searching and concentrated. The portrait is dated 1630, when Rembrandt was 24 years old.
There are known to be five Rembrandt paintings on copper, three of which are on a gold leaf ground. In addition to the Nationalmuseum self-portrait, these are An Old Woman at Prayer in Salzburg and The Laughing Soldier in The Hague. The paintings are in a similar format and date from the same period.
There are major similarities in terms of lighting, expression and character between Nationalmuseum’s self-portrait and other early self-portraits. However, due to its small format and special base, this little self-portrait required more detailed brushstrokes than the larger portraits on panel and canvas.
Svenska:
Rembrandts sjalvportratt ar en till formatet litet malning ? den mater endast 12,2x15,5 cm. Underlaget ar kopparplat tackt av ett lager blyvitt och darefter overdraget med heltackande bladguld. Portrattet inkoptes till Nationalmuseum i samband med Rembrandtutstallningen ar 1956 och framstaller konstnaren som en allvarlig, ganska dyster ung man. Ansiktet ar modellerat med fina forsiktiga penseldrag. Den unge mannens blick ar forskande och koncentrerad. Portrattet ar daterat till 1630 och Rembrandt var da 24 ar.
Fem malningar pa koppar av Rembrandt ar kanda och tre av dem har bladguld som grund. Forutom Nationalmuseums sjalvportratt ar det An Old Woman at Prayer i Salzburg samt The laughing soldier i Haag. Malningarna har ungefar samma format och ar daterade till samma period.
Det finns stora overensstammelser i fraga om ljusforing, uttryck och karaktar mellan Nationalmuseums sjalvportratt och andra tidiga sjalvportratt. Med sitt lilla format och sin speciella grund kravde det lilla sjalvportrattet dock en mer detaljerad penselforing an de storre portratten pa panna och duk.
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| Изображённые персоны
|
Рембрандт
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| Оригинальный заголовок
InfoField
| English:
Rembrandt’s self-portrait is a relatively small painting, measuring just 12.2x15.5 cm. The base is copper plate covered with a layer of white lead completely overlaid with gold leaf. The portrait was acquired by Nationalmuseum in connection with the Rembrandt exhibition of 1956 and portrays the artist as a serious, quite melancholic young man. The face is modelled with fine, careful brushstrokes. The young man’s gaze is searching and concentrated. The portrait is dated 1630, when Rembrandt was 24 years old.
There are known to be five Rembrandt paintings on copper, three of which are on a gold leaf ground. In addition to the Nationalmuseum self-portrait, these are An Old Woman at Prayer in Salzburg and The Laughing Soldier in The Hague. The paintings are in a similar format and date from the same period.
There are major similarities in terms of lighting, expression and character between Nationalmuseum’s self-portrait and other early self-portraits. However, due to its small format and special base, this little self-portrait required more detailed brushstrokes than the larger portraits on panel and canvas.
Svenska:
Rembrandts sjalvportratt ar en till formatet litet malning ? den mater endast 12,2x15,5 cm. Underlaget ar kopparplat tackt av ett lager blyvitt och darefter overdraget med heltackande bladguld. Portrattet inkoptes till Nationalmuseum i samband med Rembrandtutstallningen ar 1956 och framstaller konstnaren som en allvarlig, ganska dyster ung man. Ansiktet ar modellerat med fina forsiktiga penseldrag. Den unge mannens blick ar forskande och koncentrerad. Portrattet ar daterat till 1630 och Rembrandt var da 24 ar.
Fem malningar pa koppar av Rembrandt ar kanda och tre av dem har bladguld som grund. Forutom Nationalmuseums sjalvportratt ar det An Old Woman at Prayer i Salzburg samt The laughing soldier i Haag. Malningarna har ungefar samma format och ar daterade till samma period.
Det finns stora overensstammelser i fraga om ljusforing, uttryck och karaktar mellan Nationalmuseums sjalvportratt och andra tidiga sjalvportratt. Med sitt lilla format och sin speciella grund kravde det lilla sjalvportrattet dock en mer detaljerad penselforing an de storre portratten pa panna och duk.
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| Дата
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1630
date QS:P571,+1630-00-00T00:00:00Z/9
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| Техника
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English:
Oil on copper
Svenska:
Olja pa koppar
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| Размеры
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- высота: 15,5 см; ширина: 12 см
dimensions QS:P2048,15.5U174728
dimensions QS:P2049,12U174728
- Framed
: высота: 37 см; ширина: 34 см; глубина: 7 см
dimensions QS:P2048,37U174728
dimensions QS:P2049,34U174728
dimensions QS:P5524,7U174728
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| Хранится в коллекции
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institution QS:P195,Q842858
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| Инвентарный номер
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NM 5324
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| Надписи
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Svenska:
Signerad: R...1630
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| Ссылки
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- Rembrandt catalogue raisonne, 1914
, 570
- Rembrandt catalogue raisonne, 1968
, 44
- A Corpus of Rembrandt Paintings VI
, 33
- Rembrandt catalogue raisonne, 1935
, 11
- Rembrandt catalog raisonne, 1986
, 158
- Rembrandt catalogue raisonne, 1908
, 28 L
- Catalogue of the 1903 portrait exhibition, The Hague
, 112
- The Complete Paintings of Rembrandt
, 38
- код произведения в Национальном музее Швеции
:
22374
- код RKDimages
:
29674
- Google Arts & Culture asset ID
:
WAGlk3EYZbNjQQ
- код DigitaltMuseum
:
021046502739
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| Источник/Фотограф
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Erik Cornelius / Nationalmuseum
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Х?укъукъал
(
Повторное использование этого файла
)
|
|
This file was provided to Wikimedia Commons by the
Nationalmuseum
(Stockholm) as part of a
cooperation project
with Wikimedia Sverige.
|
|
|
Это точное фотографическое изображение исходного двумерного произведения искусства. Само произведение искусства находится в
общественном достоянии
по следующей причине:
| Public domain
Public domain
false
false
|
https://creativecommons.org/publicdomain/mark/1.0/
PDM
Creative Commons Public Domain Mark 1.0
false
false
Это цифровое изображение было выпущено в соответствии со следующими лицензиями:
| Public domain
Public domain
false
false
|
|
Nationalmuseum has placed those images in the Public Domain which have been acquired exclusively by digital reproduction of those works of art that are no longer protected by copyright. Nationalmuseum does not consider that a new copyright emerges for the reproduction.
Nationalmuseum has stated some guidelines below what we consider best practice when using images in the Public Domain. The guidelines below are based on the
Europeanas Public Domain Usage Guidelines
, but there is
no legal liability
to comply to them.
- When you use a public domain work please credit the author or creator.
- Please also credit Nationalmuseum and the photographer, who created the digital reproduction and made it available.
- When you use or modify a public domain work you should not attribute the changes to the creator or the provider of the work.
You can easily link to the object as a source, otherwise we recommend the following:
Artist: Title, Date, Nationalmuseum (Photo: photographer’s name), public domain
|
|
| Этот файл был определён как свободный от известных ограничений авторского права, а также связанных и смежных прав.
| https://creativecommons.org/publicdomain/mark/1.0/
PDM
Creative Commons Public Domain Mark 1.0
false
false
Во многих юрисдикциях, включая США, точное воспроизведение двумерных произведений искусства, находящихся в общественном достоянии, не подлежит охране авторского права (см.
Commons:Reuse of PD-Art photographs
). В таких юрисдикциях эта работа фактически находится в общественном достоянии, и требования вышеупомянутой лицензии не обязательны.
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